Lace And Whiskey - 'Running Out Of Time' (Self Released) 4/5

East London rockers Lace And Whiskey have been around since 2008, they play a sort of Americana influenced soft acoustic indie rock and roll, and this is their debut full length album.

Now I'll be honest here, when I got this in my inbox the other day and first played it through I didn't like it at all, but having lived with it for a few days and given it a second chance, I can say its growing on me rapidly. OK I ain't gonna start claiming this is the best release ever to cross my inbox, I will say it is not without a lot of merit.

Based around the slick and introspective guitar work of  Melissa Collett and the direct and sincere sounding vocals of Andy Hodgson, Lace and Whiskey have created a fairly engaging album, that brings to mind the likes of Frank Turner and New Model Army in terms of approach and attitude.

Highlights include the Frank Turner influenced Don't Ask Questions, the hard edged Confuse The Mind, the dark and disturbing Isolation and especially the spine tingling instrumental Night Of The Armada - a track that shows Melissa Colletts six string slinging ability in fine style.

All in all this is a good debut from a band that have a fairy unique approach and could go places.

Worth checking out

For fans of... Frank Turner, New Model Army, The Levellers, Duckfeet..... etc

The All-Seeing - 'The All-Seeing (demo)' (self released) 4/5

(sorry but I have no idea why the cover art loads rotated)

Time for another lucky random surf discovery. The All-Seeing are a stoner rock outfit from Sweden and this, as far as I can work out is their debut demo single. Apart from that I know naff all about them.

Gotta say this is a sweet little two tracker. Kicking off with a 7 minute minute epic entitled No Place, with its grinding post grunge distorted bass, doomy plod and slog riffing and anthalmic vocals, you can't help but draw favourable comparisons with the mighty Mos Generator and Somerset weed-heads P.O.T. The other cut on show is a sweet little three minute pot and roll work out called Sky, with a head bangable riff, a distant and down beat vocal and a rather short but sweet noise rock guitar solo.

All in all this little demo is highly enjoyable and goes to show that rare gems await the discerning music fan whose prepared to do a bit of net trawling looking for the best of what the underground has to offer.

Sweet.

For fans of... Mos Generator, P.O.T., Stone Axe, Dark Earth....

(download this single for free from -  http://theall-seeing.bandcamp.com/ )

Firewind - 'Few Against Many' (Century Media) 4/5

This is album number eight from Greek metal gods Firewind and main project of Ozzy Osbourne guitarist Gus G.

Now I am a bit of a Firewind fan I will confess, their 2008 album The Premonition being a particular fave of mine. So I was a bit excited about getting this one to say the least. However having lived with it for a while now, I will say I'm finding it a bit of a double edged sword.

On the up side this album is a pretty good exercise in power metal. There are 10 tracks on show, all of a high standard. Gus G is in fine form, check out the wonderful shred and widdle solo on Losing My Mind for an example of a guitar hero at is best. Vocalist Apollo Papathanasio shows once more that he is one of the most distinctive and engaging vocalist in metal at the moment. As for the music, well tracks like Another Dimension with its driving riffs and the huge anthalmic Glorious are all first rate examples of modern commercial metal.

However I do one issue with this album and that's the production.To my ears its a bit too well produced, everything is polished to perfection, and whilst on tracks like the chilled out and introspective Edge of A Dream it works well, in other places the stacked vocals and layered guitar lines and big keyboard wash only serves to take the cutting edge off the whole thing. Riffs that should kill merely stun, solos that should blow the mind tend just to titillate... I dunno may be its a personal thing on my side, but I like my metal with a little bit of the rough edges left on.

Still that gripe aside I can't really say anything negative about this one, and the fact that its topped the Greek album charts and is generating highly favourable fan reviews means they are doing something right here, and more power to Firewind for that.

Pretty Good Overall

For fans of... Helloween, Dragon Force, Iron Maiden, Queensryche, Primal Fear....

Fen - 'Of Losing Interest' (Ripple) 4.5/5

This is the fifth album from British Columbia based stoner prog outfit Fen, an outfit that has been around since the late 1990's and their second for Ripple music.

