Six Feet Under - 'Undead' (metalblade) 4/5

Formed back in the early 1990's by Chris Barnes (ex-Cannibal Corpse) and Allen West (ex-Obituary) Florida outfit Six Feet Under have become fairly major players on the US death metal underground, with eight previous studio albums and three more albums of 'fun' cover versions theur distinctive brand of groove flavoured death has won them a lot of friends and now we have album number nine to delight us.

Now despite a bit of internal upheaval in the recording of this one (guitarist  Rob Arnold quitting on the day of release having already played the bass on this one following the departure of Terry Butler early in the recording process) SFU have delivered a nice tight, competent and very entertaining record. It manages to comfortably bridge the gap between death metal and the mainstream, being heavy, and brutal enough to keep yer average Cannibal Corpse fan pit happy, whilst heading far enough into Machine Head / Lamb Of God territory without leading to any hint of an accusation of sell out.

There are 12 cuts on offer, all penned, performed and produced to a high standard. Highlights include the post Sabbath riff fest of Blood On My Hands, the groove metal workout of Reckless and the doom fueled plod and pound of Vampire Apocalypse. Impressive stuff indeed, but my fave cut on here is the closing 'micro-epic' Depths of Depravity which manages to compact a full on multi section prog doom epic into under four minutes.

All in all this is another very worthy album from a very worthy band that after 20 years or so are still showing no signs of running out of ideas.

Worth checking out

For fans of... Machine Head, Unearth, Lamb Of God, Titan's Eve.....

Furyon - 'Gravitas' (frontiers) 4.5/5

When the Sunday Rockshow first launched on BCFM one of the first unsolicited demos to arrive was from a young Brighton band called Furyon. I was very impressed with what was on offer and have been following the bands development from a distance ever since. Now five years on we have this their first full length release on key international rock label Frontiers.

And what a release it is. One of the things that really impressed me about aforementioned early demo was the bands ability to write and construct classic metal tracks yet at the same time keep them sounding fairly accessible and radio friendly, and that has not changed. The opening cut on this one Disappear Again manages to come over as accessible and FM happy as anything the likes of Nickleback or Avenged Sevenfold can cook up, yet still manages to keep a good old school Saxon / Marshall Law metal vibe going at the same time, and that's no mean feat.

Then with the stall well and truly set out Furyon go on to show their diversity. To pick just a few highlights... Stand Like Stone comes over a bit like Iron Maiden jamming with Mastodon, Don't Follow mixes Lamb Of God style riffage with a classic vocal delivery from Matt Mitchell that reminds me somewhat of a husky Rob Halford. Voodoo Me, a re-recording of what struck me as the stand out track on that early demo, is a classic little pop-metal number that comes over like Tygers Of Pan Tang on a Def Leppard trip and Our Peace Someday is a track as good as anything Ion maiden have delivered on their past few album and features some fantastic guitar work from Pat Heath and Chris Green.


However to me the stand out cut is the closer, Desert Suicide, which starts out sounding a little like a classic Canterbury era Diamond Head number, all darkly acoustic with shock beats then builds and build into a spine tingling epic where the light and shade are played to maximum effect and it leaves the listener feeling they have indeed just heard something very special indeed.


Over all this is a cracking album that should help shove Furyon up the league of British metal and bring them closer to recognition they undoubtedly deserve.


Very highly recommended


For fans of... Avenged Sevenfold, Diamond Head, Iron Maiden, Marshall Law.....

Lamb Of God - 'Resolution' (Roadrunner) 4/5

Well the first of the big hitters of 2012 have chucked their hat into the ring, as Richmond (thats Richmond USA NOT Richmond Yorkshire) metalheads Lamb Of God unleash studio album number seven on the world.

Now I'll be honest and say I've not really payed LOG that much attention, before now, not that I don't like them, but its been a case of so much music so little time and they have slipped under my radar, so I'm coming at this one a fresh and with no real preconceptions.

First impressions are rather good, the double header of Straight For The Sun and Desolation lay out the albums stall in fine style with a wall of post Pantera southern style thrash, gruff yet intelligible vocals, brutal riffs and some fine widdle and shred style lead work, and so it continues for the next 14 tracks.

There is nothing really original or earth shattering on show here, infact there is only the short linking passage, the bluesy Barbarosa, to give a short break from the albums blast and bludgeon. But that doesn't mean its a dull record, there's enough creativity and musical invention on show to make the tracks stand apart from each other and more than enough energy and attitude to make for a compelling listen. Highlights include the groove grind of Invictus, the infectious Terminally Unique - a track that sounds Iron Maiden spiked with ground glass and the headlong thrash out of Visitation. However the true stand out cut on offer is the closer King Me with is blues influenced introduction, epic build up and tasteful use of synths and female backing vocals which gives the whole piece a progressive metal vibe.

Over all this is good solid record, Lamb of God fan will love it to bits, and other metal heads will find it an attractive proposition as well.

Pretty Good

For fans of... Mastodon, Machine Head, Pantera, Not Above Evil....

Zombie Xtras - 'Devil In The Flesh' (self released) 4/5

When BCFM and The Sunday Rockshow first launched, one of the first bands I sort of connected with was Birmingham Zombie Xtra's. They had just put out a remarkable mini album entitled 'The Killing Fields'. It was an album I took too immediately, it got played a lot on the show and ended up on the shortlist for our album of the year award.

Now four years later ZX are hitting us with their second album 'Devil In The Flesh'. I'll be honest here, 'Devil In The Flesh' isn't as immediate as 'The Killing Fields', the Rage Against The Machine influenced groove that made Killing Fields so effective is not so obvious this time around, instead Devil In The Flesh has a more old school metal groove to it and comes over almost like Black Sabbath on a stoner groove trip.

However I'm not saying that this release is any lesser a work than it's predecessor. It may not have hit me with Killing Fields in your face 'wow' factor, but after living with this record for a few weeks I'm finding I'm still loving every one of the seven tracks on offer here.The grinding bludgeon of the title track, the damnation boogie of Invocation and the epic Sabbathesque The Longest Journey are especially praise worthy. This album really is a grower.

Although I will say my favourite cut on offer here is the bonus track Redneck Agenda, a song with some biting political lyrics that really does sound a little like ZZ Top on a Cradle Of Filth trip.

If you've encountered Zombie Xtra's before you really should track down this album, I promise you you will not be disappointed. On the other hand if your new to these guys, Devil In The Flesh is as good a place to start as any.

Well worth checking out.

for fans of... Black Sabbath, In Solitude, Stone Axe...