The New Jacobin Club - 'Left Behind' (Somnambulist Sound System) 4.5/5

Hailing from Saskatoon in Canada, deathrocking gothic darkwavers The New Jacobin Club have been around for sometime and have chalked up a very long list of releases dating back to the mid 1990's, of which this four track ep is the latest.

Sounding a bit like Cauda Pavonis and Moonspell with touches of Hawkwind you like synthy weirdness thrown in for good measure, this ep comes over as a bit of gem. Kicking off with My Smile, a sweet little gothic air puncher that hints at the likes of Lesbian Bed Death and The Mission we have here a cracking release from a band who have obviously honed their sound and style over many years, and while international superstardom has eluded them, they obviously don't give a damn and are happy doing their own thing in fine style.

Next up we have the deliciously dark Demon Princess, a gloriously black exercise in dark psychedelia, deep voices boom like the choir of the damned, riffs churn like the grave dirt of the zombie apocalypse, whilst cellos and synths weave and sweep like angry bats on the hunt for fresh human blood.Cracking stuff.

Then there's my fave cut of the four When Evil Comes Out To Play, a number that starts with a riff that surprisingly reminds me of cult NWOBHM outfit Chainsaw before resolving into a chorus Voodoo Johnson would have been proud to have penned, a real anthem if ever there was. Chuck in a live version of their track Blood Of The Servant Girl for good measure and you have a cracking little gem of an ep that will turn the goths, darkwaver and batcavers on big time and arouse the interest of wider rockers as well.

Pretty damn good if you ask me

For fans of... Cauda Pavonis, Lesbian Bed Death, The Mission, Alien Sex Fiend....

Cauda Pavonis - 'Peace Through Superior Firepower' (CPX / Resurrection Records / AF Music) 5/5

Bristol based death rockers / gothic gods / darkwavers (call them what you will) Cauda Pavonis are a bit of an institution on the UK underground.With a string of impressive albums, eps and other releases dating back to the 1990's and a gig list that includes headline slots at the famous Whitby Gothic Weekender, they have built themselves a reputation as being one of the UK music scenes best kept secrets, and now we have their latest studio album on our hands.

Now if you have yet to experience the Cauda sound I will try to explain. Built around the powerful and compelling vocals of Su Wainwright, the band are rooted firmly in the old school gothic rock traditions of Lords Of The New Church, Libitina etc.. but also bring in other styles like an almost Gary Numan use of synths and sequencers, Within Temptation style vast soundscapes and a Theatre Of Hate style dance-ability. All in all a sound that is compelling and engaging. And what is more they know how to use it to maximum effect. Just take the albums lead single Forgotten Heroes - here you get a driving beat, a catchy as hell hook, meaningful lyrics and a vocal performance from Su that can only be described as spine tingling.

There are nine tracks on offer here, each one a real golden nugget of deathrock excellence. Cuts like Warriors with its old norse spoken intro, the moving ode to escapism of World Beyond The Window and the majestic title track are all classic Cauda material that will enthuse their existing followers and entice newcomers with equal measures. However on a closer listen you find the real secret to the Cauda formula, their attention to detail and the quality of their arrangements. Opening number 11th Hour starts out with a ticking clock riff motif which returns in various forms through out the track and is joined by a chiming counterpoint line over the chorus. On the dark fairy tale Terror In The Nursery you get hints of musical boxes, and creepy 'beast beneath the bed' style licks, plus some blood chilling growls on the bridge (from drummer Dave Wainwright). I could go on, but I don't want to spoil your fun, get the album for yourselves and find the licks and tricks for yourself - they are there on all the tracks if you care to look.

This a class album from a band on fine form, apart from the aforementioned Su's vocals, you get the rhythm section of bassist Rob Quick and drummer Dave Wainwright driving the whole thing along like a hard steamed locomotive and the guitar of Chris Hines adding to make the already wide sound as vast as the plains of chaos themselves.

In short, this is the jewel in Cauda Pavonis' crown and an album that will treasured by all fans of dark music for a long long time

SUPERB

For fans of.... Theatre Of Hate, Libitina, Lesbian Bed Death, Xmal Deutschland..... etc

Tylean - 'Formaldehyde EP' (Bast Records) 4.5/5

Darkwave / alternative singer songwriter and self confessed 'cello rapist' TyLean originally hails from Wapwallopen in the USA, but these days is based in London, UK. Over the past few years she has served up a trio of really quite remarkable albums, that featuring just keyboards, vocals and cello, explore the darkest textures of the human condition with an insight that few artists can match. Now we have 'Formaldehyde' a four track EP of finely presented slices of musical darkness to add to her canon of works.

Now if your not familiar with this ladies work, be warned. This is not easy listening, far from it, TyLeans music makes the likes of Bjork sound mainstream. But please don't take that as a negative comment. This is very very good stuff, it's just very very dark.