First impressions of this one are very favourable, like a lot of Ripples roster the term stoner rock is the first thing that springs to mind as the opening cut Riddles lurks from the speakers and conjures up sonic images of early Rush, Black Sabbath and Triumph. However as the nine tracks on offer play you begin to pick up a lot more diversity of influence and sound that many of their retro rocking stoner counterparts. A Long Line has an almost Kashmir style Zeppelin vibe to it. The Glove, with its not so subtle lyrical references to Michael Jackson, hints at the work of Max Webster, Light Up The End is a sweet acoustic led pseudo ballad that hints at The Grateful Dead on a Rainbow trip and Snake Path reminds me a little of Blue Oyster Cult in places (a very good thing indeed in my book)

As is to expected the playing and production here is faultless, Doug Harrison and Sam Levin are both superb guitarist, each capable of laying down some spine tingling lead work and joining together in some classic Wishbone Ash style twin lead sections - just check out the lead playing on Pilot Plant. Another big plus is the lyrical content; which serves up some very intelligent and quite dark imagery that is delivered by Mr Harrisons Burke Shelley / Geddy Lee type vocals in spine tingling style.

All in all a great record from a first rate band, and a release that will do both Fen's and Ripple's growing reputation the power of good.

Highly Recommended

For fans of... Mos Generator, Rush, Stone Axe, Blue Oyster Cult, Led Zeppelin...

Los Criptozoos - 'La danza del cadáver' (self released) 5/5

This is another lucky random surf find, Los Criptozoos hail from Castellón in Spain, they have been together since 2009, play a highly infectious brand of rock and roll fueled pop punk and this is their second album.

Now what first attracted me to this one was the fact that these lads sing in their native tongue. I will freely admit that my Spanish abilities none existent, so I can't tell you what they are going on about, but there are times when listening to songs in a language you can't understands adds to the listening experience. You find that vocal rhythms and melody take on a greater importance and gives the songs a whole new twist and vibe (I love French rap for that exact reason), and listening to this album is really pleasurable experience.

Blending influences that range from old school Clash / Stiff Little Fingers type old school punk, Mighty Mighty Bosstones style bop-able sub-ska sensibilities with buckets of traditional rock and roll feel good attack and big helpings of uplifting Latino get down and party rhythms, they have forged one of the most accessible and likeable pop punk releases I've heard in a long long time.

There are 11 tracks on offer, each one a real get down and boogie gem of high energy punk rocking excellence. Tracks like Xic Dolent, (whose lyrics seam to be about nuclear power), La Danza del Cadaver (The Dance of The Corpse - that one I can translate) and Quein se queja all dance into your ears and get your feet tapping your fists pumping and a smile on your face as wide as the straight of Gibraltar.

On top of that there is some first rate musicianship on show,  just check out the groovy bass line on the wonderful Ska driven Tormenta de feugo (Torment of Fire?) and the sweet rock and roll style guitar solo on Nada nuevo for starters. The vocals are melodic, direct, infectious and demand that you join in even if your Spanish is as bad as mine the drums are tight and driving and the whole thing is played and produced to perfection.

Basically, as you can guess I'm loving this to bits, and I'm sure you will as well, especially as its a free album (see below for download details), I've now got a huge urge to see this lot live, so if your a punk promotor reading this, please try to bring these guys to England on tour sometime, you will have a real hit on your hands I'm sure.

Just Amazing!!

For fans of... The Clash, The Subways, Stiff Little Fingers, Mighty Mighty Bosstones, The Blunders....

(Download this great album free from here -  http://loscriptozoos.bandcamp.com/ )

Spires - 'Lucid Abstractions' (Self Released) 5/5

One of last years most exciting releases was undoubtedly Spirals of Ascension, the debut album from Manchester prog metal outfit Spires. That release picked up a lot of airplay, both on BCFM and RS666 and narrowly missed out on being shortlisted for the BCFM shows album of the year award. Now Spirals have issued this new five track acoustic album as a follow up. Apparently the idea for this one came about after a series of unplugged show the band performed late last year. It is four new tracks and an acoustic rendition of Spirals of Ascension the title track from their debut album, and its damn good.

Kicking off with a nice and mellow cut entitled Under Bloodstained Skies, this album is breath taking in concept and scope. Stripped of the razor edged metalisms of their debut album Spires have forged in this album (and yes I will say album, cos although the band are calling it an ep, anything with a play time of nearly 40 minutes says album to me) a quiet and deeply introspective exercise in acoustic prog rock that not only shows them as first rate musicians and song writers, but as masters of the soundscape, as they weave delicate patterns of light and shade that flit moth like across the ears and bathe the soul in a gloriously dreamy wash of aural delight.

