Allegaeon - 'Formshifter' (metalblade) 4/5

This ten tracker is the second full length release from Colorado 'technical' metal outfit Allagaeon a band that until now has slipped under my radar.

First impressions are, that this is pretty cool, opening up with the seven minute mini-epic Behold (God I Am) and blasting through tracks like the wonderfully entitled Tartessos: The Hidden Xenocryst (what ever the hell that means), the headlong razor slash of Iconic Images and glorious frenzied From The Stars Death Came this album form a sweet soundscape that manages to position itself halfway between the old school trashisms of Slayer and Testament and the southern metal sensibilities of the likes of Lamb of God and Machine Head,

Praise must be given to the guitar pairing of Ryan Glisan and Greg Burgess who not only have a nice line in heavy as hell grinding riffage but can shred and widdle like good uns, and keep it melodic at the same time, not an easy feat to pull off at all.

All in all a pretty good album, but my fave cut here is undoubtedly the closer Secrets of Sequence, a bit of a classic in the making that manages to blend so great 'head in the bass bin' metal dynamics with some rather impressive mellower moments.

Well worth checking out

For Fans Of... Lamb Of God, Charred Walls Of The Damned, Crowned By Fire, Testament....

Cattle Decapitation - 'Monolith of Imhumanity' (Metalblade) 4.5/5

This is the ninth full length release from politically charged Californian death grind metallers Cattle Decapitation and it's a bit of gem.

Musically this album is about as intense and full on as it can get. Cuts like Forced Gender Reassignment, Gristle Licker and the magnificent Lifestalker explode from the speakers with all the brutal force of a unit of the Animal Liberation Front attacking a fur farm. Drums pound out a relentless tattoo whilst guitars scream thrash and shred like a crazed butcher and the vocals of Travis Ryan growl and snarl in vicious righteous fury. If you think the likes of Cannibal Corpse took it to the max then check these guys out, there is none more brutal and none more driven.

Lyrically this album is very much in line with the bands previous releases; tracks about animal rights intermix with vicious attacks on the decadence of western society and the state of the human condition in a ball of very angry social awareness that sock it to 'The Man' in a way few other outfits can hope to match. And in a world where so many of their musical counterparts are STILL banging out endless tunes about corpse fucking and devil worship its a breath of fresh air. I tip my hat to them for that alone.

Highlights? well the aforementioned Lifestalker with it's epic sounding bridge section, the frenzied thrash and pound of A Living, Breathing Piece Of Defecating Meat and the closing cut Kingdom of Tyrants with its vast and deadly dark soundscapes are to my mind the real stand out cuts on offer, but the whole damn album is pretty impressive over all, and it's rapidly becoming a bit of a favourate of mine.

Highly Recommended

For Fans of..... Cannibal Corpse, Black Dahlia Murder, Jon For A Cowboy, Deicide....

Lay Down Rotten - 'Mask Of Malice' (metalblade) 3.75/5

This is release number eight from German death thrashers Lay Down Rotten and the first to feature guitarist Daniel Seifert who has recently joined as a replacement for founder member Daniel Jakobi, who laid down his axe at the tail end of last year due to personal commitments.

Now on first listen I gotta say this one is pretty enjoyable if not groundbreaking. There are ten cuts on offer, all nice and well delivered slices of fairly typical Teutonic death bludgeon; you get the growled vocals, the death and the devil lyrics, riffs that switch frequently between 100mph speed blur and slow and menacing smash and grind, some nice little interludes where monks chant, latin is spoken and people give confession... If you know your death trash you will already know exactly what to expect.

So no marks for originality, but I will give these guys their due and say this is still an enjoyable and very listenable album, and I will give special praise to the aforementioned Herr Seifert and his oppo Nils Forster for some fairly impressive guitar work, both on the riffing and the lead, the slow and plaintiff lead on The Devil Grins is especially noteworthy

Other highlights include the dark and devilish The Serpenta Canta, the pound and grind of Swallow The Bitterness and the opening thrash out of Death Chain.

