Crash Street Kids - 'Sweet Creatures' (code 7) 5/5

I gotta confess I was really nervous about receiving and reviewing this album. You see Arizona sleaze fueled retro rockers Crash Street Kids have a very special place in my heart. Our paths crossed just when the BCFM was first launching, they sent me a copy of their second album, Chemical Dogs, and I fell in love with their good old fashioned down and dirty tarnished glam rock approach.I played it almost non stop both on air and for my own entertainment. The more I played the more I liked it, and the more the shows listeners asked for more. It won our Album of the year award for 2007, and still ranks in my top five albums of all time. then came the 2009 follow up Transatlantic Suicide, and last years classic double live set Live From The Waist Down. Both amazing releases that were highly placed in the shows album of the year charts. Then back in the summer I got wind of a fourth album was on its way.

Now you gotta understand the first three studio albums CSK released form a kind of triple concept work. They tell the story of 'The Kid', a mysterious guy, maybe from the future, maybe from within our own id's, who arrives in the 1970's and becomes a rock and roll superstar and lives out all our rock and roll dreams before ending his tale in a set of strange circumstances 'one night in Berlin'. So having seen The Kid killed off at the end of Transatlantic Suicide, I was feeling baffled as to what will happen next. A sequel? the start of a new story? a bog stand album of assorted songs? And whatever it was, could the band follow on such an epic cycle and keep themselves sounding fresh and vital? Well we now have our answer, and I'm glad to say all my trepidation has been for nothing.

Sweet Creatures is another loose concept work, that manages to follow on from the previous albums without being either a clone or a sequel. Here we have a story of a group of young women who are living the seedier side of the rock and roll life style; the booze, the money, the drugs, the sex parties... It's a story that has been told a million times, but has become so intertwined with the whole rock and roll mythos that it never grows stale; and when the story is being told by a band of the caliber of CSK you know it's gonna be told well.

Musically this album is another winner. all the traditional worn-proudly-on-the-sleeves CSK influences are here. Mott The Hoople, Sweet, Slade, Roxy Music, Alice Cooper, ELO, Bowie... all the classic 70's stuff, mixed in with huge dollops of balls out rock and roll and played to immaculate perfection. Hell this band make this kind of classic rock timeless. This is a brand new album, but it could have been recorded at any point from 1970 onwards and it would still sound great. From the 'Sweet' sounding opener Sweet Creatures; via tracks like Alice Cooperesque Asylum, the Iggy influenced Bad, Yeah, Bad, the plaintiff Third Avenue Vampires with it's Ziggy era Bowie hat tips and the glam rock fest of Mary Queen of Rock to the Steve Harley toned Angel and beyond, every track here is a gem of the highest quality. However the albums real killer and biggest suprise comes on the final track Harlot of The Flies. A track with a signature riff that wouldn't sound out of place on a Black Sabbath or Uriah Heep record, a dark and menacing scratched rhythm guitar line, a shiver inducingly evil sounding wah wah solo and despite a fairly uplifting chorus a dark and sudden ending that just leaves you screaming out loud for the next CSK album and the continuation of this dark and twisted tale.

Basically CSK have done it again. they have produced another all time classic opus that should, if there is any justice in the world, turn them from being regional US heroes into worldwide superstars.

BUY OR DIE!!!

for fans of... Mott The Hoople, David Bowie, Slade, Sweet, Roxy Music and classic rock in general

Arch / Matheos - 'Sympathetic Resonance' (metalblade) 4.5/5

This is a rather interesting one. Arch/Matheos are a brand new prog metal outfit formed around the core of former Fates Warning duo John Arch and Jim Matheos along with ex Armored Saint bassist Joey Vera, former Halford drummer and current Sebastian Bach sidekick Bobby Jarzombek and another former Fates Warning guy, Frank Aresti on the six string.

Now with that kind of talent lined up you would be expecting Sympathetic Resonance to be something worth checking out,  and you would be right. Opening with the eleven minute epic Neurotically Wired, this album is as fine a slice of prog-metal as you'll hear anywhere. When its prog it drips all the power and variety you'd expect to find on any Pallas or Pendragon album, when its metal it has all the balls of classic Armored Saint and when they combine the two you have a sound that Dream Theater would be proud of.

