One of last years most exciting releases was undoubtedly Spirals of Ascension, the debut album from Manchester prog metal outfit Spires. That release picked up a lot of airplay, both on BCFM and RS666 and narrowly missed out on being shortlisted for the BCFM shows album of the year award. Now Spirals have issued this new five track acoustic album as a follow up. Apparently the idea for this one came about after a series of unplugged show the band performed late last year. It is four new tracks and an acoustic rendition of Spirals of Ascension the title track from their debut album, and its damn good.
Kicking off with a nice and mellow cut entitled Under Bloodstained Skies, this album is breath taking in concept and scope. Stripped of the razor edged metalisms of their debut album Spires have forged in this album (and yes I will say album, cos although the band are calling it an ep, anything with a play time of nearly 40 minutes says album to me) a quiet and deeply introspective exercise in acoustic prog rock that not only shows them as first rate musicians and song writers, but as masters of the soundscape, as they weave delicate patterns of light and shade that flit moth like across the ears and bathe the soul in a gloriously dreamy wash of aural delight.
Highlights? well the whole album flows together perfectly and almost seamlessly but my personal fave moment has to be the spine tingling Perception, a track that is spine chilling, uplifting and head soothing all at the sametime.
All in all this is a fantastic release that shows that Spires are indeed an outfit that are capable of greatness, and the fact that these guys are still unsigned is a travesty. However if they keep issuing material of this diversity and quality they will not be independent for long.
If you only get on progressive album this year, make sure its this one.
For fans of... Fornost Arnor, Awake, Dream Theater, Fates Warning.....
To get you hands on a copy of this gem visit www.spiresband.co.uk (but if you want a CD copy, hurry this comes as a limited pressing of 500 copies)
All the news and reviews from the BCFM Sunday Rockshow - Tune in every Sunday, 10pm, on 93.2fm (Bristol UK) / www.bcfm.org.uk (worldwide)
Showing posts with label folk rock. Show all posts
Showing posts with label folk rock. Show all posts
7.8.12
22.3.12
Delusion Squared - 'Delusion Squared II' (self released) 4.5/5
One of the biggest and most pleasant surprises of 2010 was the debut album from French prog outfit Delusion Squared, a dark yet alluring concept work about corporate control, genetic engineering and revolution. Now two years on we have this nugget of a follow up.
Once again we have a concept work, this time dealing with a dark and complex tale about the end of the world, and once again it is a tale well told through first rate musicianship and song writing.
Vocalist Lorraine Young has a sweet, almost innocent sounding voice, coming over a tad like the great Errin Williams - all restrained and with an almost childlike charm. Yet it works so well, when the other two (who I'll get to in a moment) a playing the soft folky type stuff it blends perfectly, then when the guys start to lean on it and rock it up a bit the juxtaposition is spine tingling. Just check out the middle section on Recipe For Disaster to see exactly what I mean.
As for the other two members of this project, Steve Francis and Emmanuel de Saint Meen - here are two performers of the highest level. Not only are they first rate musicians, but they have read the prog rock 101 instruction manual - Mark Kelly style keyboard widdles, Andy Latimer style guitar solos, interesting time signatures and key changes... and know how to apply them and keep just the right side of cliche - and they have also learned the biggest lesson of all. In music rules are made to be broken. And that is what makes Delusion Squared stand out head and shoulders above so many other of the generic proggy wannabes out there.
Highlights? well this is a smooth and seamless concept work, so picking out any individual track would be wrong, but my favourate moment has to be the shiver inducing Vertical Paradox.
In short this is another great album, but a truly great band.
Highly Recommended
For fans of... Mostly Autumn, Porcupine Tree, Pendragon, Camel, Darwins Radio....
Once again we have a concept work, this time dealing with a dark and complex tale about the end of the world, and once again it is a tale well told through first rate musicianship and song writing.
