Crimson Sky - 'Dawn' (selF Released) 4/5

Its been three years since Bristol prog rockers Crimson Sky hit us with their impressive debut album Misunderstood, and since then there have been a few line up changes, mainly the replacement of vocalist Holly Thody with new girl Jane Setter, the arrival of new keysman Moray Macdonald. But after a very quiet couple of years they are back with this new four track ep.

Over all this is pretty good, there are two brand new tracks on offer. Crimson Sky is a neat little cut that sounds like Seasons End era Marillion jamming with cult NWOBHM act Runestaff - all Mark Kelly style keyboard widdles under pinned with some nice tasty faux-metal riffage. Then you have The Park, this ones stand out track, a number that kicks off with an almost MC5 proto-punk groove before switching into a feel and vibe that smacks of classic Pendragon with a hint of Stray thrown in for good measure. Pretty good stuff. Vocalist Setter may not have the 'rawk chick' snarl that made her predecessor so distinctive, but her almost ethereal alto tones and impressive range more than do the business. And it must be said that the keyboard of Mr Macdonald really do raise the standard of musicianship in the band by several clicks, and that is not a reflection on the rest of Crimson Sky, all of whom are pretty competent players in their own right.

The other two cuts are re-recorded versions of numbers from the Misunderstood album. The first, The Sea, is a pretty good rendition of an already impressive track, noteworthy for Mr Leamons tasty Steve Rothery / Andy Latimer style lead guitar work. However the new version of After The Rain provides a pretty downbeat ending to the ep, as compared to the rest of the tracks on show it comes over more than a little limp, as its Fleetwood Mac meets Mostly Autumn acoustic stylings and trip away with the fairies vibe come over as a very light weight and finish the ep with a whimper rather than the bang this releases deserves, (and to be honest isn't as good as the Misunderstood version.)

However don't let that put you off as the rest of this one is well worth a listen, and if Crimson Sky continue to follow the road laid down on tracks like The Park there could well be a brighter dawn ahead for them.

Worth a look or three

For fans of... Marillion, Runestaff, Pallas, Pendragon, Delusion Squared, Porcupine Tree etc....

Van Susans - 'Paused In The Moment' (Beatnik Geek) 4/5

I first encountered UK alt / indie rockers Van Susans back last year when they issued their "We Could Be Scenery'' ep, and to be honest I wasn't that impressed, but that release did have one killer track that showed that the band did have something to offer. then a few months back we had their last single Bricks Not Sticks or Straw, a track that was a huge step in the right direction, and now we have this the bands debut album on our hands.

Glad to say this album is every bit as good as that single, in fact the aforementioned track kicks the album off and lays out the stall for whats to come. Big powerful pop rock ballads in the Beautiful South vein, spiced up by a huge Waterboys type celtic lighter waving vibe, hints of dirty rock and roll attitude, a dash of an almost Undertones style to song writing and catchy hooks by the truck load.

Highlights on offer include the vast and anthemic Fireworks with is sweet piano motif, the Subways style pop punk work out of The Road, the deeply introspective Disappear, the indie pop floor filler of Popo, the downbeat foot tapper of Notice Me and the drive indie rock workout of Served Cold with its rather tasty acoustic guitar lead and soaring fiddle lines. In fact there's not a weak track on show.

So this has me puzzled, was I wrong about that ep? Nope, I've just given it another listen and still find it lacking, but I'm loving this album. Why should that be? Well not long after the aforementioned ep was released Van Susans hit the road for a lengthy tour opening up for the Beautiful South, a band I've always had the utmost respect for as purveyors of good solid serious pop rock, and maybe something rubbed off onto the Van Susans, But whatever happened, the fact remains that in around a year, this lot have gone from being bog standard indie rock wannabes into an act that really do have something to offer the word musically. And long may they continue.

Pretty Good

For fans of... The Waterboys, The Beautiful South, Whiskey and Lace, Jimmy Eat World.....