There are six songs on offer here three of which weigh in at way over the 10 minute mark and shortest one is still well over five. Yet at no point do they fail to hold the interest. Midnight Serenade is a fabulous slice of moody broody musical darkness that comes over a bit like Mercyful Fate without the faux operatic vocals. The thirteen minute epic Stained Glass Sky is a real classic in the making, with an expertly performed four minute intro before the vocals cut in and comes over like a beefed up Canterbury era Diamond Head. Any Given Day (Strangers Like Me) sounds not unlike Helloween on an Emerson Lake and Palmer trip, whilst closer Incense and Myrrh ( a light weight at a mere five and a half minutes) features a beautiful acoustic opening section that resolves to a wonderfully slick anthem for our time.

 Over all this is a damn fine record, one of the best prog metal releases of the past few years and is a must buy for proggers and metal heads alike.

 for fans of... Fates Warning, Dream Theater, Pendragon, Demon, Evergrey etc

House Of Lords - 'Big Money' (frontiers records) 2.5/5

OK, for those who don't know, a quick history lesson. Back in the 70's there was an American pomp rock outfit called Angel, rock gods in the US, virtual unknowns in Europe, They split in the early 80's and keys player Greg Guffria put his own outfit together under the name Guffria. Two albums later a certain Gene Simmonds decided to sign them to his own label and got them to change the name to House of Lords and brought in vocalist James Christian. From the late 80's til the early 90's they put out a string of three very high quality soft metal albums, made distinctive by Guffiras sharp and edgy synth work, Christians husky but sweet vocalisations and some first rate song writing. The band split in 1993, but since then there have been several reformations with numerous personnel changes.

Which brings us to the bands latest reincarnation and their latest studio release Big Money. Now right from the off you can tell there is something vital missing on this album. House of Lords was always Greg Guffiras band in all but name, it was his song writing and inspired synth playing that made them stand out from the crowd. And sadly Mr Guffira is not involved in this latest incarnation of the band. His replacement, Jeff Kent does a fair job, and on a couple of tracks, most noticeably the songs  Living In A Dream World and Run For Your Life, he does manage to keep the classic of spirit of House of Lords alive, these are two tracks that retain all the majesty and epic soundscapes that made House of Lords a stand out outfit.

But sadly two good songs do not a good album make. The rest of this opus is to be honest a big disappointment. The rest of the tracks are fairly limp hair metal headbangers meets light weight stadium rock anthems, that sound over all like a collection of Warrent b-sides; forgettable, uninspiring and to be honest not very good. Big Money, One Man Down, Hologram, Once Twice... all the rest is a catalogue of disappointment. However the real let down comes from the power ballad, The Next Time I Hold You, one of the most cliche soft-rock-love-song-by-numbers I've ever had the misfortune of hearing, a song that is so sickly it could possibly induce type 2 diabetes in the listener. And it's made all the worse by the fact it's coming from the band who recorded Remember My Name, one of the greatest rock ballads of all time.

Don't get me wrong, this album is well performed by talented musicians, but House Of Lords set themselves a very very high standard over those early albums and Big Money comes nowhere near to the standard the band themselves set.

For fans only

for fans of... Saga, Styx, Loverboy Warrent

Sebastian Bach - 'Kicking And Screaming' (frontiers records) 4/5

Those of you with long musical memories will recall that around the time Guns And Roses were breaking through with their remarkable Appetite For Destruction album there was another outfit also setting the world on fire. They were called Skid Row (not to be confused with the old Irish Blues rockers from the early 70's!!). Now to be honest I always preferred Skid Row to G'n'R, and when Axel and his crew were vanishing into clouds of drug abuse, internal disputes and  over blown self indulgence, Skid Row did bang out a series of really quite excellent hard rock albums. But they never got the deserved breaks and soon vanished off the radar. But now, lord knows how many years on we have this solo effort from Skid Row frontman Sebastian Bach to remind us that the spirit of Skid Row is still very much alive and kicking.

Ok as albums go Kicking and Screaming isn't perfect, but it aint bad either. There are plenty of good old balls out rockers on offer here, Dance On Your Grave, Caught In A Dream, Dirty Power and the like are all classic slices of headbangablity that do have echos of classic Slave to The Grind era Skid Row about them and even the inevitable hair metal power ballad Dream Forever comes over like sleaze fueled nostalgia trip rather than an cliched lighter waver. Then we have the albums stand out track As Long As I Got The Music, a number that shows the likes of Nickleback exactly how modern commercial rock tracks should be penned and performed.

It isn't all good news though, in a couple of places, most noticeably on the song I'm Alive Mr Bach is heading into Theory of A Wifebeater, sorry Deadman, territory (although thankfully without the thuggish sexist lyrics), but these moments are few, and more than compensated for by cuts like Live The Life and Lost In The Light.