We start off with Love Always Dies, a dark and downbeat tale of lost romance that speaks of 'sleepless nights and tearful goodbyes', Tyleans vocals are bleak and sorrowful, and they are rocked gently along with a simple piano line and a haunting cello solo. Next up there's The Dark The Blue and The Grey, a moody and brooding piece that is almost disturbing in delivery, with its discordant chords, heartbeat rhythms and multilayered  vocal lines. Then there's Big Hearts that spins off into a dark jazz vibe, almost like a gothic Billie Holiday, all late night piano and heart rending lyrics; and then to conclude there is Amputation Of A Heart, in my book the real stand out track on this impressive EP., with its free form intro, sawing cello riffage and almost operatic vocals. Spine tingling stuff.

So we have the songs here, and I'm glad to say we have the performance as well. TyLeans vocals are some of the very best, she can take in everything from heart broken whispers to primal screams, from jazzy resignation to operatic resolution like very few others can. Add in the fact she can play a mean piano line that steps well away from the expected cliche and she can use a cello to add attitude, attack and atmosphere and you have here a four tracker that is a real gem.

And there's more. It seams TyLean is not only a musician of extraordinary talent, but she is a bit of a painter. This ep comes with her original art work on the cover and with more original paintings to illustrate each track, now I'm no art critic, but I know what I like and I love the artwork as much as I'm loving the ep.

In short - Another winner from TyLean

For Fans of... Bjork, Tori Amos, Errin Williams, etc......

For more info and details how to get hold of this ep...  http://www.tylean.com

Lehmon - 'Sampler EP' (self released) 4.5/5

Oooo this is a good 'un. Lehmon are a two piece project from Paris over there in France that consists of Walter Monnen and Michele Leonor and they claim to be inspired by everything from modern pop and rock through to various European and Middle Eastern folk traditions. Their debut album 'Golden Mountains and Dark Valley's' is due out early next year but they have just put out this four track sampler ep to give the world an idea of what to expect.

Now I do like acts that know how to mix their sounds and influences up a bit, and thus I am finding this four tracker a very compelling listen. We have alsorts on offer here; A Hundred Centuries is a bit of psychedelic weirdness that comes over like maybe a tuneful Tom Waites or possibly Alien Sex Fiend stripped of the gothic trappings, Crepuscular Dream is a glorious slice of light weight post gothic darkness that sounds like a bit of sound trackage from a Tim Burton animation, I Need to Love You is a Krankshaft like helping of acid pop ballad weirdness and That's All is a plaintiff duet that could be part of the sound track to an ultra left field stage musical - all pit orchestra and soft shoe shuffle slow dance beats. Add in some very engaging tongue firmly in cheek lyrics, some superb vocal and instrumental performances and some attentive production and you have here a cracking ep that leaves the listener hungry from the full album. All very very good stuff indeed.

Until this arrived Lehmon were completely new to me, but I'm now a bit of a fan and I'll be following their progress very closely from now on.

Recommended

For Fans of - Krankshaft, Tom Waites, Rocky Horror Show, The Enid, Bauhaus......

Autumn - 'Cold Comfort' (metalblade) 4/5

I'll be honest and say I had never heard of Dutch hard / progressive rockers Autumn until this one arrived in my inbox, apparently its their fifth full length offering, and I'm beginning to wonder what I've been missing.

Over recent years I've become a little tired of and endless wave of female fronted so called prog rock that has become the standard prog fair in recent years. In essence most of it has been third rate post All About Eve neo-folk meets second rate Fleetwood Mac clones showing very little in either rock or progression. However this is not the case here and I'll be first to admit I'm enjoying this one very muchly.

For a start this album isn't pure prog, sure it has a strong progressive influence in places, take the nice 7/4 time signature section in Alloy or the driving synth intro on Naeon for example, but there is other stuff going on on this album as well. Opening cut The Scarecrow, has some nice old school metal riffage on show that conjurers up memories of cult NWOBHM outfit Runestaff, End Of Sorrow has an almost gothic vibe to it that sounds not unlike Karmadeva, Black Stars In A Blue Sky is a great hard rocker that brings to mind the likes of Within Temptation and the great Anubis. Sure there are folky moments, but they are less away-with-the-fairies, and more kidnapped by the goblins.

Musically this is a pretty well realised album. Vocalist Marjan Welman has a very pure and charming voice that has touches of the great Cathy Lesurf (former Albion Band vocalist) and it is used to perfect effect to both counterpoint the heavier and more complex sections on offer and to blend in perfectly with the quieter moments. The two van der Vaulks, Jens and Mats, on guitar are also just as versatile, be it playing driving riffs, mellow acoustic interludes or soaring solos they manage all with ease.

The over all effect this album generates is quite a dark one, although in places it can come over quite light weight it never looses the feeling of black menace that purveys through out all nine cuts, and to me, who is some one who likes hit art dark and gritty and hates movies with happy endings is a very good thing.

In short this is a very enjoyable album that manages to sit well between the hard rock, heavy metal and prog rock stools and will be enjoyed by fans of all those genres.

For fans of... Anubis, Nightwish, Delusion Squared, Within Temptation, Trillium....