Lace And Whiskey - 'Running Out Of Time' (Self Released) 4/5

East London rockers Lace And Whiskey have been around since 2008, they play a sort of Americana influenced soft acoustic indie rock and roll, and this is their debut full length album.

Now I'll be honest here, when I got this in my inbox the other day and first played it through I didn't like it at all, but having lived with it for a few days and given it a second chance, I can say its growing on me rapidly. OK I ain't gonna start claiming this is the best release ever to cross my inbox, I will say it is not without a lot of merit.

Based around the slick and introspective guitar work of  Melissa Collett and the direct and sincere sounding vocals of Andy Hodgson, Lace and Whiskey have created a fairly engaging album, that brings to mind the likes of Frank Turner and New Model Army in terms of approach and attitude.

Highlights include the Frank Turner influenced Don't Ask Questions, the hard edged Confuse The Mind, the dark and disturbing Isolation and especially the spine tingling instrumental Night Of The Armada - a track that shows Melissa Colletts six string slinging ability in fine style.

All in all this is a good debut from a band that have a fairy unique approach and could go places.

Worth checking out

For fans of... Frank Turner, New Model Army, The Levellers, Duckfeet..... etc

Asia - 'XXX' (froniters) 5/5

Supergroups tend be short lived on the whole. Widowmaker, Three, GTR, The Law... there is an endless list of outfits featuring the best of rocks good and the great that promised much but  only struggled on for an album, sometimes two then vanished. However there are exceptions to the rule, and Asia are one such exception. Formed way back in 1982 by Carl Palmer (Atomic Rooster / ELP), Geoff Downes (Yes / The Buggles), Steve Howe (Yes) and John Wetton (UK, King Crimson, Uriah Heap, Wishbone Ash and many many more), Asia put out an eponymous debut album - a record that is now days viewed as one of the classic albums of all time - and then followed it up with the equally impressive Alpha a year or two later. Since then the name Asia has never gone away, but the band since then has always had a fluid line up with various members coming and going through the years. But now the original four have reunited for a 30th anniversary tour and this rather tasty album release.

Now I will declare an interest and say I've been a big fan of Asia ever since that first album hit the stacks and so I was more than a bit excited when I first got wind that this one was on the cards. And I am glad to say I'm not disappointed. From the opening cut, Tomorrow The World, right through to the closer, Ghost Of A Chance this is one great record that manages to capture all the magic and uplifting feel good vibes of those first two albums in fine style. There are nine cuts on offer here and everyone is a winner, we get I Know How You Feel where Geoff Downes keys gives the whole thing a kind of Supertramp feel, the truly wonderful Bury Me In Willow, when Mr Wettons heart felt vocal delivery and emotive lyrics move you to the very core and lift the soul on sonic wings at the same time; and the driving No Religion where Carl Palmers distinctive drumming drive the whole thing along in fine style and give Steve Howe room for some truly remarkable lead guitar work. If fact there isn't a weak track on show here at all.

All the classic Asia trade marks are hear, nice accessible poppy prog rock tunes, expert musicianship, huge soundscapes, big uplifting choruses and enough catchy hooks to keep a velcro factory on over time for months. I will keep saying it, this is one damn fine record, a classic in the making. An album that stands proud alongside those first two Asia albums, and although I don't like saying it (after all I am quite fond of albums like Astra, Aria and Aura) the best thing Asia have issued since 1984.

All in all a damn near as perfect album as you can expect from these guys, and with Yes seemingly changing line ups every two weeks, ELP on hiatus and Mr Wetton  currently on a solo career, I for one would like to see this classic Asia line up sticking around a bit and doing a few more like this.

A True Classic

For fans of... Yes, It Bites, Journey,  Supertramp, Boston etc....

Doris Brendel & Lee Dunham 'Not Utopia' (Sky Rocket) 4.5/5

One of most interesting releases of 2010 was the album 'The Last Adventure' by Doris Brendel a remarkable album that manged to capture every type of rock genre from prog to punk and wrap it up in one very coherent whole. That album became a listener favourate and ended up being nominated for the Album of the Year award.Now, two years on, Doris is back, this time working with Primary Slave guitarist Lee Dunham (NOT the racing motorcyclist) on this her latest opus.