Highlights? well the whole album flows together perfectly and almost seamlessly but my personal fave moment has to be the spine tingling Perception, a track that is spine chilling, uplifting and head soothing all at the sametime.

All in all this is a fantastic release that shows that Spires are indeed an outfit that are capable of greatness, and the fact that these guys are still unsigned is a travesty. However if they keep issuing material of this diversity and quality they will not be independent for long.

If you only get on progressive album this year, make sure its this one.

For fans of... Fornost Arnor, Awake, Dream Theater, Fates Warning.....

To get you hands on a copy of this gem visit www.spiresband.co.uk (but if you want a CD copy, hurry this comes as a limited pressing of 500 copies)

Big Viking - 'Fucks' (self released) 3/5

Big Viking come from Michigan in the US, and apart from that I know naff all about them. I stumbled on this three tracker as a random surf find, and I'm pretty glad I did, if only for the opening cut.


Sounding like a motorway horror smash between Cannibal Corpse and Converge, this one kicks off with a superb little cut entitled Ray Romano Chop House, a cut that grinds like a bastard, grunts and screams like struck pig and is generally three and a half minutes of fairly impressive in your face metal punk cross over action. Hell theres even a couple of light tongue in cheek spoken interjections to break up the asre grinding intensity.

The other two cuts Bud Dink and Amulet Dead are a pair of flawed gems. They are well played and very enjoyable, but suffer a little from slipshod production and fairly big volume drops, which after the magnificence of the lead track comes over as little bit frustrating, hence I've docked a mark or two. Still it's nothing that can't be cured with a little playing around in Audacity or other such software but a listener wants to download and enjoy, not download and remix.

However believe me this ep is worth getting hold of for the lead track alone, when its a free download you can't really complain that much.

Check it out now

For fans of... Cannibal Corpse, Cattle Decapitation, Converge, Amen....

(Download this ep for free from - http://bigviking.bandcamp.com/ )

Triumph - 'Live at Sweden Rock Festival' (frontiers) 4.5/5

From the mid 1970's right through to the early 1990's Canadas Triumph were right up there with very biggest names in rock, albums like Sport of Kings and Allied Forces sold by the truck load, and they toured the world playing in the biggest venues. However in the early 1990's guitarist and band main man Rik Emmett departed for a solo career, and Triumph fell from view into the were are they now file to spend the next 15 years almost forgotten. Then in 2008 the band reunited for a one off appearance at the legendary Sweden Rocks Festival and as often happens the one off lead to a small tour, which lead to a bigger tour and before you could say I Live For The Weekend the band were back together full time. Now since then there has been no new Triumph material - in fact the band have said there will not be any new studio albums in the foreseeable, but the band have been doing a fair bit of archive raiding and they have just issued this, the full set from that Sweden Rock reunion gig.

Now I will confess I was a bit of a Triumph fan back in the day, but over the past 20 years their albums have been laying at the back of the record rack - in fact I can't remember when I last played a Triumph album for my own enjoyment, and a flick through my playlist archive shows I've only span one Triumph track on air since the BCFM show started, and that was 3 years ago (something I intend to redress over the next few months). So I am finding listening to this one a bit of a journey of rediscovery.

And what a pleasant journey it is. The album kicks off with When The Lights Go Down, a glorious slice of stoner rock, that shows just where the likes of Stone Axe and Mos Generator are getting some of their influences. Other highlights include Allied Forces - a cut that comes on as a real surprise when you realise exactly how heavy Triumph could be from time to time; the aforementioned I Live For The Weekend, always my fave Triumph number, and a rock and roller that still sounds as fresh as it it did back in the 80's; and then there's the epic and progressive Blinding Light Show with Mr Emmett showing he still knows his way around a fret board. All good and classic stuff and when you reach the final notes of the wondrously uplifting Fight the Good Fight you end up with a wonderfully satisfied feeling of having rediscovered something very very good indeed.

This album is a great live document, the production is spot on, showing the pure talent of the band and capturing the excitement of the live situation perfectly. This one will certainly remind the world of Triumph and exactly how good they still are. There's only problem, this has left me wanting more Triumph, new Triumph, I'm sure musicians of this class and standard are still capable of writing and recording anther killer album to add to their back catalogue. Come on guys whatdya say?

