Crucified Barbara - 'The Midnight Chase' (GMR) 4.5/5

Crucified Barbara are a all girl four piece outfit from Sweden. Originally a punk outfit they have honed their sound over the past 14 years into a classic old school hard rock outfit. They have toured with Motorhead amongst other and have just issued this their third studio album.

Ooo this is good, I've not encountered Crucified Barbara before but a mate of mine has been raving about them for sometime, so I thought it was time I checked them out, I got hold of this their latest release and boy I'm glad I did. Kicking off with The Crucifier, a juicy slice of old school 80's style metal in the Girlschool / Meanstreak vein, this album is just one glorious exhibition of first rate classic old school rock and metal. Tracks like Shut Your Mouth, Rules And Bones, Kid From the Upperclass etc are all damn fine, intelligent and highly headbangable exercises in classic metal excellence that stand up to repeated listening.

I know this may be seen as cliche, but I can't but notice some interesting parallels with Girlschool on this one. After all both bands started out as punk outfits, both evolved their sound into good old hard rock whilst retaining a little of the punk roots in their sound, and both have the power, drive and attitude to prove that anything the boys can do the girls can do just as well if not better.

OK it's not all good news, there is the ballad Count Me In, a very light weight throw away radio rocker that sticks out from the rest of the album like a Torey boy at a socialist workers rally, (hence this album not getting a perfect 5), but when you also have gems like Rock Me Like The Devil on offer it is a slip up than can be over looked.

The bottom line is this is a great record from a great band and one that should help Crucified Barbara get better noticed worldwide. I expect great things from these ladies in the years to come.

Very Good Indeed


For fans of.. Girlschool, Motorhead, Tank, Meanstreak, The Kix, Rock Goddess etc...

Viking Skull - 'Cursed By the Sword' (transend) 4.5/5

This is the third full length opus from Corby based 'Viking' metal outfit Viking Skull and the first for Transend.

Now from the off lets clear up any confusion, although Viking Skull do admit to being influenced by and inspired by all things viking, this album is not true Viking metal as such, there's no Amon Amarth / Falconer / Turisias / Kivimetsan Druidi style longship rowing epic nordic stylings here. Instead on first play of this album you get huge chucks of Battleaxe and Fist style NWOBHM and large helpings of post NWOBHM aggression in the style of acts like Drunken State all wrapped around a vocalist who does a damned good Blackie Lawless (WASP) impression. And to be honest I am pleased about that, cos the result is a Brit band playing tin the classic Brit metal style that I grew up listening to and as a result is right up my musical street.

To say I'm liking this one lots is a gross understatement. There are ten tracks on offer, all sweet as a nut old school headbangers that take me back to those air punching and head banging days back at Bristols old Granary Club in the 1980's. You get cuts like the savage and boogie driven Machine Gun Honey,  the AC/DC fueled Second Left On Harris, which features classic lyrics like 'I've got 1,000 watts of rock and roll, turn it up and watch your neighbours cry' and fantastic tongue in cheek beer goggle anthem You Look Like I Need A Beer. It's larger than life, in your face and what's more important, is delivered with a sense of humour that in these days of dead pan metal is a breath of fresh air. However my fave track here has to be the Sabbath inspired Sleepwalk, a true metal epic if ever there was one.

Musically this album is first rate, its aggressive and heavy yet it still manages to maintain a full on dance-floor friendly boogie attitude that will make even the squarest of old metal-heads wanna dust off the old air guitar and jam along; and that is something the current UK metal scene needs more of. The production here is spot on as well. it's tight enough to pull the sound together nicely but remains loose enough to allow the bands raw attitude and fire to shine through to the max. Not a balance that is easy to achieve.

Over all this is a great record and one I'll be playing a lot, both on air and for my own pleasure.

Well worth getting

For fans of... Motorhead, Black Sabbath, Iron Maiden, Saxon, Battleaxe, Drunken State...

Vantage Point - "Tomb of The Eagles" (Power Point) 4.5/5

Edinburgh outfit Vantage Point are not a band that's a household name, if fact outside their native Scotland they are almost unknown, and that's a shame, cos they really are a gem of an outfit with a lot to offer, and with this their second album, they really laying out a stall full of goodies that could well move them on from being local heroes into an act the whole of the UK and beyond should take notice of.

From the off, lets be perfectly clear, Vantage Point play metal, heavy metal. We are talking no bullshit, devil horns in the air, bang your head til your carpets full of dandruff, air guitar a-go-go, whiplash inducing MMEETAALLL of the old school. the sort of metal that dates from about 1983, late NWOBHM, pre-thrash sort of stuff. If your familier with the early work of say Saxon, Tygers Of Pan Tang, Weapon, Nightwing, Toyko Blade, Persian Risk etc you'll know exactly what I'm on about. Nothing too heavy by todays standards, but nice driven crunchy controlled riffage, howling guitar solos, air punching anthemic choruses, pounding drum beats and the rest. In short the sort of stuff I fell in love with back in 1980, and has been my musical true love ever since. (OK I've had affairs with prog rock, punk, goth, thrash, doom, hardcore and even jazz and ska over the years, but its still old school metal that really floats my boat.)