All in all, although this album is a bit formulaic it is not without merit.

Worth checking out.

For Fans of... Exumer, Charred Walls Of The Damned, Slayer, Testament....

Desaster - 'The Arts Of Destruction' (metalblade) 3.5/5

Since their formation in 1988 Teutonic death thrashers Desaster have been  hellishly prolific, clocking up 23 releases (if you include demos, split albums and eps) of which this is the latest.

Now this lot claim their biggest influences are the likes of Bathory, Slayer and Venom, and its good to see they are still sticking to their roots here. Cos once you get past the short intro track and hit the first full cut The Art Of Destruction, your slapped in the face with a sound that is dripping Venom-u-like riffage and Cronos style vocals, that grabs you by the throat and demands your attention. And so it continues nearly for the entirety of the album. Tracks like The Splendour of the Idols, Queens of Sodomy, At Hells Horizon and Beyond Your Grace come screaming from the speakers, rape your ears and damn your brain to a glorious black pit of metal oblivion.

Its only on the epic cut Possessed and Defiled do you get any real real respite as the band do go in for a little bit of Bathory style light and shade. All in all its nothing overly mind blowing, and is fairly generic, but what the hell, it's still enjoyable and after 20 odd years of doing this stuff and with a large fan base Desaster know their audience and sound and are still delivering the goods their fans want. Besides its well played and produced and I have heard a lot lot worse.

Worth checking if your into black thrash metal

Fr fans of... Bathory, Venom, Behemoth, Asphyx, Waxface....

Goatwhore - 'Blood For The Master' (metalblade) 4/5

This is the fifth studio outing from New Orleans black death thrasher Goatwhore, a band formed some 15 years ago by former members of Acid Bath, Solient Green and Crowbar.

Now I like albums like this, there's no pretensions here, you look at the cover, look at the band name and read the track listing; full of titles like Judgement of The Bleeding Crown, Death To The Architects of Heaven and My Name Is Frightful Among The Believers and you know what to expect. Then you play the album and you get exactly what it says on the tin. There are 10 tracks on offer here, all sweet and neat packages of good old no bullshit black metal attitude that vary in pace from the headlong thrash and smash of Collapse In Eternal Worth to the more controlled grind and bludgeon of In Deathless Tradition. OK there's no marks here for originality, but lots of marks for a band doing what they do best with near perfection.

Vocalist Sammy Duet is in fine form, his intelligible grows and death grunts manage to stay just the right side of understandable and cliche, while the rest of the band support him perfectly by laying down layer after layer of really quite enjoyable metallic soundscapes that should put a smile on the face of headbangers and pit junkies everywhere

In Short - a pretty good album, recommended

For Fans of... Onslaught, Slayer, Anterior, Revoker, etc....

Blood Ceremony - 'Blood Ceremony' (metalblade) 4.5/5

Canadian occultic rockers Blood Ceremony have recently signed to Metalblade, and as so often happens with metalblade signings before any new material surfaces there is a little archive raiding, and so we have this re-issue of the bands 2009 debut album.

Now anyone getting this one expecting walls of Behemoth style satanic deathism, or Slayer-u-like devil thrash are going to be in for a big shock. While there is a strong early Black Sabbath vibe haunting this record the most noticeable influences here are more in the Jethro Tull, Black Widow dark folk rock style, with goodly dollops of Iron Butterfly influenced primordial hard rock thrown is as well.

Tracks like The Rare Lord and Into The Coven are all sweet and engaging folk metal work outs with haunting flute solos, jiggy organ passages and seductive female vocals from the hugely talented Alia O'Brien, which perfectly counterpoint the primitive doomy folk metal backing from the rest of the band. The result is an album that sounds like it was conceived and created about 1971 as the sound track for a long forgotten Italian horror movie. And any album that features a short sound clip from the classic Brit biker horror flick Psychomania 'There you go my little green friend' has gotta be alright with me.