Triumphful

For fans of... Rush, Van Halen, Stone Axe, The Rods.....

Various Artists - 'The End is Near' (Shire Records) 4.5/5

The End Is Near is the title of a series of highly successful punk weekenders held in the sleepy Wiltshire town of Trowbridge, that are rapidly becoming some of the most important events on the UK punk scene, having attracted the likes of The Sub-Humans and Rita Lynch in recent times. Now the organisers have put together this rather tasty 15 track compilation celebrating and showcasing some of the best acts that have appeared at the events.

Now this is a rather good un over all, kicking off with Disco, a rather neat slam and boogie cut from The Blunders, this CD is a great portal into the best punk from the English West Country and beyond. I'm not going to give you a track by track breakdown - far better you dig yourself a copy up and explore it for yourself. But I will point out a few of the highlights on offer...

There's Petrol with the driven and frenzied Feed Yourself, Hater UK give a glorious low fi rendition of the Kevin 'Bloody' Wilson classic Hey Santa!. Instrumental noise grind merchants We Are Romans serve up a groovy little cut entitled Heligoland and the irrepressible Rita Lynch gives the spin tingling Longing. Chuck in The Dynamite Pussy Club with Vampire Blues and nine other pretty damn god and infectious cuts from the likes of The Set Backs, Bite The Buffalo and A-Heads and you have a real treat for all those who like it a bit on the punk side.

There is an old joke that says 'punk aint dead, it just smells that way', well this gem not only shows that punk is alive and kicking, but it till has something to say and is laying waste to small Wiltshire towns in the process

Get a copy and pogo til you puke

For fans of... PUNK

Boots N All - 'Up Your England' (self released) 4/5

I dunno too much about Boots N All. They come from the sleepy English town of Warminster and they play a rather impressive brand of in your face and fuck the system brand of Oi! punk, and this is their new five track ep.

Now anyone who has bit of Oi! knowledge will know exactly where these guys are coming from. Kicking off with a rather good little moonstomper entitled You Moved To America, a track that to my ears draws favourable comparisons to the legendary The Oppressed, this ep just blast along in a wall of gloriously aggressive righteous fury that puts a sonic Doc Martin full in your face and demands that you join the pogo pit. All five track on this one are just great, Freedom, Psycho, Oi Oi (What You Gonna Do) are all prime slices of the very best Oi fueled punk; however my fave cut on offer is the fantastic title track, a real underground punk classic in the making that sticks a lyrical boot into all aspects of 'the system' from the armed forces and the police, to the legal system and the royal family. My kinda music indeed.

OK I will be honest and say the production here is a bit rough, but as I have said before and will keep on saying when it comes to punk, production counts for nothing. Punk is about the three A's, Attack Attitude and Aggression, and those are three things that Boots N All have by the bucket load. Whats more the production here, or rather lack of only adds to that great punk DIY low budget feeling and ethos and makes the over all delivery all the better for it.

In short, what with the world of economic crisis, money grabbing bankers and Torey Governments the time is right for a bit of angry street punk to shout out for the masses, and when its Boots N All doing the shouting you just know you wanna join in.

First Rate Stuff


For fans of... Oi Polloi, Hard Skins, The Oppressed, Cockney Rejects, Chaos Reunion....

Various Artists - 'The Ripple Effect Presents Volume 1 - Head Music' (Ripple Music) 5/5

Five years ago a couple of Californian music lovers set up The Ripple Effect, an online magazine where they could share their love of old school stoner and modern underground rock. To say the idea was a success is a vast understatement. Since the site was launched Ripple has grown into one of the most respected music sites in the world, has its own radio station and of course Ripple Music, a label that has rapidly become one of the most vibrant and cutting edge in the whole realm of underground music with such acts as Grifter, Stone Axe, Mighty High, Mos Generator and Iron Claw on their books. Now to celebrate the first five years of The Ripple Effect they have issued this twenty three track compilation album, representing the very best of the kind of stuff Ripple have been championing over that time.


Now this compilation is a real delight to listen to, most of the 23 cuts here are previously unreleased, and every track is of the very best of whats happening on the current stoner, retro and underground classic scenes.