Mr Bachs vocals are as fresh and infectious as they were on 18 And Life all those years ago and praise must also be heaped on his side kicks, guitarist Nick Sterling, and former Iced Earth drummist Bobby Jarzombek for helping to make Kicking And Screaming a very listenable and enjoyable album indeed.


Well worth a good listen

For fans of - Skid Row, Guns And Roses, Poison, Ratt, Faster Pussycat etc...

Screaming Eyes - 'Greed' (this is core records) 4.5/5

It's metalcore time again kiddies, but this time we have a twist, Screaming Eyes are not a bunch of hopefuls from some bland south east English dormitory town; they are infact from Piedmont in Italy.

Now I'll admit that the fact these guys are Italian came as a bit of a suprise to me. Not cos I doubt the Italians ability to play great music - everyone from PFM to Speedjackers and Deluded By Lesbians has proved Italy rocks with the best of them; its just that Screaming Eyes sound so English. Sounding like a mixture of Skin The Pig and Malefice they have produced a really rather remarkable little opus that stands proud alnong side, if not above the very best of the current UK metalcore scene.

There are 10 tracks on offer here. Ten slices of shear musical brutality that grab you by the sonic short and curlies and pull with all the power they can muster, and they can muster a lot of power. The opening track Sentenced smacks you round the head like a few tonnes of dolomite marble dropped from a great height and other tracks like My Reason, My Fire and Cash-O-Crazy just explode from the speakers and leave your ears feeling a bit like Pompeii after the big one.

However as I said before when there is a big genre scene around you need a trick or two under your toga to make you stand out from the plebeians, and fortunately Screaming Eyes have just that. The instrumental And Nothing Else Shall Remain is a wonderful moment of musical tranquility amid the pound and bludgeon that wouldn't sound out of place on a Goblin soundtrack to a Dario Argento movie, One Last Trip features a melodic middle section that springs out of nowhere and teasing lifts you out of the metallic hellfest, only to throw you back in head first and the closer Dream Pt.9 has a couple of very strange progressive type sections that make me think of Amon Duul II for some reason.

Basically this is a great record - Buy It NOW

For fans of... As I lay Dying, Skin The Pig, Malefice, Anterior, Trivium etc

Uriah Heep - 'Live In Armenia' (frontiers records) 4/5

Of all the great founding fathers of UK hard rock and Heavy Metal I've always felt Uriah Heep, have had a rough deal over the years. Despite being just as successful commercially as the likes of Led Zep, Purple and Sabbath, and filling just as many stadiums with just as many rabidly loyal fans, they have always had a rough ride from the critics and are never shown as much credit as their aforementioned peers as being one of the true greats.

Still I get the impression that the band themselves are well past caring (if they ever cared at all), they have blazed trails for UK rock all over the world, First UK rock act to play in the Soviet Union, First into China and now we have a double live set recorded in Armenia of all places.

Now there is nothing too surprising on show here, Live In Armenia is a guided tour of the bands 40 year career, from the early classics like Gypsy and July Morning (a song that has inspired a folk tradition in parts of Eastern Europe, what other band can claim that?) and a whole host of tracks taken from their more recent releases like the Wake The Sleeper album from a few years ago. All good stuff, although as a bit of a Heep fan myself  would like to see some of the stuff from the late 70's albums like High And Mighty and Fallen Angel recorded, or at least performed, live at some point.

The performance is top notch as is to be expected from a group of guys who have been fine tuning their craft for over 40 years. Mick Box is on blistering form, especially on the solo for Look At Yourself, and his interplay with Phil Lanzon on the keys is sublime.

There is one small downside, Vocalist Bernie Shaws haranguing the crowd to stop videoing the show gets annoying in places; 'This night is a special one just for you', (right, so when's the official 'Live In Armenia' DVD out then guys?) - To be fair I can understand where he is coming from, but they surely they could have lost those bits at the editing and mastering stage.

That gripe aside, this album is a very worth addition to the cannon of Uriah Heep albums, a must buy for all Heep fans and a great starting place for anyone new to the band who wants to check out some of the true masters at work.

For fans of... Deep Purple, Budgie, Led Zeppelin and the masters of classic rock

Weapon - 'Set The Stage Alight (30th Anniversary Edition)' (weaponrock) 4.5/5

No matter how old I get, I will always take comfort in the fact that my teenage years and early 20's were set to the soundtrack of two of the UK's greatest musical movements, The '77 punk boom, and the New Wave Of British Heavy Metal. So its always a pleasure to rediscover gems from that era that you last rocked out to many years ago. so with that in mind I give you this re-issued and updated version of Weapons classic 1981 opus Set The Stage Alight.