Not Utopia sounds like The Last Adventures older and more grown up brother - as with the earlier album this one is another glorious mating of styles and genres, but Not Utopia is a far more together and complete work, it dances smoothly from style to style. And what a range of styles we have on offer. Opening cut No Lonely Girl sounds like a female fronted Pendragon on a Hawkwind trip, Going Out is a meaty slice of disco influenced dance rock that hints a little at the Scissor Sisters in feel and bounce. Beyond Words is a strings lead sadly introspective ballad and Too Bad To Be Good is a quirky post rock and roll ditty with a shade of the Jim Steinmans about it.... and so it continues.

However whatever the style the music, the real killer here is Doris' voice. She has the power and range of the true greats and whats more has a real earthy and warm Janice Joplin type edge to it. What is even better; she does none of that annoying cat wailing and flash vocal gymnastics that often passes for 'good singing' these days (just watch any episode of the 'America has the voice factor' to see what I mean), just good old school gusty rock steady old school rock and roll vocalisations. Just check out the post prog excellence of Conflicted to hear one of the vocal performances of the year so far.

It must not also not be over looked that this is not a solo album, a lot of praise must be heaped on Lee Dunham as well, playing everything on here apart from the strings, saxophone and the piano (yup he did the drums as well) and producing the whole kit and caboodle he has forged a series of emotive and sonically stunning soundscapes  that not only bring the best of Doris distinctive voice and song writing talent, but also marks himself out as an arranger, producer and musician of real note.

Highlights? Well I'm getting to like this album lots, but if I had to pick just one track to take to a desert island it would be the closer Your So Not a sweet folky influenced prog track in the Jethro Tull / early Genesis vein with some fantastically dark and cutting lyrics. (and the hidden bonus track is pretty sweet as well of you can find it)

All in all this is a damn fine album from a couple of great British musicians, who deserve to be far better known.

Well worth a spot purchase

For fans of... Joni Mitchell, The Subways,  Janice Joplin, Jethro Tull, Fleetwood Mac, ...and many more.

Richard Marx - 'Inside My Head' - (frontiers) 4/5

US based soft rocker Richard Marx has become something of an institution with the more AOR types of rockers. Ever since his big break came in the late 1980's with a string of US chart busters, such as his seminal single 'Hazard', he has built up a loyal following worldwide and is still bringing out quality records in his trade mark feel good laid back rock style.

This double album is his latest release and is a sort of semi compilation work, bringing together a number of tracks from a couple of download only albums such as 'Emotion Remains' and 'Sundown' along with a few other odd songs he seams to have had laying around.

All in all this is pretty standard Richard Marx fare. Late night chilled out ballads such as Through My Veins and Loved rub shoulders with some very listenable light weight rockers such as Over My Head, Always On My Mind and Come Running... metalheads and the like my find it a bit forgettable, but anyone with a taste for the early works of Elton John, Tom Petty and The Eagles will find a lot here to entertain them.

Chuck in the fact that Mr Marx had a bit of a talent for songsmithery; turning out catchy hooks, intelligent lyrics and hummable melodies and for anyone who likes their rock on the soft side this one has a lot to offer.

Highlights? well this album is pretty good over all, and there is any track that strikes you as duff, but my fave cuts have to be the hard edged rocker All Over Me and the funky groove workout of Scars.

Worth checking out if you like good solid soft rock

For Fans Of... Tommy Petty, Bruce Springsteen, Elton John, House Of Lords....

John Taglieri - 'Lucky #9' (Leap Dog Music) 4/5

This is the ninth album from cult US country rocker John Taglieri, and what a little gem this six tracker is. Currently available as digital download only from all your normal online outlets, this mini album is a very sweet and very listenable selection of ear friendly soft rock tracks that blend aspects of Americana, country rock, rock and roll and folky singer songwriter sensibilities into one very engaging whole.