I'm not gonna give you a track by track breakdown, this is a free download album, go get a copy for yourself and have an explore. However I will point out a few highlights. There's the glorious stonehead groove of Torso with One, the fantastically sleazy Swear It To The Sun from Voodoo Johnson, Dark Earths highly headbangable eponymous post Sabbath work out and Concrete Sun with the underground classic of Silver Tear... infact every track on this one falls somewhere in between the 'yeah thats pretty damn good' and 'fuck me sideways that was great' camps.


There is still a huge market out there for this kind of new wave old school rock, and with retro rocking bands like Gypsyhawk and Dear Superstar on the edge of the mainstream, the market for this kind of classic rock is only gonna grow, and I have no doubt that Ripple will be there to bring you the very best of it for many years to come. Whats more this is a FREE record, so download it NOW and expand your head with the effect of ripples of superb music


Get this album NOW


For fans of... Stone Axe, Mos Generator, Fen, Black Sabbath, the classic and the underground....

Get your copy here for FREE - http://therippleeffect.bandcamp.com/album/the-ripple-effect-presents-volume-1-head-music

The Spittin' Cobras - 'Year Of The Cobra' (Omega Records) 5/5

If you take a couple of ex-pat Brits who have cut their teeth playing with the likes of Ginger (ex Wildhearts / Quireboys), hook them up with a couple of talented types from the musically active melting pot of Seattle, cook well in a huge pot of classic hard edged rock and roll and season with an endless series of gigs traveling in a large motorhome (thats an RV to you American types).... Then result will sound something like The Spittin' Cobras.

Gotta say from the off I'm loving this one, nine cuts of pure, no bullcrap, heads down and let the dandruff fly, air guitar a gogo old school hard rock, that once again shows that the US underground rock scene has thrown  off the post emo teen agnst fakery and the pig grunting devil worshiping sub genre fixated death thrash scenecore sensibilities and has at last remembered how to rock like bastards once more.

This album kicks off with a rather tasty headbanger called All The Way, a track that hits you like a sonic sledgehammer and pounds your brains into a gloriously satisfied mess. And then it just doesn't let up, cuts like Hooker With A Heart Of Gold, Built For Speed, Criminal Mastermind and Throw Your Horns all come at your ears like speeding bullets and pepper your head with wonderfully enjoyable rock and roll buckshot. All the greats are referenced here, Motorhead, AC/DC, Foghat, Quiet Riot, Odin, Aerosmith... and believe me this record sounds just as good as the very best those classic acts have produced.

The final track on this gem is a storming balls out rendition of the Rainbow classic Long Live Rock And Roll and when you have bands like The Spittin' Cobras out there you just know Rock and Roll aint nowhere near dead yet!!

Just Great

For Fans of... Gypsyhawk, Crash Street Kids, Antique Scream, Airbourne....

Gypsyhawk - 'Reverly & Resilience' (metablade) 4.5/5

Pasadena hardrockers Gypsyhawk have been causing a bit of a stir in classic rock circles over the past year. Certainly their reputation reached my ears long before any of their music did, tales of a band from California who sounded like a mad mix of Thin Lizzy, Golden Earring and UFO certainly made me keep a special eye out for them. Then I got hold of Hedgeking, the lead single from this album, and that really impressed me, and now we have this their debut album for Metalblade on our hands.

And I gotta say from the off that its every bit as good as I was expecting. Kicking off with Overloaded, a track that just drips classic Thin Lizzyisms; bass playing singer Eric Harris doing a damn fine Phil Lynott impression whilst guitarists Andrew Packer and Ian Brown do the twin lead bit in the style of the 'Renegade' era pairing of Scott Gorham and Snowy White. Hell if the late great Mr Lynott was still with us this is what Lizzy would be sounding like.

Having laid out the goods in fine style Gypsyhawk then take us on an eleven track cake walk through a damn fine classic rock soundscape. Highlights include the Golden Earring fueled The Fields, Frostwyrm with its hat tips to the likes of The Almighty and Wild Horses, the majestically epic Night Songs From The Desert and the post Motorhead rock out of The Red Wedding. Chuck in a belting cover of the Rick Derringer classic Rock and Roll Hoochie Koo to wrap the whole thing up and you have a damn fine album indeed.