I used to have this album on cassette back in the day, and it was a bit of a permanent fixture in my Walkman for a year or so until it went the way of all tapes and became a mass of brown spaghetti wrapped around the play heads and damaged beyond repair. But now I have this re-issue on CD and sitting hear playing through it is like a host of old friends you haven't seen in years rushing into a room at a suprise party.

But enough of the nostalgia trip, what is this album like? Well to be honest its typical NWOBHM fare in the vein of Sweet Savage, Tygers Of Pan Tang, Jaguar, Dark Star etc. Not very 'heavy' by today's standards, but laden with memorable riffs, catchy vocal hooks, care-free guitar solos, pounding rhythms and played with an enthusiasm that so many of today's so called 'serious' metal acts have forgotten how to capture.

Tracks like Set The Stage Alight (a Tommy Vance Friday Rock Show fave in the early 80's), One Night Stand, Midnight Satisfaction, Liar and the rest of the album to be honest all go to show what a cracking band Weapon were back then, and also points out what a lottery the whole NWOBHM era was, with bands like Iron Maiden and Def Leppard becoming international superstars and equally worthy outfits like Weapon bound for the cult status file.

Maximum praise for the four guys who recorded this classic. Vocalist Danny Hynes has a voice that is powerful, tuneful and instantly likeable, guitarist Jeff Summers is a guitar hero in all but mass adulation and the ducks backside tight rhythm section of Baz Downes and Bruce Brisland hold the whole thing together with bolts of pure British Steel. The songs are expertly penned and despite being 30 years old are just as fresh as they were when this album first came out.And you younger ones remember without the likes of Weapon and the NWOBHM you wouldn't have yer thrash and death, and metalcore at all. This is where it all started.

Fans of the band are also in for a treat for this edition contains four early demo tracks, that are if anything even more urgent and classically NWOBHM than the main album, (just check Jeff Summers slick solo on Remote Control to see what I mean)

Now I've penned the above in the past tense, but I, and fans of the whole NWOBHM will be glad that Weapon are still very much alive and kicking, and there is a new album on the way, that if the latest single Ready 4 U (available through the usual outlets and NOT featured on this reissue) is anything to go by should be just as much a classic as this their debut opus.

So if you've not heard Weapon before, load up and check out this gem whilst your waiting for the new album, you'll love it, I promise.

For Fans of - Marseille, Tygers Of Pan Tang, Sweet Savage, Dedringer, Def Leppard etc...

Bambi Killers - 'Invisible ep' (self released) 4.5/5

As I was an impressionable teenager in the late 1970's when the likes of The Pistols, Stiff Little Fingers, The Clash etc exploded onto the public consciousness it is inevitable that I have developed a bit of a taste for punk of the ol' skool. So when I find a new band who play no bullshit, heads down, pogo til yer puke and have a good time doing it type punk, I tend to sit up and take notice. So with that in mind I give you this demo ep from Swansea outfit Bambi Killers.

And what a classic this is. Five tracks of good old no nonsense punk that take me screaming back to the old days of cider fueled safety-pin and bondage trouser mayhem that marked some of my earliest musical fascinations and kept me on the floor at school discos until the NWOBHM came along.

Opening with riff heavy title track, that sounds not unlike a more controlled Exploited, this disc just rocks. Vocalist Cluffy spits fire and venom like a pissed off Becky Bondage on laughing gas and the rest of the band of Pumpa, Muppet and Bom Tarker keep the thunder coming like the good 'uns they are.Get Up Get Out Get Off is a relentlessly paced slam dance floor filler. Weight Of The Morning sounds a little like Poly Styrene fronting the Subhumans and Lights Out is nifty little ode to sexual frustration in the style of The Adverts. All good stuff, very good stuff indeed.

However the real killer is the closer, a cover of the old Rolf Harris track Two Little Boys, played in the style of The Toy Dolls, that blows the balls, cock and most of the lower abdomen off the Splodgenessabounds version from the early 80's.

Having seen this outfit live a couple of time, and can safely say they are every bit as good on stage as they are in the studio; I am therefore content that the future of punk of the ol' skool is in safe hands.

In short - A must for all punk lovers

For fans of... Vice Squad, The Adverts, The Clash, Toy Dolls, The Ruts etc...

In Archives - 'Traitors' (self released) 3.5/5

I know I joke about it, but hardly a week goes past without a new metalcore outfit stuffing their latest offering into my inbox, and this week is no different. This time it's Peterborough noise merchants In Archives who are chancing their arm.