Cuts like the tender and plaintiff Dying Alive, the old school rock and roll work out of Losing Me and the catchy sub pop Make Me Believe as jump out from the speakers and give the listener a big friendly hug that leaves yours ears with a very warm and satisfied glow.

With a voice that has hints of Roy Orbison and a song writing style not unlike the great John Fogerty, Mr Taglieri, who played most of the instruments himself, has with Lucky #9 is one helluva pleasant record that should win him new fans and admirers worldwide and make his existing followers very happy indeed.

Very Good Indeed.

For fans of... John Fogerty, Steel Blue Rose, Grinderswitch, Creedance Clearwater Revival.

Sunstorm - 'Emotional Fire' (frontiers) 3/5

This is the third studio album from Sunstorm, the latest project from former Rainbow / Deep Purple frontman Joe Lynn Turner, a guy who was perhaps one of the the most distinctive voices of the 1980's. Now I was a huge Rainbow fan back in the day, and whilst I did tend to prefer the Dio fronted version of Blackmores boys, Mr Turner did much to win me over, especially on the Straight Between The Eyes album, and I even like that album he did with Purple. So whats this one like then?

Well I'll confess that I'm finding this one enjoyable rather than mindblowing. This is nothing to do with Mr Turners vocals, his power, range and distinctive inflections are all still here and just as engaging as they were back in the early 80's. However the rest of Sunstorm are most definitely not Rainbow, they do try and in a few places such as tracks like The Higher Your Rise and Torn In Half they almost succeed in invoking the ghost of the Difficult to Cure album, but a lot of the rest of this album sounds a little like a Journey or Foreigner tribute band. Thats not to say this record isn't well played and produced by talented musicians, it's just that I've always preferred to hear Mr Turner when he leans on it a bit and belts them out, but on many of the songs on offer here, such as Emily, Follow Your Heart and Lay Down In Your Arms Sunstorm tend to be content to cruise along in AOR safe mode and as a result Mr Turner never gets out of third gear and his power and talent is a little wasted. The result is to me at least a fair bit of listener frustration, I know Sunstorm are a good band, I just wish they would lean on it a bit more and give Mr Turner some good old school rock he can really get his throat around.

Still, this is an old 80's headbanger talking, and I'm sure stadium rock nuts will find a lot here to satisfy them. Horses for courses and all that.

Competent, but nothing too special

For fans of.... Journey, Foreigner, House Of Lords, Work Of Art, Mecca.....

Sonic Station - 'Sonic Station' (frontiers) 4.5/5

Sonic Station is a new project assembled by Swedish guitarist and songwriter Alexander Kronbrink, and is his attempt to recreate the classic West Coast AOR sound of acts such as Mr Mister, Chicago and Kenny Loggins. To this end he assembled some of the great and good of the Swedish rock scene around him and recorded this the projects debut album.


Now in his drive to recreate the classic soft rock sounds of 30 years ago Mr Kronbrink has delivered the dream perfectly. Using no fewer than sixteen other musicians on the project, including four separate lead vocalists, he has forged a record that is a perfect tribute to those times. I Wish I Could Lie To You - a track that features some excellent vocals from his collaborator Marika Willstedt - has hints of Heart at their most commercial about it, The sax lead Hold On To Me is pure Christopher Cross, The Most Beautiful Fear is a haunting ballad that Foreigner would have sold their souls to have penned, Never Let The Sunshine Die is a cut that wouldn't sound out of place on a classic Toto album.... And so it continues, there's even few couple of nice more uptempo rockier cuts like You Have To Let Me Go and Running Through The Night to keep a bit of beat going and counterpoint the slower tracks.


Now there is nothing here to excite my inner metal head, or titillate my progressive rock side, but as for a slice of nice chilled out late night glass-of-wine-in-a-darkened-room listening this album is pretty cool. in fact I'll go as far to say its one of the best in this genre I've heard for a while now. The whole album intelligent and completely devoid of cheesy cliche, expertly penned by writers who have a real love of this genre and performed by a group of musicians of the highest caliber.