It is indeed great to find acts like Gypsyhawk, who along with the likes of Crash Street Kids, The Muggs and Antique Scream are keeping the old fashioned, no bullshit hard rock flag flying proud and proving once and for all that not all modern rock and metal is inaccessible sub genres and and angry youths with emo haircuts. And long may they continue.

Highly Recommended

For Fans of... Thin Lizzy, Golden Earring, Airbourne, Crash Street Kids, Motorhead etc.....

Rummer And Grapes - 'Ground Control' (New Model Label) 4.5/5

Now despite being named after a London student boozer, Rummer And Grapes are in fact from Italy, and are, along with the likes of Bi-Polar Sluts, Speedjackers, Having Thin Moonshine etc part of the exciting new wave of Italian rock that is beginning to make waves beyond their homeland. They issued their debut long player a couple of years back, and have now returned with this rather cool and groovy three track ep.

Now there is lot of interesting influences on show here; a touch of good old indie / alternative rock, a hint or two of The Subways style pop punk and a smattering of good old fashioned hard rock sensibilities; all served up on a platter of Delain / Nightwish style female fronted post goth styling.

Of the three tracks on offer we get Between Darkness And Light which starts out sounding a little like Within Temptation at their very best and builds into a cracking commercial hard rocker that is dripping huge hooks and vast sweeping riffs. January 12th has a certain Lacuna Coil quality to it with its huge guitar soundscaping, spine tingling vocal and massive chorus. However the real killer cut on offer is the title track Ground Control, a ripping track that wouldn't sound out of place on a Subways or Skuzzies album, with its bouncy post punk light and choppy riffs, air punching anthem of a chorus and shiver inducing use of samples - a classic cut if ever there was.

All in all this is a great release, and goes a long way to build on the already impressive reputation of this band and for that matter new Italian rock in general

Seek and buy.

For fans of... The Subways, Nightwish, Where's Billy, Trillium etc....

Elisium - 'Becoming' (Self Released) 4/5

Coming out of Fredericksburg Virginia, in the USA Elisium are a three piece industrial-groove metal outfit who's mission statement reads "we believe music is more than just entertainment, and that our lives, and the very fabric of the universe are united by rhythm and vibrations and harmony. With song lyrics and themes ranging from determination, reincarnation, and man's many attempts at describing the universe, we are not afraid to tackle serious themes in powerful ways." They have have been around for eight or nine years and previously had a full length album released in 2004.


Now this six tracker (well five tracks and an intro piece) is an interesting one. Using Tool as a starting point and sounding not unlike Chicago outfit Treble Damage, these guys have cooked up a rather tasty little mini album that blends elements of industrial grind, groove metal, prog rock and pop punk into an infectious and engaging package that really does stand up to repeated listening. 


The most accessible track on offer is undoubtedly a rather fine and groovy cover of the Men Without Hats classic Safety Dance a track that has already proved a big hit with the BCFM show listeners, becoming the most requested track of the year so far. But I can't help but feel it would be shame for such a good band and album to become known for one 'novelty' cover version, for this album has a lot more to offer.


Tracks like AGV, Bombshells and especially the closer Surface all go to show that Elisium are an act to take notice of, they are heavy and grinding, light and introspective, epic in scope and heartfelt in delivery. All the marks of a damn fine band that could with a lucky break and enough determination go places.


In short a great release, and whilst it may take a bit of tracking down, believe me the effort will be worth it.


Worth a look or four


For fans of... Tool, Treble Damage, AFI, Amebix, Soundgarden.....

Campus - 'Empathy' (Small Town Records) 4.5/5

With two full length albums under their belt already Belgium based hardcore / screamo outfit Campus have recently undergone a bit of a line up change and are now a five piece and have just issued this their latest four track ep.

Kicking off with a rather vicious and angst fueled little rage rocker of a title track this ep is a nice short an sweet exercise in all that good about hardcore punk. Snarling and aggressive barked and growled vocals and mercilessly pound and pummel beats are inter-cut with soaring and uplifting clean vocals and some perfectly sweet melodic lead guitar lines. If your familiar with the work of the likes of Converge, While She Sleeps, Terakai, Red Enemy etc then you'll know exactly where these guys are coming from, and  if the like of the aforementioned bands are your thing then check this one out, it will be right up your street. This ep is raw to the bone, dripping bleeding heart emotion and delivered with an attitude and approach that marks them out as being up there with the very best in their field.