In world of metalcore, post thrash, and ham fisted Djentisms, the fact that bands like Blood Ceremony are still out there and recording albums like this comes as a welcome change and a breath of musical fresh air and I for one await their next record with great interest.

A devilshly good album

For fans of... Black Sabbath, Jethro Tull, Black Widow, Skyclad, Inkubus Sukkubus....

Not Above Evil - 'The Transcendental Signified' (self released) 4/5

Early last year I received a copy of 'Deification', the debut full length release by Manchester multi influenced metal outfit Not Above Evil. Sadly I didn't review it as I wasn't running this blog at the time, but I played a few tracks off it on BCFM, and it got good feedback, and the Radio Satan 666 listeners loved it; so marked them down on my mental list as ones to watch. Now, less than  year later Sideeq Mohammed and his crew have issued their second album The Transcendental Signified.

Now this is pretty good, NAE take their musical cues from a number of diverse influences. There are large slices of Behemoth and Bathory style black metal in their sound, a fair bit of old school Slayer type thrash as well, and then, just to take the edge off the bang and bludgeon there are bits of Lamb Of God and Mastodon-U-Like southern metal thrown in the mix as well. The result is most pleasing to the ear and makes for a far more complete and rounded sound than on the preceding Deification opus. It's almost as if NAE have come of age musically.


All the extremely brutal slash smash and slay of the proceeding album is here in abundance. Tracks like the opener Crossroads crawl from the speakers dripping menace and metallic mindfuckisms like and H.P. Lovecraft novel made sonic reality. Yet where as Deification tended to steam roller along laying waste to all its path, this album is more controlled, more considered and is all the better for it. We get tracks like Nexus where raw speed is sacrificed in the name of darkly controlled riffage and almost Machine Head style song structures and Amon Amarth type epic storytelling.

Just to select a few more highlights; we have Death and Transformation, one of the best thrash-outs I've heard since Onslaughts seminal album The Force; Legion with its Behemoth referenced attack and drive and my fave cut on offer here, the epic closer of The Duel, a classic in the making that build from a deceptively sweet and mellow introductory riff into a multi-sectioned meisterwerk that showcases exactly how good a band NAE really are.

Add in the fact that every member of this band delivers the goods in playing their parts to almost perfection and the production, which the band did themselves, is spot on, and you have an album that will do NAE's grow reputation no harm at all and will only add to their status as one of the UK's most promising up and coming metal acts.

In short - a damn fine album from a band to watch

For fans of... Lamb Of God, Elimination, Anterior, Behemoth, Slayer etc....

Pilgrim - 'Misery Wizard' (metalblade) 4/5

Until yesterday I knew three things about Rhode Island. 1) It's the smallest state in the union, 2) its the home to a fictional family in a popular US animated sitcom and 3) The place gave its name to a breed of chicken. But now I have a fourth fact, its the place where doom metal titans Pilgrim hail from.

Now Pilgrim are a classic power trio of The Wizard on guitar and vocals, Elric The Soothsayer on bass and a certain Krolg, The Slayer Of Men on drums; and they play doom metal of the darkest and doomiest kind. Imagine the sort of stuff the likes of St Vitus and Candlemass were doing back in the late 80's and you'll get the idea.

Now the first thing you notice about this album is how slow it is. Its SLOW, very slow indeed; so slow in fact it makes a lot of Black Sabbaths early work sound almost speed metal in comparison. In fact its not until half way into the the third track Quest, that the tempo even lifts beyond funeral march speed, when Pilgrim go off on a Witchfinder General style trip for a minute or so before slamming on the breaks again and grinding out the rest of the track in fine funeral metal tradition.

The second thing that hits you it that this album is epic in scope. There are six songs on offer, half of which top the 10 minute mark - in fact only one song, Adventurer (a surprisingly snappy tune that sounds not unlike NWOBHM gods Pagan Alter) comes in at under five (don't go expecting much mainstream radio play guys).

