East London rockers Lace And Whiskey have been around since 2008, they play a sort of Americana influenced soft acoustic indie rock and roll, and this is their debut full length album.
Now I'll be honest here, when I got this in my inbox the other day and first played it through I didn't like it at all, but having lived with it for a few days and given it a second chance, I can say its growing on me rapidly. OK I ain't gonna start claiming this is the best release ever to cross my inbox, I will say it is not without a lot of merit.
Based around the slick and introspective guitar work of Melissa Collett and the direct and sincere sounding vocals of Andy Hodgson, Lace and Whiskey have created a fairly engaging album, that brings to mind the likes of Frank Turner and New Model Army in terms of approach and attitude.
Highlights include the Frank Turner influenced Don't Ask Questions, the hard edged Confuse The Mind, the dark and disturbing Isolation and especially the spine tingling instrumental Night Of The Armada - a track that shows Melissa Colletts six string slinging ability in fine style.
All in all this is a good debut from a band that have a fairy unique approach and could go places.
Worth checking out
For fans of... Frank Turner, New Model Army, The Levellers, Duckfeet..... etc
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Showing posts with label country rock. Show all posts
Showing posts with label country rock. Show all posts
21.8.12
8.5.12
John Taglieri - 'Lucky #9' (Leap Dog Music) 4/5
This is the ninth album from cult US country rocker John Taglieri, and what a little gem this six tracker is. Currently available as digital download only from all your normal online outlets, this mini album is a very sweet and very listenable selection of ear friendly soft rock tracks that blend aspects of Americana, country rock, rock and roll and folky singer songwriter sensibilities into one very engaging whole.
Cuts like the tender and plaintiff Dying Alive, the old school rock and roll work out of Losing Me and the catchy sub pop Make Me Believe as jump out from the speakers and give the listener a big friendly hug that leaves yours ears with a very warm and satisfied glow.
With a voice that has hints of Roy Orbison and a song writing style not unlike the great John Fogerty, Mr Taglieri, who played most of the instruments himself, has with Lucky #9 is one helluva pleasant record that should win him new fans and admirers worldwide and make his existing followers very happy indeed.
Very Good Indeed.
For fans of... John Fogerty, Steel Blue Rose, Grinderswitch, Creedance Clearwater Revival.
Cuts like the tender and plaintiff Dying Alive, the old school rock and roll work out of Losing Me and the catchy sub pop Make Me Believe as jump out from the speakers and give the listener a big friendly hug that leaves yours ears with a very warm and satisfied glow.
With a voice that has hints of Roy Orbison and a song writing style not unlike the great John Fogerty, Mr Taglieri, who played most of the instruments himself, has with Lucky #9 is one helluva pleasant record that should win him new fans and admirers worldwide and make his existing followers very happy indeed.
Very Good Indeed.
For fans of... John Fogerty, Steel Blue Rose, Grinderswitch, Creedance Clearwater Revival.
Labels:
Americana,
AOR,
country rock,
John Taglieri,
Lucky #9,
rock and roll,
soft rock
13.10.11
Motortrain - 'Straight Six' (slambang) 4/5
Now I've always had a lot of time for the good old southern boogie stuff, I taught myself to play guitar by jamming along to the likes of Skynyrd, Grinderswitch and Molly Hatchet and I still rate Blackfoot as one of the best live bands I've ever seen on stage. Frustratingly we don't get much of it over this side of the pond and on the whole it remains a nearly completely a genre confined to the USA. Still sometimes a little of it will wind its way across the pond and wind up at BCFM central. and now ladies and gentlemen I bring you the debut mini album by Oklahoma quartet Motortrain.
I gotta say that on first impressions this is an infectious little album. It's sound is rooted firmly in southern and country rock, but its more in the rawer rock and roll vein of the likes of The Four Horsemen, Jason and the Scorchers, Georgia Satellites than the more traditional Skynyrd / Hatchet style of swamp boogie, and there is nothing wrong with that at all. There are six tracks on offer, each one a fine slice of prime good 'ole pick up driving blues fueled sleazy good time bop music, that makes you wanna crack a six pack and get down for a good boogie with yer mates at the local bar.
The opener Motortrain has a certain Blackfoot vibe to its bar room strut sound - including a Ricky Medlock style lead motif. Then we have Backyard Brawler that has a bit of a Georgia Sats air to it; Bombs Away and Bad Girls are a bit heavier and move into AC/DC territory; Shes Hot is a great heavy sleazy along number that gives over a Black Oak Arkansas feel; whilst closer Goin, Goin, Gone is a high octane stomp that wouldn't sound out of place on a Rose tattoo record.
All in all this is a very enjoyable record. it's not very original or innovative, but what the hell, there are times when you don't wanna do anything but find some great no frills rock and boogie and just let your hair down, and this album is perfect for doing just that to. It is a good rock and roll album, it does exactly what it says on the tin, no more, no less; and in a time when so much of today rock music is full of pretentious aspirations, this one comes in like a breath of fresh air.
This one may take a bit of tracking down, but I advise you to find it and give it a go, you'll not regret it.
For Fans of... Black Stone Cherry, Georgia Satellites, Jason & The Scorchers, AC/DC, Rose Tattoo....
I gotta say that on first impressions this is an infectious little album. It's sound is rooted firmly in southern and country rock, but its more in the rawer rock and roll vein of the likes of The Four Horsemen, Jason and the Scorchers, Georgia Satellites than the more traditional Skynyrd / Hatchet style of swamp boogie, and there is nothing wrong with that at all. There are six tracks on offer, each one a fine slice of prime good 'ole pick up driving blues fueled sleazy good time bop music, that makes you wanna crack a six pack and get down for a good boogie with yer mates at the local bar.
The opener Motortrain has a certain Blackfoot vibe to its bar room strut sound - including a Ricky Medlock style lead motif. Then we have Backyard Brawler that has a bit of a Georgia Sats air to it; Bombs Away and Bad Girls are a bit heavier and move into AC/DC territory; Shes Hot is a great heavy sleazy along number that gives over a Black Oak Arkansas feel; whilst closer Goin, Goin, Gone is a high octane stomp that wouldn't sound out of place on a Rose tattoo record.
All in all this is a very enjoyable record. it's not very original or innovative, but what the hell, there are times when you don't wanna do anything but find some great no frills rock and boogie and just let your hair down, and this album is perfect for doing just that to. It is a good rock and roll album, it does exactly what it says on the tin, no more, no less; and in a time when so much of today rock music is full of pretentious aspirations, this one comes in like a breath of fresh air.
This one may take a bit of tracking down, but I advise you to find it and give it a go, you'll not regret it.
For Fans of... Black Stone Cherry, Georgia Satellites, Jason & The Scorchers, AC/DC, Rose Tattoo....
Labels:
album review,
blues rock,
country rock,
hard rock,
Motortrain,
southern boogie,
Straight Six
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