Of the four impressive cuts on offer, in my humble opinion the best of the crop is the closer Young Bastard, a song that just bleeds sorrow, rage, anger and rebellion from a slashed musical artery of raw emotion, then stitches the wounds with a solid wall of hard driven determination. Very Very good stuff indeed.

I know hardcore isn't everyones cup of tea, but if you like your music on the bleeding edge of empathetic emotion then you really should add this one to your collection.

Bloody Great.


For fans of.. Converge, Terakai, Red Enemy, Gay For Johnny Depp, The Hotel Ambush....

Titans Eve - 'Life Apocalypse' (self released) 4.5/5

This is the second full length offering from Vancouver metal merchants Titans Eve, a band who seam to love doing it old school and touring their butts off across their fairly vast native land in a beat up old van and to be honest its quite a good one.

There are eleven cuts on offer here (if you include the obligatory short intro and a short linking instrumental number). Mixing old school power metal in the Anvil, Exciter, Armored Saint mode with good healthy dollops of Onslaught, Megadeth, Exumer type late 80's trash, the band have in this release served up a damn fine platter of good old fashioned, no bull shit heavy metal, that sets the head banging, the pulse racing and makes even this old headbanger want to start a circle pit right here in his own office.

Just to pick a couple of highlights, there's the headlong slam dance of Life Apocalypse with its blast beat drumming and distinctive signature riffing. Then there's the high speed thrash out of Destined To Die - a cut that reminds me of Onslaughts classic 'Power From Hell' debut album; a gloriously chilled and melancholy out instrumental entitled A Wound That Never Heals - complete with a rather groovy bongo drum line!! and the divinely majestic Frozen In Time - an true mini epic if ever there was that goes from slow and acoustic to Priest-U-like twin guitar harmonies to heavy as fuck grind and pound and back again. All damn good stuff.

Got single out a couple of people here for special praise. First up the vocals of Brian Gamblin, a guy whose delivery is gruff and aggressive, yet never falls into the trap of the old cliched pig grunt all of which means you can hear what the guy has to say. And I always say if you have something to say, make sure people can hear it. Add in the fact that both Brian and his brother(?) Kyle Gamblin play a mean and impressive guitar that can balance on the line between melodic delivery and brain melting shred and the rhythm section of Jesse Hord and Casey Ory are as tight as a Scotsmans wallet and you really do have a line up that can deliver the metal in fine style. On top of that the production here is first rate, its smooth enough to give Titans Eve a huge and ear shreddingly vast and aggressive sound, yet is rough enough around the edges to keep the whole kit and caboodle bouncing along with the hungry urgency this kind of metal demands.

All in all a pretty impressive album that will win them a lot of friends. At the time of writing Titans Eve are about to hit the road in support of the legendary Anvil, so if your in Canada and get chance to see em, do so, and where ever you are in the world, buy this album. You will not regret it.

Very Impressive


For fans of... Anvil, Armored Saint, Onslaught, Six Feet Under, Portrait, Raven.....

The Effect - 'Lioness' (self released) 5/5

I first encountered young Swansea band The Effect a year or so back when they supported my outfit Alien Stash Tin over in Wales and blew us off stage, they had just released their debut ep (reviewed here) and that release proved a big hit with the people of radioland and got a lot of airplay on the BCFM show. Now they are back with this, their second ep release.

Now Lioness kicks off where the bands previous effort 'Everything has Gone' left off. There are seven tracks on off (well five main songs, an intro and a bonus track) and just like the band debut its another fine package of expertly played and produced, catchy as hell, commercial hard rock that shows these guys have a musical maturity well beyond their tender years. Batting firmly off the modern commercial hard edged rock wicket of the likes of Kids In Glass Houses, Lost Prophets, Muse, Funeral For A Friend, Shinedown etc, these lads lay down a fine edgy and angsty sound-scape for the new generation, all huge hooks, massive guitar sounds, pounding rhythms and some truly sublime breakdowns.

Now my only real criticism of the bands previous ep was the fact they lacked a little in the light and shade department, and seamed to hold back in places and never really let themselves rock out. However I'm glad to say that on this one that issue has been addressed. OK they never quite let rip into Funeral For A Friend style post hardcore aggression, but on tracks like Vulture and As The World Came Down they do step the RAWK dial up a few notches, just enough to give the band a bit of quality light and shade, and believe me they are all the better for it.

