Lastwind - 'Return Of A Sonic Assassin' (Flicknife) 5/5

Ok a quick history lesson. Back in 1977, after a particularly disastrous US tour space rock gods Hawkwind decided to split, (only for a short while before they reformed as 'Hawklords' in the summer of 1978), but in the gap Dave Brock and Robert Calvert met up with Devon based prog rockers Ark for a one off gig at Barnstable Town Hall under the name The Sonic Assassins. The gig was recorded and gave rise to the rather impressive and hellishly influential 'Sonic Assassins' ep, Brock later used several Sonic Assassins for the reformed Hawklords (bassist Harvey Bainbridge went on to become a regular fixture in the hawks for the next 10 years), Now, lord knows how many years on, Ark / Sonic Assassins member Paul Hayles has recruited some of his former band buddies, along with a couple of of the great and good from the south West music scene (including former Groundhogs drummer Ken Pustlnik) to form Lastwind. and they have just issued this rather tasty long player.

Now I will admit to being a huge fan of Hawkwind, ever since I had my 16 year old mind blown by a mates brothers copy of Space Ritual, and although I have found that the Hawks themselves haven't done anything that has really impressed me since Xenon Codex back in about 1988 - all those classic albums are still the benchmark I judge space rock by. And I'm glad to say that this one is a bit of a classic.

Kicking off with a title track that harks back to that classic Sonic Assassins ep, Lastwind have put together a cracking album that sounds more Hawkwind than Hawkwind themselves have sounded in years. You get cuts like the spaced out and grinding Winds Of Time, that wouldn't sound out of place of the Hawks 'Warrior on The Edge Of Time' opus, the hard driving Autoroute, that sounds like a classic Calvert era track in all but vocal delivery, the heavy space metal of Monster Trucks which hat tips the hawks PXR5 era and the trippy astral boogie of Which Way When with its references to the works of the likes of Harvey Bainbridge and Steve Swindals.

However don't think for a minute that this classic album is a mere hawkclone offering. There are loads of subtle nods and winks to some of the other greats of UK space rock as well, Inner City Unit, The Lloyd Langton Group, The Alman Mulo Band, Mournblade, Magic Muscle, Underground Zero... the spirit of all these classic acts and more is alive and kicking on this one, and that makes this old acid rocker very happy indeed.

In short this is a great album that should be in the collection of all Hawkfans, space rockers, prog boys and acid trippers whatever planet they happen to be on.


Very very highly recommended

For fans of... HAWKWIND, Mournblade, Gong, The Deep Fix, Krankshaft.....

Wim Oudijk - 'Tree' (folkwit / disco fair) 5/5

Now I first discovered Dutch musician, composer and producer Wim Oudijk via his work with Florida based Canterbury Sound legend Todd Dillingham (their most recent collaboration is Todds excellent 'Songcycle 2011' release) and now for the first time I am experiencing the genius of Mr Oudijk's solo work.

Tree is in effect a 46 minute long concept piece in ten parts telling the story of a pine tree from its birth from a cone, to its maturity, its felling and a number of possible afterlives as the wooden horse of Troy, boats, furniture, Christmas trees and firewood. And all I can say is 'wow'. I've been sitting here all day listening to this one over and over trying to work out exactly what to say about it, apart from the old 'fuck me this is fantastic'.

This album runs the full range of musical styles from neo-classical sections, acapella vocals, folk influenced moments, snatches of progressive rock and lots and lots of well tripped out psychedelia. It's all blended together with Wim's distinctive and flawless production style, immaculately played and superbly realised into a spine tingling whole that easily ranks alongside the lost Beach Boys classic Smile as one of the truly great psyche concept works of all time.

This is indeed a work of true genius, a masterwork of the highest order and one that all lovers of really great music should have in their collection.

A masterpiece.

For fans of... Todd Dillingham, The Beach Boys, The Pillbugs, Electric Crayon Set, Caravan etc...