Now I know what your thinking, this has gotta be one boring album. But you'd be wrong in thinking that. Despite the fact this album moves along with all the pace of an arthritic tortoise it still keeps itself very entertaining and listenable. This is partly due to some cleaver production that positions everything in the mix perfectly, with plenty of space around each instrument so every power chord and cymbal splash has room to breath and resonate to maximum effect and turns the whole listening experience into a gloriously dark sound-scape. The other key factor is that the vocals here are clean, not a pig grunt or death groan in sight, this means you can hear exactly what The Wizard is singing about as he spins his dark tales of swords, sorcery, death, damnation and daring do. All of this results in a very entertaining listen that holds the attention for the entire album and makes the whole work stand up to repeated plays.

In short I'm pretty impressed with this album. it's been a while since I last discovered a new doom act of the old school, and a long time since I've found one as good as this. Highly recommended.

For fans of... Black Sabbath, St. Vitus, Candlemass, Pagan Alter, Witchfinder General.....

Hellish Outcast - 'Your God Will Bleed' (Transend Music) 4.5/5

Norwegian metallers Hellish Outcast are a bit of a supergroup, comprising of former members of such acts as Byfrost, Breed, 66 Crusher and Keep Of Kalessin, they first raided our shores earlier this summer when they laid waste to the bloodstock festival and left us with the impressive 'Raping Killing Murder' ep. Now anyone who knows their dark ages history will tell you that once the Vikings have raided, they will be back in greater force, and now we have again dark sails on the horizon as the band once more are set to return with their full length debut in the form of 'Your God Will Bleed'.

Now first impressions of this album are very favourable. What we have here are ten slices of deadly and effective Norse steel that make longships out of your ears, sail straight into your brain, lay waste to all they can find and make such an impact that you know your gonna remember the event for years to come.

The first assault comes in the form of The View, So Disgusting (a comment on a popular US day time talk show?) - a track that is dripping brutal riffs, and features a vocal approach that comes over like some weirdly compelling death metal hip-hop. From there on in its death and sonic slaughter all the way, we gets cuts like the violently short You Will Scream, that is a sub two minute berserk assault of unbelievable fury; the prolonged battery of tracks like Muffled Screams (lots of screaming going on here), which do show a fair degree of subtly in the bludgeon, with some slower paced riffs to counterpoint some blindingly fast blast beat sections; and my fave cuts on show the frenzied Face Forced Down and the masterfully epic closer Hubris.

Maximum praise must be given to the guys performing this act of metallic conquest. The music here isn't groundbreaking, it follows naturally in the footsteps of previous viking raiders such as Bathory, Darkthrone, Amon Armath etc, but it is particularly well penned and performed, instantly likeable and is a worthy edition to Norways metal heritage.

In short this is a damn fine record, and one that will win Hellish Outcast a lot of friends indeed.

For fans of... Tyr, Forefather, Amon Armath, Noctem, Glorior Belli....

Behemoth - 'Demonica' (metalblade) 4.5/5

It's been a difficult year for classic Polish black metal merchants Behemoth, with main man Adam 'Nargal' Darski fighting off a potentially fatal bout of leukemia all things Behemoth have been put on hold for the past year or so. However the band have taken the opportunity to do a spot of archive raiding. Earlier this year we had the 'Abyssus Abyssum Invocat' compliation which resurrected a few lost gems and unreleased live archive material and now we have this double CD package that looks back to some of their earliest recordings.

Now this is not a new release as such, Demonica first surfaced in 2006 on the Swedish Regain label, but back then it was a very limited pressing of just a few thousand CDs and a few hundred vinyl copies and thus has become a bit of a collectors item. But now it has been re-issued through Metalblade so all of who missed it first time around can enjoy it.