Now this outfit are very new, they only formed last year, although apparently their various members have been around on their local scene for a while, and as 'core stuff goes this aint to bad. Its brutal, got some nice lead guitar work, the traditional clean and dirty vocal interplay and riffs that variate from the fast as frigg to the dark and doomy. Tracks like Lost At Sea and The Oncoming Seasons are the sort of stuff that will keep your average circle pit going all night. 'Core fans will love it.

However, like a lot of the 'core that's around at the moment it is a bit formulaic and doesn't really stand out from the crowd of other 'core wannabes that are bombarding my in tray at the moment, but as long as In Archives are content to cater to their 'core audience and not seeking broader horizons, there is nothing wrong with that.

In Short - Core kids will love it, the rest may wanna try before they buy

For fans of ... Converge, Pay No Respect, The Bled, Skin The Pig

Black Iris - 'Black Iris' (self released) 3.5/5

It's metal time again, and this time it's Surrey outfit Black Iris who are stepping up to the plate with this four tracker to see if they can stand out from all the other hopefuls.

Well things start off promisingly. This ep's opener The Tangled Web We Weave is a bit of a classic of epic proportions, eight minutes long, nice melodic vocals counter pointed with the usual pig grunting, some fast and intense riffage and a slick widdly yet tuneful wah wah guitar solo. And thus it continues. It's Only Just Begun has hint of the old Iron Maidens to it - even to extent of sounding a tad like Phantom of the Opera on its lead break. Better Luck Tomorrow wouldn't be out of place on an Alter Bridge album whilst closer (and this ep's stand out track) Heart Still Beats is as tasteful a slice of contemporary commercial metal as anything the likes of Bullet For My Valentine, Avenged Sevenfold or Killswitch Engaged could cook up.

Don't get me wrong, this ep isn't perfect, it sounds a tad too generic to be truly remarkable, but Black Iris are a young band with their first release and they show enough talent here to show that given time and guidance they could develop into something a bit special.

In Short - Worth a look.

For Fans Of.. Killswitch Engaged, Alter Bridge, Avenged Sevenfold, Bullet For My Valentine.

Anterior - 'Echoes Of The Fallen' (metal blade) 5/5

I have been hearing good things about Anterior for sometime, nearly every band I've had on the show over recent months has been tipping them as the next big thing in UK metal, and now at last we have Echos of The Fallen, the debut album from this hotly tipped outfit. So does it live up to the expectation and hype?

The answer is a simple YES. It's been a long time since I've come across an album by a British metal band that has hit me with so much wow factor. It's tight, powerful, slick, controlled and played to absolute perfection. Echoes Of The Fallen straddles the gap between thrash and mainstream metal. You get blasts that echo (pun intended) 'The Force' - Onslaughts incredible 1986 album, the mark by which all British thrash shall be measured, yet other sections are pure Judas Priest / Iron Maiden - melodic harmony guitar lines a-go-go and then there are hints of other greats here Dragonforce, Black Sabbath, Saxon, Marshall Law... all the good stuff.

A track by track breakdown is not called for here, for every number is a complete gem but a few highlights include: the epic opening of To Live Not Remain;  some wonderfully doomy riffage in By Horror Haunted; the brain bludgeoning brutality of opening to The Evangelist - a track that resolves into something so epic Dragonforce would sell their souls to have penned; the face melting intensity of Venomous; the sublime lead guitar work on Senora de las Sombras... I could go on, but you get the picture. Basically there is not a weak moment on show here, this album is just 44 minutes of metallic heaven.

Remember this is a debut album from a fairly new band, and if they are this good at the start, just imagine what they can be once they have got a few more releases under their belt and done a few tours to hone their already impressive sound... I have a feeling we just might be witnessing here the birth of the new metal gods.

In short this is an album that MUST be added to the collection of everyone who claims to be a metal fan.

For Fans of... Slayer, Trivium, Iron Maiden, Judas Priest, Dragonforce etc etc etc...

Fall Against Fate - 'If Not For Ourselves' (self released) 4.5/5

As I keep saying, there is an awful lot of quality metal core around in the UK at the moment, and the bar has been set very high by the likes of Cinderfall and Terakai etc, so it's getting hard and harder for any band in the that genre to stand out from the crowd. So next up for the high jump we have Fall Against Fate from Hertfordshire with their second album 'If Not For Ourselves'. Can they clear the bar and give us something to take notice of?