Todd Dillingham - 'Songcycle2011' (discofair) 5/5

Now for those of you who have not encountered the genius that is Todd Dillingham before, here's a brief history lesson for you. Todd was born into and became part of of the classic 'Canterbury Sound' movement of British psychedelia in the late 60's and early 70's. and hanging out with the likes of Camel, Caravan, Soft Machine, Gong etc it was bound to rub off. It was in a little known cult outfit called Bevis Frond that he started to cut his music teeth, then when Bevis Frond lost bassist Adrian Shaw to Hawkwind and went their seperate ways, he carried on with a number of short lived projects; but it was with the birth of the home recording boom in the late 1980's when Todd came into his own. First up there was an eponymous cassette album which won him many plaudits and rave reviews and then the flood gates opened. To date there have been over 30 Todd Dillingham albums, many featuring such luminaries of the British psyche scene as Richard Sinclair (Caravan), Adrian Shaw (Hawkwind), Andy Ward (Camel), Jimmy Hastings (Soft Machine) and Mike Wedgeward (Curved Air). Now based in Florida in the US of A Todd is continuing to bring out new material, and now we have his latest opus 'Songcycle 2011'.

Now this one starts fairly typically for a Todd album, with On the Way Home, a fine cut of chilled out acoustically lead acid psychedelia that has all the classic Todd hallmark influences in it, The Beatles, The Monkees, Caravan etc... but then things get really interesting. For second track up we hit the main body of the album the thirty two minutes long suite that is Songcycle 2011.

Basically Songcycle 2011 is a wander though Todds back catalogue, but this is no greatest hits retrospective, or best of revisited. Far from it, working with highly rated Dutch producer and musician Wim Oudijk Mr Dillingham has re-recorded and some times remixed some of his most memorable numbers including, The Chosen Few, Burning Deck and Indiana Home, blended in contributions from the likes of New York singer songwriter Debstar, cult banjo picker Pete McCabe, uke wizard Peter McPartland (The Big I Am), ex Hawkind bassist Adrian Shaw and others; and created a vast psychedelic oratorio that is breath taking in scope, and simply stunning in its realisation. Wim Oudijks orchestration is subtly done adds the perfect background and linking sections for Todds songs and the whole piece hangs together as if it was penned as a single piece of music.

As I said before all the Todd hallmarks are present and correct, we get sad plaintiff moments, some glorious acid fueled freakout moments, dashes of English folk and Americana,  some classical progressive bits, even touches of rock and roll and lots and lots of good old Canterbury influenced psychedelic trip moments. Hell, works like this are at the very cutting edge of music in general, and I'm sure that this would go down a storm if performed at the Royal Albert Hall as part of next years proms season.

Add in the orchestral hidden bonus track from Wim Oudijk, which draws on Todds melodic themes and ideas and you have an album that is not only a real treat for the ears, but one of the most unique and innovative records that I have heard in long time.

Whether your familiar with Todd Dillinghams music already, or just 'Todd Curious', I can recommend this record as one that you will, buy love and treasure forever.

(But hurry, this album is limited to just 300 CD copies and a limited download period, and its selling fast, so get your copy now before its too late)

For Fans of... Caravan, The Beatles, The Pillbugs, Dog Age, This Crooked Axis etc...

To purchase this album follow this link... http://www.discofair.nl/discofair/New_Releases.html

Issa - 'The Storm' (frontiers records) 4/5

I've always had a bit of liking for the old rock diva style of things, a root through some of the darker recesses of my record collection will turn up albums by the likes of Tina Turner, Bonnie Tyler, Lee Aaron, Fiona Flanagan and a fair few others, and its been a long time since a rock diva has crossed my path. So I was a bit happy when I got sent this the second album by Norwegian songbird Issa and I've gotta say I am rather enjoying this.

Issa herself has a great voice, I'm reminded of a sort of hybrid of Natalie 'Torn' Imbruglia and Anne 'Heart' Wilson; its a natural voice, it has all the range and power without the wail if you get what I mean. She has a good phrasing and even if she is a bit 'breathy' in places, her voice is highly likable and very listenable.Musically there is nothing really earth shattering on offer. But with a list of collaborators and co-writers that includes members of such acts as House Of Lords, Toto, Journey, Work Of Art, Xorigin and more you know your gonna get some damn fine tunes for Issa to do her stuff on.