There is still a fair market for this sort of stuff world wide and I can see Sonic Station becoming the Toto of the new millennium.


Very very good indeed


For fans of... Heart, Toto, Xorigin, Work Of Art, Journey, Mr Mister, Christopher Cross, Chicago.....

Bobby Kimball / Jimi Jamison - 'Kimball / Jamison' (frontiers records) 3.5/5

Now when I got this one through my inbox I'll admit I was licking my lips, I've always had a lot of time for Toto and back in the 80's I had a bit of liking for Survivor as well, so when I found that Toto's Bobby Kimball and Jimi Jamison (former Survivor frontman) had teamed up for a one off album I got a bit fired up.

However now I'm living with the album I'm finding the experience a bit of a double edged sword. I have no issue with the vocalist here at all, both Mr Kimball and Mr Jamison show on this album why they became the stand out voices for an entire decade of US stadium rock. Neither can I find anything to complain about regarding their backing musicians. It's just this album is like that little girl with the curl in the middle of her forehead. When it's good it is outstanding, tracks like Worth Fighting For, Chasing Euphoria, Get Back in The Game and Hearts Beat Again you get everything that was good about 80's stadium rock; great uplifting choruses you can't help but yell along to, huge riffs, sweet guitar work and massive walls of keyboards to fill the spaces in between. Yet in other places this album gives you the very worst that this genre can cook up, by-the-numbers power ballads that are pure processed cheese, soft rock tracks that sound like montage tunes for straight to video TV movies and sickly sweet close harmony vocals that are stacked so high they are a danger to low flying aircraft.

However, now I think about it, I can say the same about an awful lot of 80's stadium rock albums, including a lot of the out put of both Toto and Survivor, so I really shouldn't be that surprised. So basically this is a typical classic 80's style American AOR record, it is superb in places and cheese in others, you pays yer money, you takes your pick. Overall this record does have more to recommend it than not, so if you hanker for a nostalgic slice of music from a time when the hair was as big as the lapels on the lounge suits then you can do no better than giving this one a spin.

for fans of... Toto, Survivor, Journey, Foreigner, Loverboy etc

21 Against - '21 Against' (self released) 3.5/5

21 Against are yet another of those annoyingly talented Welsh outfits, and like a lot of those annoyingly talented Welsh bands, this lot come from Llanelli. This 6 track mini album is apparently their second release and they are getting a fair following in the US and Canada already having toured over the pond a few times.

First up I gotta say there is nothing wrong with this album, it's expertly played, well produced and shows a great flair for song writing. In fact a couple of tracks on here are real classics. The opener Say What You Need kicks of with some tasty power chordage then soon cuts into a great little bop along number that wouldn't sound out of place on an album by their compatriots and near neighbours V0iD, Breakdown has a certain Lostprophets air to it and the closer Shouldered is a great anthem that should get the most hardest to please crowd going when performed live.

However in other places they are sadly heading into Nickleback / 30 Seconds To Mars territory and while that may be fine for fans of modern US rock radio and Kerrang fm, for anyone looking for more than the same old commercial rock fodder it comes over as a bit of a disappointment. Maybe its all those trips stateside are having an effect, but I can see a danger here of a great band alienating its home fans in order to obtain the mighty dollar.

Still 21 Against as a band have a lot to recommend them and this album is still good enough to be worth checking out, please don't let my own tastes distract you from something you may like, and I'm sure whether in the UK or the US they are a band with a worthy future ahead of them.

In short - worth checking out

for fans of... V0iD, Lostprophets, 30 Seconds To Mars, Stereophonics... etc

Work Of Art - 'In Progress' (frontiers records) 4/5

There is a lot of good stuff coming out of Sweden at the moment, so far this year we have had some killer product from Royal Republic, In Solitude, Sister and now pop-proggers Work Of Art are here with their second studio album to show us that not only does Sweden still rock like a good 'un, but they can do it in all genres.