Well the good news is that not only do FAF clear said bar, but they have also raised it to a new level. This album ranks among the very best of what this genre has to off. It' powerful, intense, brutal and slick, yet at the same time shows enough invention, melody and intelligence to mark it out as something beyond the ordinary, something to hail as genre defining.

Every track here is something special, from the semi commercial melody's of So Real, to the Rolo Tomassi like Le Corps and the wonderfully titled mini epic I Hate Godzilla, He Destroys Cities (funny I love Godzilla for the same reason), each track is a real gem that entertains, brutalises, enthralls and enraptures at the same time. Amazing stuff.

So in conclusion if you like your metalcore then buy this album. And if your in a band that plays metal core pay special attention, for this is the album that sets the standard.

For fans of...  Pay No Respect, Maliface, Rolo Tomassi, Cindersfall etc...

Byron Nemeth Group - 'The Force Within' (digital nations) 4/5

Ok I'll have to be up front and say I've always had a bit of an issue with solo guitar instrumental albums... all that technical mindless widdle the likes of Yngwie Malmstein and co used to serve up left me cold and wondering what the hype was about. It was 99% style over substance, technically superb, but to the average listener who wasn't a guitar wank freak, it was soulless and lacking in any form of imagination. However over the past few months I've had a couple of releases arrive through my door that have made me take another look at the whole guitar instrumental album thingy. first up we've had 'War march' from Sacred mother Tongue axpert Andy James, and now this little tasty offering from Ohio g-meister Byron Nemeth.

On first listening I began to realise that this album is less Malmsteinesque mindless masturbation and more Ronnie Montrose / Steve Hackett style guitar lead prog; in fact the title track from this album wouldn't seam out of place on one Mr Hacketts more recent offerings with its slick melodic lead lines and synth wash backing. I will go as far as to say that melody is the key word here, Yes Mr Nemeth does go in for the odd bit of technical flashiness, such as the conclusion to Frankenstein's Lullaby, nowhere does he make the mistake and let his playing descend into the mindless blur so many so called guitar heroes consider playing. The whole album does come over as a band work rather than a solo guitar album, the keyboards share just as much of the lead work as the guitar does, and each track is a complete piece of music rather than being an excuse for yet another 5 minute guitar solo. And for that I, and everyone else who hates six string onanism must be thankful for.

Just to select a few choice moments; Dream Catcher is a great track that wouldn't sound out of place on a Yes album, I Don't Mind is a beautiful chill out moment and the closer I am The Walrus (yes the Beatles number) comes over like a classic cover by The Shadows.

All in all a worthy album and a must hear for lovers of all good guitar music

for fans of... Steve Hackett, Ronnie Montrose, The Shadows et al...

Lenny Kravitz - 'Black And White America' (roadrunner records) 4/5

It only seams like yesterday Lenny Kravitz seamed to explode out of nowhere with his infectious funk groove driven brand of hard rock, so I'm a little amazed that he now reached album number 9 in the form of 'Black and White America', how times flies when your having fun! Anyway the bottom line is there's a new LK album around and it's a pretty good one.

Musically this album does just what it says on the tin, it's a stylistic cake walk through the history of American popular music from both the white and African American traditions. you get tracks like the Black And White America itself and Come On Get It that are firmly rooted in the P-funk traditions of Parliament, The Faith of A Child is classic gospel, Rock Star City Life and In The Black and good old hard rockers with a Tom Petty vibe about them, Liquid Jesus is a track that drips classic soul and Motown influence and tracks like Boongie Drop heads off into hip-hop territory (featuring as it does a certain Jay Z as guest rapper).

The album is well played, well penned and well performed. My only complaint being that in trying to embrace so may different styles and genres on one album, and doing each one so well, this album does in places hang together more like a compilation release rather than a full blown album, but as individual tracks there is nothing to find fault with here.

Highlights? well the disco strut of Superlove features some great guitar work, Looking Back On Love has more than a hint of the Carlos Santana's to it (and I love Carlos) and my personal fave cut is the sleazy rock stomp of Stand.

Couple the musical excellence with lyrics that talk about racial harmony, love, peace and empowerment (man) you have a really good and very listenable album. Nice one Mr Kravitz

For fans of... Good American music in all it's guises.

The Dirty Youth - 'Fight' (RMR records) 4/5

This is the new single / sampler from female fronted Welsh rockers The Dirty Youth and its a rather interesting little three track package.