Over all this is a good record, it is commercial, anthemic, expertly produced and performed and manages to avoid most of the commercial rock / rock diva cliches. Ok we do have the power ballad Too Late For Love, that is a pure stadium rock cheese fest, but thankfully that track is the exception rather than the rule. Elsewhere the standard is pretty high. Highlights include What Does It Take, a cut that sounds like Passion Works era Heart, the epic closer The Storm with its huge climax, Two Hearts which sounds a little like classic House Of Lords and my favorite cut - We're On Fire which has a touch of the Asia's about it.


All in all this is a good album that whilst it isn't blowing me away I am finding is very listenable, and is a worthy addition to the canon of great albums by great rock divas.

For fans of... Heart, Paramour, Bonnie Tyler, Journey...

The Dirty Youth - 'Red Light Fix' (RMR Records) 4.5/5

I've been looking forward to getting my hands on a copy of this debut album from South Wales female fronted sleazy hard rockers The Dirty Youth, ever since the lead single Fight arrived at BCFM central a month or so back; and at last Red Light Fix is here...

And all I can say is 'wow'. This album is right up my musical alley. Ten cuts of pure down and dirty, greasy lowlife sleaze metal that has really put a smile on my face after a pretty stressful week. We kick off with Rise Up, a tasty cut of prime rawk that starts off sounding like Within Temptations slutty younger sister at chucking out time and resolves into a glorious air punching anthem for our time 'Rise up join the revolution' great stuff. Having laid out their stall from the off The Dirty Youth carry on very much in the same vein Tracks like the fantastic drinking anthem Requiem For The Drunk, the highly headbangable Ellen - with its intro riff that wouldn't sound out of place on a classic Saxon album, the sleazy bump and grind of the title track and the dark and brooding Promises all flash past in one glorious stream of very highly enjoyable high energy blur of first rate power rock until all to soon you reach the climactic and anthemic This Is For You a track that does indeed mark TDY as the natural successors to the late lamented SAL as maybe the UKs premier female fronted rockers.

This album is commercial as it is possible to get without loosing any of the fire and attitude of the underground. It is played to perfection, well produced, catchy as a seasonal cold (but without the headaches, snotty snot boxes and sore throats) and over all one of the best rock albums of the year so far.

TDY are already a band that are making waves; a show stopping performance at this years Download festival and the UK's rock press and broadcasters rightly getting behind the Fight single, has already marked this lot out as one of the cream of the crop of the UK rocks next generation, and Red Light Fix is an album that will only go to boost their career onto bigger and even better things.

Very Highly Recommended.

For fans of... SAL, Doro, Obsessive Compulsive, Rock In Your Pocket etc...

The Crooked Axis - 'Strange Girl (demo)' (self released) 4/5

This is another lucky find from a bit of random net surfing. French outfit The Crooked Axis have been around for a couple of years and are a side project by members of other French acts.

Now this six tracker is a fantastic exercise in tripped out psychedelia that had me hooked from the off. Opener I'm Not There, Yes I Am comes over like something Ohio impro-trip outfit Quarkspace would cook up and that's followed by the dark and freaky No More which reminds me of Gong meets Amon Duul II. We are talking real 'stone-groove-free-festival-roll-up-a-doofer-and-expand-your-mind' stuff here. It's as spacey as floating through the Horsehead Nebula whilst out of your tree on mushrooms.

The more you get into it, the better it gets. Couscous Pot - my fave cut on this offering - sounds like Dog Age jamming with Here and Now with a guest Dave Brock vocal, and by the time we get to the excellent Before We Come Down we are in classic Krautrock and Canterbury Sound territory with a sound like the great Todd Dillingham jamming with Jane. Throw in the epic closer of Right To Oblivion with its sonic head nods to 'Lonesome Crow' era Scorpions, early Black Sabbath and primordial Grateful Dead and you have something that will keep your average head, hippy, flower-child, space cadet, stoner and psyche freak happy for hours. 

This is music that really makes me want to gather up a few friends, find a field and lay back under the stars as the vibes flow over me. This is acid psychedelia of the very highest order and I would recommend this to everyone who wants to unlock their inner flower-child.

for fans of - Quarkspace, Todd Dillingham, Gong, Amon Duul II, Here and Now, The Pillbugs.... etc

This album can be downloaded for free from - http://fxofxs.bandcamp.com/album/strange-girl-demo-aug2011