There are 14 tracks on offer here, and every one is a bit of a belter. I'm not gonna give a track by track guide, I believe in letting you check things out for yourselves, but I will give you a few personal highlights. We have the epic title track Tomb of The Eagles, which sounds a bit like Toyko Blade jamming with Heavy Pettin' and features some wonderful off metre vocals and a solo to die for; then there's High Plains Drifter, with a riff that hat tips Angelwitch and lyrics that praise a certain Mr Eastwood, (the greatest cowboy of all). Obedience School (the current single) is a classic slice of down and dirty sleaze metal that wouldn't sound out of place on Girl's 'Sheer Greed' album; and then there's my favourate cut on offer Global Delay with is post Kashmir verse riff, Nightime Flyer style chorus and mindblowing shred and widdle solo. All very good stuff indeed!!

Now I don't for a minute think this album will make Vantage Point interational metal super stars. It sounds far to retro for that, but with a renewed interest in the roots of metal and the NWOBHM in particular I can see it making them cult legends of the underground and winning them friends and admirers far beyond their native Scotland.

Well worth a look or three

For fans of... Marsellie, Tygers Of Pan Tang, Iron Maiden, Judas Priest, Witchfynde, Witchfinder General, Heavy Pettin'.... etc

Hate Gauge - 'Hope, Envy, Love & Lies' (self released) 4.5/5

Hate Gauge hail from Pembrokeshire in West Wales, and when they list Stella Artois and kebabs amongst their influences I had a feeling they would be right up my street. They have put out a few eps in recent times and now they have issued this six track mini album.

The moment I started to play this album and heard the opener Metal Messiah and found to my delight it sounds like Tokyo Blade, Persian Risk and Tygers Of Pan Tang style NWOBHM with lyrics to match; "Hand in the air like a metal messiah; on a long cold road out of hell...", I knew I was onto a bit of winner; and its gets better as you go along. One More Lie has cool groove metal feel that hints at Pantera; In To Deep is a bit of an anthem with bit of a Maiden meets Anthrax thing going on. This Drug is a bit of an epic in the same vein as Metallica used to be before they sold out to the majors, Jealousy continues the classic Metallica vibe but this time incorporates a Mastodon style groove and closer Let Me Know is the real surprise, a mellow acoustic track that has a certain Black Stone Cherry feel to it.

To say I'm a little impressed with this one is an understatement. The production is spot on, it still maintains a little roughness around edges, and that is good. Ever since Metallica dropped a bollock with 'And Justice For All' there has been a trend amongst some metal acts to polish all the life and fire out their sound, but fortunately this is one trend Hate Gauge haven't picked up on. The sound here is crystal clear, but still raw and in your face like metal should be. And all praise to the performances, every member of this quartet delivers the goods in fine style, the playing is first rate, the vocals clear, melodic and powerful without ever needing to resort to pig grunts or power wails, and the song writing is top notch.

In short Hate Gauge have in Hope Envy Love and Lies delivered a cracking little gem of a mini album that should start to open doors for them. But don't take my word for it, its available through Amazon and the other usual outlets, go get a copy and see for yourself.

For fans of... Metallica, Pantera, Mastodon, Tygers Of Pan Tang, Elimination....

Weapon - 'Set The Stage Alight (30th Anniversary Edition)' (weaponrock) 4.5/5

No matter how old I get, I will always take comfort in the fact that my teenage years and early 20's were set to the soundtrack of two of the UK's greatest musical movements, The '77 punk boom, and the New Wave Of British Heavy Metal. So its always a pleasure to rediscover gems from that era that you last rocked out to many years ago. so with that in mind I give you this re-issued and updated version of Weapons classic 1981 opus Set The Stage Alight.

I used to have this album on cassette back in the day, and it was a bit of a permanent fixture in my Walkman for a year or so until it went the way of all tapes and became a mass of brown spaghetti wrapped around the play heads and damaged beyond repair. But now I have this re-issue on CD and sitting hear playing through it is like a host of old friends you haven't seen in years rushing into a room at a suprise party.

But enough of the nostalgia trip, what is this album like? Well to be honest its typical NWOBHM fare in the vein of Sweet Savage, Tygers Of Pan Tang, Jaguar, Dark Star etc. Not very 'heavy' by today's standards, but laden with memorable riffs, catchy vocal hooks, care-free guitar solos, pounding rhythms and played with an enthusiasm that so many of today's so called 'serious' metal acts have forgotten how to capture.

Tracks like Set The Stage Alight (a Tommy Vance Friday Rock Show fave in the early 80's), One Night Stand, Midnight Satisfaction, Liar and the rest of the album to be honest all go to show what a cracking band Weapon were back then, and also points out what a lottery the whole NWOBHM era was, with bands like Iron Maiden and Def Leppard becoming international superstars and equally worthy outfits like Weapon bound for the cult status file.