Starting with Fight itself, the lead single from their forthcoming debut album these lads and lass lay out their stall in fine style. The track sounds like either Within Temptation without the gothic pretensions or maybe Kids In Glass Houses on a metal trip, depending on how you look at it. But whatever your view point you can't deny that this is a great slice of headbangable old school style metal. They follow on with the B-side Crying Out For You, that keeps the pace up in fine style whilst sounding a tad like the late lamented SAL. Then we have the bonus track, a stripped down piano/vocal version of This Is For You, which for me provides the high point of this worthy release. This track is spine shiver inducing to the extreme and shows that there is more than one string to the bow of this promising young outfit.

With the once great SAL sadly no more the field is open for The Dirty Youth to claim the crown as kings of South Welsh female fronted hard rock as their own, and judging by this release they might just as well do it. Well worth checking out.

for fans of.. SAL, Paramour, Within Temptation, Doro, etc

The Kix - 'The Kix (demo ep)' (Self Released) 5/5

Women in rock bands are nothing unusual these days, but all girl rock bands are still a fairly rare beast. This is a shame cos in the past we've seen outfits like Fanny, The Runaways, Girlschool, Rock Goddess, Vixen, Jezzabelle, L7 etc who have all proved that the so called 'fairer sex' can lay down just as much thunder as the fellas. Well now we have The Kix come along to add their names to the honour role of women who can rock with the very best of the blokes.

The Kix are based in Aberdare, South Wales, and play rock of the old school in the vein of Girlschool, Rock goddess etc. Now I can't help but notice some interesting parallels between these talented young ladies and the classic NWOBHM outfit Rock Goddess. They consist of two sisters on guitar and drums and a best friend who plays the bass, they are still in their late teens and early 20's and play an infectious brand of groove driven rock and metal (hell drummer Charlotte even looks a little like RG drummer Julie Turner did in the early 80's). All of this is fine with me, I loved Rock Goddess and always thought they should have been huge.

But don't think for one minute that these girls are a Rock Goddess clone outfit. There is a lot of good stuff going on this five track offering. the opener Look Alive cuts in with a riff that sounds a little like Orgasmatron era Motorhead, then has a couple of riffs that sounds a bit Groundhogsy. Louder Than Words is a glorious glam punk work out in the Runaways style, Out of The Blue has a hint of the Iron Maidens about it. Same Old Story is a stomping semi blues fueled rock-out track with a delicious break down section in the middle and Off My Back has the feel of a classic Suzi Quatro number. Not a duff track on offer here and the louder you play it the better it sounds.


Much praise is due here for the musicianship on show as well, vocalist / guitarist Sam Bolderson has the looks and voice of Joan Jett and the guitar playing ability of the late great Kelly Johnson, her sister Charlotte on the kit is duck arse tight and smacks the pig skin with a power that is inversionally proportionate to her size and underneath it all is the rock solid bass playing of Kate Marshall who must surely rank along side the aforementioned Ms Quatro and Enid Williams as proof that women can play as good as any man. Whats more, I've seen these girls live and and they can do it in concert as well as in the studio and to say I'm blown away by The Kix is an understatement.

In short - A fantastic demo from a band that should be bound for big things.

For fans of... Girlschool, AC/DC, Motorhead, Aerosmith, Iron Maiden, Motley Crue etc...

Elephant 12 - 'Elephant 12' (I Blame The Parents Records) 4/5

Now I will confess from the start I really can't stand dance music, repetitive bass lines and endless 4 to the floor drum beats really do bring out a psychotic reaction in me, I have get away from it or I find I have a growing rage and an urge to physically attack the DJ or band or whatever is producing the noise. This intense dislike extends to dance/rock fusion outfits like Prodigy, Does it Offend You Yeah and Pendulum as well, so when I received this new EP from Elephant 12 and read the release blurb, I was quite prepared for the worst, and was all geared up to spit venom in the face of another bunch of rage inducing fusion merchants.

However after a couple of play troughs, the first rather tenuous and subsequent ones at louder volumes, I am glad to report there is nothing here to induce rage. Far from it, this ep is less dance/rock fusion and more hip-rock mash up; and I am partial to rap in small doses and have a lot of time for acts like King Prawn and Rage Against The Machine, who blend rock and rap and electronica; and as this is where Elephant 12 are coming from I will admit I'm beginning to get quite a liking for this ep. Nowhere does the electronica and dance drum beats ever impose on the music, they are there to kick the songs along, but it's the vocals and the guitar riffs that focus the interest just like all good rock should do.

The over all effect does sound like the aforementioned King Prawn jamming with the aforementioned RATM, melodic semi rapped vocals with a hard punk / SKA edge over laying some great metal riffage. All four tracks are great, but to me the real killer is the dark and brooding Money Talks a great little song that really does have a very infectious groove to it.