OK I'll confess that I've always had a soft spot for Behemoths intelligent approach to all things doomy and dark and always admired them for the high standard of their music; and listening back to this collection of some of their earliest demo tracks, album out takes and other assorted goodies, I'm more than happy to report that even this primordial stuff from the bands earliest days still shows exactly why Gdansks blackest export are one of the world leaders in their field.

All the bands influences are proudly on show.  We get snippets of early Black Sabbath style riffage, hints of Venom, touches of St Vitus and Paradise Lost, a seasoning of Bathory and Celtic Frost... all the classic ingredients of the trade mark Behemoth sound are on show, and even on the earliest numbers, some dating back to early 1992 they are already being forged into something a wee bit special indeed.

The quality of the musicianship on show is remarkable; its brutal, raw, aggressive and as black as a black cat which has been dropped into a bag of soot; yet at the same time its complex in construction, perfectly controlled and as darkly entertaining as a classic Dario Argento movie.

There are 23 tracks on offer here and I'm not gonna give a track by track breakdown, but a few of my personal highlights are: the Bathory fueled From The Hornedlands to Lindisfarne (you gotta love songs about vikings), the deliciously doom laden Rise Of The Blackstorm of Evil, the Venomesque Cursed Angel Of Doom and the dark and riffy Deathcrush.

Things are thankfully looking up in the Behemoth camp now. Nargal is well on the way to a full recovery, and there is a new studio album and a full European tour in the offering for next year. But in the mean time if you need a black metal fix of the highest quality to keep you going, (or you've not encountered the band before and you fancy giving them ago) then this album (and Abyssus Abyssum Invocat for that matter) are more than up to the task.

Highly Recommended

For fans of ... Venom, Glorior Belli, Bathory, Novel of Sin etc....

Noctem - 'Oblivion' (metalblade) 4.5/5

Black death thrashers Noctem hail from Valencia in Spain. Now in their 10th year they have in the past issued a couple of EPs, a self released live album and a previous studio opus on Austrian label Noisehead, before switching to Metalblade earlier this year and bringing us this rather tasty little nugget.

Now I gotta say that this album is one of the most interesting black / death / thrash / whatever (I'm not good at sub genres) albums I've had through in recent months. I had albums that are more extreme, I've had albums that have been heavier and more intense, but when it comes to the all around package this is the dogs bollocks.

There are 11 tracks on offer, each one as heavy as a chieftain tank, as metal as the Forth Bridge and as intense as playing chicken with a speeding freight train in a narrow tunnel. But what marks this album out above the crowd is the quality of the song writing and the way the tracks are structured.  Yes there is shed loads of pound, thrash and bludgeon of offer; but within the raw brutality there are shades of light and dark; tempo, riff and key changes that although often subtle, still serves to keep you interested and actively listening.

Style wise we are talking touches of early Slayer, hints of acts such as The English Dogs, Behemoth, Bathory and Rose Funeral; but there also bits, often short snatches that hat tip acts such as Megadeth, Armored Saint, even Iron Maiden style NWOBHM!!. Then we come to the playing, musically this album is flawless. The whole band is a tight as David Coverdales bell bottoms and certainly know how to lay down a wall of sonic battery. Special praise though must be given to the two guitarists, Exo and Helion, who show a great ablity to not only shred like a Frankenstein office paper disposal unit on the rampage, but also mange to lay down some superb melodic lead lines, sweet harmony sections and infectious lead licks, but also swap riffs like the good uns they are.

Special highlights of this impressive album include the strangely titled A Borning Winged Serpent with its wonderful guitar interplay and harmony lead sections, the brain meltingly brutal Seeking The Ruin Of Souls and the gloriously menacing Unredemption - track whose final riffing section is to die for. But in truth this album is one glorious highlight of the pure talent that is Noctem.

Bottom line is this is a great album and one I will not hesitate to recommend to metal fans everywhere.

For fans of... Glorior Belli, Behemoth, Novel of Sin, Slayer, Mercyful Fate.