Coming from the same starting point of the likes of Asia, Magnum and Saga; In Progress is one of the best pop-prog albums I've come across in a good few years. The opener The Rain sets out Work of Arts stall in fine style and the rest of the album keep up the pace, even the odd p*w*r b*ll*d like Once Again is saved from lighter waving naffness by some tasty guitar work and some epic key changes.

Highlights include the synth driven stomp of Never Love Again, the Magnumesque Eye of The Storm, with its off the wall moog solo; the Styx influenced Call On Me and the surprisingly headbangable Emeile. however for me the best track on offer here is Until You Believe, which has a touch of the Cheap Tricks about it.

No doubt about it, you'll have to go along way to find an album in this genre that is this good and this memorable. Highly Recommended.

For fans of... Magnum, Asia, Cheap Trick, Saga, Styx, etc...

Xorigin - 'State Of The Art' (frontiers records) 3/5

There is a place where AOR, prog rock and hard rock meet, and if you look at that point carefully there you will find Norwegian outfit Xorigin. Now as far as I can make out, this lot have been around for a good few years, but have only just got around to issuing their debut album. And I gotta say its not a bad effort.

Sounding like a multi band horror smash between Europe, Loverboy, It Bites, Vow Wow and Glory; State Of the Art is a nicely performed 11 song package with some great cover art work. Over all it reminds me of American melodic rock legends Drive, She Said, especially on tracks like Too Late, Crying For You and The One For Me. And that leads me to my main issue with this album. just like Drive, She Said, you know there is a damn fine hard rock band in here somewhere, but they just don't quite deliver the goods when you want them to. Everything is a little to restrained and too controlled. Where as Europe, Loverboy and especially Vow Wow really knew how to cut loose and rip it up from time to time; Xorigin just tend to play it a little too safe. While this restraint works well on softer more AOR type numbers like Said And Done and In The Blink Of An Eye, when it comes to the rockier tracks like Gina, your just wishing they would live a little more on the RAWK side and really give it more stick.

Still this IS an old metal head speaking, and over all the album is very pleasurable and contains a really nice surprise in the form of What Love is All About, which sounds like Big Generator era Yes, and is a track worth getting the album for in its own right.

In conclusion - Try before you buy, unless your a real AOR head.

For fans of... Yes, Asia, Journey, Glory, Europe, Drive She Said

Toby Hitchcock - 'Mercury's Down' (frontiers records) 3.5/5

With US proggers Pride of Lions taking a couple of years out, it is inevitable at the solo albums would come crawling out of the wood work - and so we have this effort from vocalist Toby Hitchcock to keep the fans deck happy until the Pride reforms.

First impressions are that Mercury's Down is a tad more commercial than POL. This is less Asia / Mystery and more Toto / Journey so to speak. Not that that is a bad thing on the whole, I'm not adverse to a little stadium AOR once in a while, and as stadium AOR albums go this isn't a bad one.

You have some fantastic rock out tunes on this album, Strong Enough features some guitar work to die for, If It's to Be (It's Up To Me) is a belting feel good anthem in the Journey mode; 'I've got what it takes now, I'll make my own breaks now...' - whilst Just Say Goodbye hits home with all the power and verve of a classic Night Ranger track. And there can be no doubting that Mr Hitchcock has the perfect voice for the genre, he comes over like a pumped up Steve Perry meets Lou Gramm on steroids; supreme power, perfect control and pitch perfect.. All good stuff.

OK there a couple of tracks where where this album sinks towards stadium rock cliche, most noticeably on the  inevitable power ballad One Day I'll Stop Loving You (lighters at the ready people) and on the opening sections of the John Farman-esque A Different Drum. But thankfully those moments are more than off set by tracks such as Tear Down the Barricades and the title track closer.

In short a worthy addition to the canon of AOR must haves

For fans of... Journey, Toto, Survivor, Night Ranger, Loverboy