Vocalist Lorraine Young has a sweet, almost innocent sounding voice, coming over a tad like the great Errin Williams - all restrained and with an almost childlike charm. Yet it works so well, when the other two (who I'll get to in a moment) a playing the soft folky type stuff it blends perfectly, then when the guys start to lean on it and rock it up a bit the juxtaposition is spine tingling. Just check out the middle section on Recipe For Disaster to see exactly what I mean.
As for the other two members of this project, Steve Francis and Emmanuel de Saint Meen - here are two performers of the highest level. Not only are they first rate musicians, but they have read the prog rock 101 instruction manual - Mark Kelly style keyboard widdles, Andy Latimer style guitar solos, interesting time signatures and key changes... and know how to apply them and keep just the right side of cliche - and they have also learned the biggest lesson of all. In music rules are made to be broken. And that is what makes Delusion Squared stand out head and shoulders above so many other of the generic proggy wannabes out there.
Highlights? well this is a smooth and seamless concept work, so picking out any individual track would be wrong, but my favourate moment has to be the shiver inducing Vertical Paradox.
In short this is another great album, but a truly great band.
Highly Recommended
For fans of... Mostly Autumn, Porcupine Tree, Pendragon, Camel, Darwins Radio....
26.1.12
Blood Ceremony - 'Blood Ceremony' (metalblade) 4.5/5
Canadian occultic rockers Blood Ceremony have recently signed to Metalblade, and as so often happens with metalblade signings before any new material surfaces there is a little archive raiding, and so we have this re-issue of the bands 2009 debut album.
Now anyone getting this one expecting walls of Behemoth style satanic deathism, or Slayer-u-like devil thrash are going to be in for a big shock. While there is a strong early Black Sabbath vibe haunting this record the most noticeable influences here are more in the Jethro Tull, Black Widow dark folk rock style, with goodly dollops of Iron Butterfly influenced primordial hard rock thrown is as well.
Tracks like The Rare Lord and Into The Coven are all sweet and engaging folk metal work outs with haunting flute solos, jiggy organ passages and seductive female vocals from the hugely talented Alia O'Brien, which perfectly counterpoint the primitive doomy folk metal backing from the rest of the band. The result is an album that sounds like it was conceived and created about 1971 as the sound track for a long forgotten Italian horror movie. And any album that features a short sound clip from the classic Brit biker horror flick Psychomania 'There you go my little green friend' has gotta be alright with me.
In world of metalcore, post thrash, and ham fisted Djentisms, the fact that bands like Blood Ceremony are still out there and recording albums like this comes as a welcome change and a breath of musical fresh air and I for one await their next record with great interest.
A devilshly good album
For fans of... Black Sabbath, Jethro Tull, Black Widow, Skyclad, Inkubus Sukkubus....
Now anyone getting this one expecting walls of Behemoth style satanic deathism, or Slayer-u-like devil thrash are going to be in for a big shock. While there is a strong early Black Sabbath vibe haunting this record the most noticeable influences here are more in the Jethro Tull, Black Widow dark folk rock style, with goodly dollops of Iron Butterfly influenced primordial hard rock thrown is as well.
Tracks like The Rare Lord and Into The Coven are all sweet and engaging folk metal work outs with haunting flute solos, jiggy organ passages and seductive female vocals from the hugely talented Alia O'Brien, which perfectly counterpoint the primitive doomy folk metal backing from the rest of the band. The result is an album that sounds like it was conceived and created about 1971 as the sound track for a long forgotten Italian horror movie. And any album that features a short sound clip from the classic Brit biker horror flick Psychomania 'There you go my little green friend' has gotta be alright with me.
In world of metalcore, post thrash, and ham fisted Djentisms, the fact that bands like Blood Ceremony are still out there and recording albums like this comes as a welcome change and a breath of musical fresh air and I for one await their next record with great interest.
A devilshly good album
For fans of... Black Sabbath, Jethro Tull, Black Widow, Skyclad, Inkubus Sukkubus....
Labels:
album review,
black metal,
Blood Cermony,
doom,
folk rock,
hard rock,
occult,
retro rock,
witch rock
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