Maximum praise for the four guys who recorded this classic. Vocalist Danny Hynes has a voice that is powerful, tuneful and instantly likeable, guitarist Jeff Summers is a guitar hero in all but mass adulation and the ducks backside tight rhythm section of Baz Downes and Bruce Brisland hold the whole thing together with bolts of pure British Steel. The songs are expertly penned and despite being 30 years old are just as fresh as they were when this album first came out.And you younger ones remember without the likes of Weapon and the NWOBHM you wouldn't have yer thrash and death, and metalcore at all. This is where it all started.

Fans of the band are also in for a treat for this edition contains four early demo tracks, that are if anything even more urgent and classically NWOBHM than the main album, (just check Jeff Summers slick solo on Remote Control to see what I mean)

Now I've penned the above in the past tense, but I, and fans of the whole NWOBHM will be glad that Weapon are still very much alive and kicking, and there is a new album on the way, that if the latest single Ready 4 U (available through the usual outlets and NOT featured on this reissue) is anything to go by should be just as much a classic as this their debut opus.

So if you've not heard Weapon before, load up and check out this gem whilst your waiting for the new album, you'll love it, I promise.

For Fans of - Marseille, Tygers Of Pan Tang, Sweet Savage, Dedringer, Def Leppard etc...

Grifter - 'Grifter' (ripple music) 4.5/5

OK, first up, PLEASE do NOT confuse this outfit with a rather limp indie shoegaze band from the states of similar name. If you want angst ridden teeny post rock walk away now and save yourself a whole world of pain and possible ear damage... If however you want to hear some down and dirty good old biker rock from Plymouth in the UK, then stick around, cos I think you'll like.

Formed by a group of veterans from the Plymouth area rock scene, Grifter have been around since 2003 and have chalked up a long list of self released eps that have won them friends and rave reviews all over the UK, and now they are hitting us with their first full length album. And worra album it is; dripping classic hard rock sensibilities from first to last this album just rocks. There's the smattering of all the greats in Grifters balls out rock approach; ZZ Top, AC/DC,  Juicy Lucy... even bits of some of those great but forgotten NWOBHM outfits like Split Beaver, Handsome Beasts and After Dark. Basically this right up my musical alley. It ain't original, it ain't cleaver, it is just rock and roll with a capital RAWK.

There's 11 tracks here, and each one is a stomping greasy down and dirty biker bash floor filler, and with titles like Asshole Parade, Strip Club, Piss And Gas et al. you know EXACTLY where these guys are coming from; and in a time when too many rock bands are trying to be over cleaver and too flash for their own good Grifter are a breath of fresh air.

Highlights? well the album is one long highlight, but I will confess the damnation boogie of Young Blood Old Veins with its message of keep on rockin' strikes a particular chord with this aging old rocker 'THE CLOCK'S TICKING - BUT I'M NOT LISTENING..' Hell yeah!!

Buy this album, and play it LOUD!

For fans of -  Dumpy's Rusty Nuts, Handsome Beasts, Airbourne, Rose Tattoo, AC/DC, ZZ top etc

IRON CLAW - 'A Different Game' (ripple music) 5/5

One of the great pleasures about this radio DJ lark is your constantly finding great music. Sometimes its a great young band that  comes out of nowhere and bites yer balls, other times, such as with this gem, its a band that's been around for years, and has previously slipped right under your radar. Iron Claw have been around for a long time, a very long time. They formed in the Scottish boarders way back in 1969 and until 1974 they plugged away straddling the line between heavy metal and art rock with out really making much head way. Then in 2009 a compilation of their back catalogue was released to a fair amount of critical acclaim. This prompted the inevitable reformation and now we have the bands first new material in over 30 years.

And what a release A Different Game is. Thirteen cuts of top grade old school rock and metal, expertly produced and played with a fire and a passion Scottish folk hero William Wallace would be proud of. You get the doomy grindhouse riffage that tips a hat to likes of Black Sabbath and Stone Ground (remember them?); blues tinged work outs that Juicy Lucy would have been proud to call their own; country boogie classics that reminds you of the likes of Lynyrd Skynyrd and Grinderswitch - hell there's even the ghost of Heep / Rooster style heavy prog floating around the tracks in places. Yet the whole sounds like one band, and a damn fine one at that.

After repeated play thoroughs I am finding it almost impossible to select any individual track out as a stand out moment' its all very very good and is rapidly becoming a must play on my walkman; although I will say my personal faves on the album are See Them Fall, which reminds me a tad of the very early Saxon material, the spine tingling Love Is Blind and the raw riffage of Saga.

If this album had come out in the 1970's or even in the NWOBHM era Iron Claw would have been huge, but even now this album will assure the band a cult status at the very least. BUY OR DIE

For fans of - Classic old school heavy metal / hard rock