Highlights? well the whole ep is damn good and highly entertaining, but to select just two fave cuts on mine, we have to single out the title track, which is a glorious angry anthem to teen rebellion that builds from from something fairly quiet and introspective into a huge air punching anthem to die for; and the bonus track True Colours which is a superb slice of modern moshpit friendly commercial hard rock to die for.

At the moment The Effect are local heroes in parts of South Wales and almost unknown elsewhere, but if they can carry on releasing stuff like this I can only see far bigger and better things for these guys in the future. I'll watch their development with interest

Get hold of this ep NOW!!


For fans of.. Muse, Kids In Glass Houses, Shinedown, I Divide, Lost Prophets etc...

Wig Wam - 'Wall Street' (frontiers) 4/5

Now I'm convinced that somewhere in Scandinavia there is a big machine where talented musicians are thrown in one end and great glam rock bands come out the other, over the past year we've had Crazy Lixx, Royal Republic and many others hitting  us up with great new albums; now we have Oslo band Wig Wam with their fourth studio album Wall Street.Now if you think you have come across this lot before, then your probably either a fan of Scan-glam or your a regular viewer of the Eurovision Song Contest, this lot represented Norway in 2005 with a track called In My Dreams, a song that was number 1 in Norway for a long long time and has made them household names in their homeland.

Anyway enough of the history lesson, whats this album like? Well there are 11 tracks on offer here and over all its pretty good. The opening two cuts Wall Street and OMG (I Wish I Had A Gun) are both balls out rockers that take a swipe lyrically at cash culture, bankers, the state of the word economy. Heavy? Nah not really, its all tongue in cheek highly headbangable fun stuff. Then we have a quick change of gear for the highly quirky Victory Is Sweet with a huge chorus, children's choir, orchestral backing and massive sing-a-long hooks. And so it continues... I'm not going to give a track by track breakdown, but take it from me its all good stuff. Other highlights include The Sweet sounding The Bigger The Better, the lighter waver of a ballad in the form of Tides Will Turn (again look out for a massive hook), the dark and driven One Million Enemies and the sleaze filled sex out of Try My Body On (with the biggest hook of all!!) Not really a weak moment on show, even the aforementioned ballad isn't as bad as I thought it would be.

Now if there is any justice in the world, Wig Wam would be international superstars with albums like this under their belts, but we all know that justice and the music biz don't exactly walk hand in hand, but  have no doubt that Wall Street will at the very least become a bit of fave with those who like to seek out the good music that lays beyond the stuff served up on mainstream radio.

Pretty Damn Good

For fans of... L.A.Guns, Crash Street Kids, The Sweet, Ratt, Crazy Lixx.....

Circus Maximus - 'Nine' (frontiers) 4/5

Prog metal time again, and this time its Norways own Circus Maximus in the spotlight with this their third studio outing.

Now this is a pretty slick and impressive offering from Michael Eriksen and his band of slick power prog metallers, ten cuts, each a well penned, played and produced slice of musical edification that marks this lot out as leading players in the well populated field of European prog metal.

Once you get past the obligatory short intro track you get into the real stuff, first up there's the impressive Architect of Fortune a 10 minute plus epic that manages to be involved and complex yet avoids the Dream Theater style pomposity and self indulgence. Other highlights include the maidenesque Namaste, the huge and uplifting anthem of Reach Within, and the pair of epic closing tracks, the nine minute Burn After Reading with its superb interplay between guitarist Mats Haugen and keys man Lasse Finbråten; and the ten minute plus The Last Goodbye with its long and glorious build up into a breath taking Yes influenced finale. All in all, damn fine stuff indeed.

Now all the prog metal tick boxes are met on this one; complex riff structures, tempo and key changes, huge soundscapes, deep lyrics, Yes style harmony vocals, huge choruses.... Yet there is more to the Circus Maximus sound than the traditional European prog metal cliches, theres an almost AOR / Stadium rock feel in places here, and Circus Maximus are all the better for that it gives them an accessibility many of their contemporaries lack and a sound that will win them friends beyond the hard core prog metal audience.

Over all a good and very listenable record that stand up to repeated listening.

Worth a spot purchase


For fans of.. Opeth, Yes, Royal Hunt, Dignity, Fates Warning, Dream theater....