In short - a cracking little ep that's worth checking out.

For fans of... Rage Against The Machine, Primus, King Prawn, Lillydamnwhite etc....

21 Against - '21 Against' (self released) 3.5/5

21 Against are yet another of those annoyingly talented Welsh outfits, and like a lot of those annoyingly talented Welsh bands, this lot come from Llanelli. This 6 track mini album is apparently their second release and they are getting a fair following in the US and Canada already having toured over the pond a few times.

First up I gotta say there is nothing wrong with this album, it's expertly played, well produced and shows a great flair for song writing. In fact a couple of tracks on here are real classics. The opener Say What You Need kicks of with some tasty power chordage then soon cuts into a great little bop along number that wouldn't sound out of place on an album by their compatriots and near neighbours V0iD, Breakdown has a certain Lostprophets air to it and the closer Shouldered is a great anthem that should get the most hardest to please crowd going when performed live.

However in other places they are sadly heading into Nickleback / 30 Seconds To Mars territory and while that may be fine for fans of modern US rock radio and Kerrang fm, for anyone looking for more than the same old commercial rock fodder it comes over as a bit of a disappointment. Maybe its all those trips stateside are having an effect, but I can see a danger here of a great band alienating its home fans in order to obtain the mighty dollar.

Still 21 Against as a band have a lot to recommend them and this album is still good enough to be worth checking out, please don't let my own tastes distract you from something you may like, and I'm sure whether in the UK or the US they are a band with a worthy future ahead of them.

In short - worth checking out

for fans of... V0iD, Lostprophets, 30 Seconds To Mars, Stereophonics... etc

Red Enemy - 'What We Are Contained In Is What We Are' (Invictus Music) 4/5

It's been a while since we had a band out of the Irish Republic to make us sit up and take notice, recently it's been Wales that has been the musical powerhouse of these islands. However just to remind us that the Emerald Isle is still rocking we have this rather tasty ep from Red Enemy.However don't think for a single minute that because this lot are from Eire that your gonna get Horslips style folksy shenanigans, U2 style stadium rock or even  Thin Lizzy you like jiggy hardrock. Far from it. Red Enemy play hardcore with a capital 'ard and take about as many prisoners as Brian Boru did at the Battle of Clontarf.

This five tracker is brutal to the extreme - cuts like Betrayal and No One Will Remember Our Names attack your ears and sensibilities with all the power, rage and anger of a gang of feral youths on a looting spree in Croydon. Guitar riffs bark away like machine gun fire, drums pound the ears with a relentless tattoo and over it all is some menacing growled vocalisations that spit venom and bile like the wrath of the Morrigon.

I've gotta admit I am partial to a bit of hardcore from time to time and as far as hardcore stuff goes this is one of the best debuts I've encountered in a fair while, It's tight and in your face without ever loosing control of the feeling of pent up menace the ep generates. I can see Red Enemy becoming big players in the angry world of hardcore - Highly Recommended

For fans of - Converge, The Bled, Dillinger Escape Plan etc...

Death Remains - 'A Thousand Lives' (self released) 4/5

Yup it's Brit metalcore time again, and this time it's London hopefuls Death Remains who are stepping up to the plate with this, their four track debut ep.

Now there's an awful lot of this sort of stuff around at the moment, and for any band to stand out from the hundreds of wannabes out there, they have to serve up something a little bit special, and whilst A Thousand Lives isn't exactly earth shattering, it is noteworthy enough to make peeps take notice of them. Take the second track Cincinnati Bow Tie, it bops along like most standard metalcore releases with horse growled vocals and old school thrash metal riffage at a relentlessly frenzied pit friendly pace, then suddenly it cuts to a brief section that can be only described as a sublime doom metal moment. Great stuff.

In fact all four of the tracks on offer here have some trick up their sleeve to make them stand out out from the crowd. In addition to the aforementioned Cincinnati Bow Tie; Innocence has a couple great layered harmony clean vocal sections; Diminished Responsibility also features a grind doom moment to relieve the brutality (or maybe to grind your face into the floor with) and Laid To Waste breaks up the bludgeon with some nice rhythmic variations and machine gun burst drum fills.

It remains to be seen if Death Remains can keep the interest going over more than a four track ep, but the signs are promising and I'll be keeping an eye on their progress from here on in.

In short - A worthy debut

For fans of... Malefice, Terakai, Cindersfall, Pay No Respect, etc...