The Texas Flood - 'Worth The Whiskey' (self released) 4.5/5

There is land to the west that is wild and lawless, where the men are tough and the liquor is harsh. And from these bad lands (near Swansea) come The Texas Flood. Part of the NWOATYWRB (New Wave Of Annoyingly Talented Young Welsh Rock Bands), TTF are a blues rocking power trio who take their cue from the likes of Stevie Ray Vaughan and this is (I believe) their second ep.

Now I first encountered this lot when they played on the same bill as Alien Stash Tin earlier in the year, and I was more than a little impressed that three young guys, barely into their third decade, not only had such a strong handle on classic blues rock, but also the fact they played like guys who had been blues rocking for decades. So I put in a order for their EP and at last its here.

Now there are four tracks on offer here. We kick off with Barking Like An Underdog, an excellent slice of get down and boogie blues rock that has echoes of Jason and The Scorchers about it. Then there's Holding My Own, a slick and subtle ode to masturbation that kicks along like Slug The Nightwatchman (remember them? - damn they were good). Living On The Edge is a glorious Georgia Sats like booze 'n' blues work out and closer Worth The Whiskey comes over like Stevie Ray jamming with Motortrain in a Texas redneck bar and not getting shot. All in all four great tracks.

As for the musicians. Well the core of the band is the superb rhythm section of Tom Williams and Ben Govier, two guys who know how to swing and know how to boogie; a tight unit that just locks down on the beat and keeps the music driving on in classic style. This allows the mercurial talent of singer / guitarist Tom Bradford to shine through - here is a guy who plays like George Thorogood and sings like Ronnie Van Zant. Add in the fact that these guys can write great songs full or infectious hooks and wonderful tongue in cheek imagery and you have in TTF a band that could well go places.

In short a great ep from a superb young band that show a truck load of promise, and is a must for southern boogie and blues rock fans everywhere. Yeeehaaaa South Wales Will Rise Again!!!

Excellent

For fans of... ZZ Top, Motortrain, Jason and the Scorchers, Stevie Ray Vaughan, Georgia Satellites....

Trucker Diablo - 'The Devil Rhythm' (Ripple Music) 5/5

Ok, this lots are new to me. Apparently Trucker Diablo are out of Northern Ireland and are a four piece formed by some veterans of the local music scene; and recently they are having a bit of a purple patch. This, their debut album, has gotten its self a worldwide release through that home of all this old school and interesting, Ripple music, are getting airplay on five continents and early next year are out on the road with Black Stone Cherry.

Now listening through to this album its easy to see what all the excitement is all about. Trucker Diablo play good old no nonsense heads down boogie fueled damnation rock and roll. Imagine a truck load of Molly Hatchett and Black Oak Arkansas style southern boogie in a motorway horror smash with a cargo of Spider / Dedringer style NWOBHM and a van load of Black Stone Cherry type modern hard-rock sensibilities piling into the wreckage and you'll get the general idea. The end result has a certain Almighty vibe to it, and it's no surprise to find former Almighty front man Ricky Warwick turning up to add his voice to the track Juggernaut.

Gotta say I'm finding this one right up my musical alley. Tracks like the opener and current single Drink Beer, Destroy with its beer fueled blue collar slam boogie riffage and mob yell chorus; the Sweet Savage style truckers anthem Big Truck, the juke-joint sleaze of Dirty Love and the ZZ Top on Steroids drive and grind of When Angels Die: all thunder straight from the speakers like the devils own 18 wheeler and they give you a simple choice, get on and enjoy the ride - or end up as another lump of roadkill in their musical wake.

The performance and the production here can't be faulted - its smooth enough to be clear, balanced and 100% listenable, but still retains enough rawness and rough edges to keep its greasy rock sensibilities true and maintain the whole 'rock and roll is the devils music' feel.

This is one of the best truckin' rock and truckin' roll albums of recent years, and I'm not alone in that opinion, When they number the likes of Dee Snider (Twisted mutha truckin' Sister) and Joe Elliot (Def Leppard) amongst their admirers, you know you have summit special on your hands, and I've got high hopes that this may just be the album that puts old school hard rock and roll back in the public eye where it belongs.

Its truckin' great, buy it and love it forever.

For fans of... Grifter, The Almighty, Motortrain, Sweet Savage, Black Stone Cherry, Drivin' and Cryin'....

Motortrain - 'Straight Six' (slambang) 4/5

Now I've always had a lot of time for the good old southern boogie stuff, I taught myself to play guitar by jamming along to the likes of Skynyrd, Grinderswitch and Molly Hatchet and I still rate Blackfoot as one of the best live bands I've ever seen on stage. Frustratingly we don't get much of it over this side of the pond and on the whole it remains a nearly completely a genre confined to the USA. Still sometimes a little of it will wind its way across the pond and wind up at BCFM central. and now ladies and gentlemen I bring you the debut mini album by Oklahoma quartet Motortrain.

I gotta say that on first impressions this is an infectious little album. It's sound is rooted firmly in southern and country rock, but its more in the rawer rock and roll vein of the likes of The Four Horsemen, Jason and the Scorchers, Georgia Satellites than the more traditional Skynyrd / Hatchet style of swamp boogie, and there is nothing wrong with that at all. There are six tracks on offer, each one a fine slice of prime good 'ole pick up driving blues fueled sleazy good time bop music, that makes you wanna crack a six pack and get down for a good boogie with yer mates at the local bar.

The opener Motortrain has a certain Blackfoot vibe to its bar room strut sound - including a Ricky Medlock style lead motif. Then we have Backyard Brawler that has a bit of a Georgia Sats air to it; Bombs Away and  Bad Girls are a bit heavier and move into AC/DC territory; Shes Hot is a great heavy sleazy along number that gives over a Black Oak Arkansas feel; whilst closer Goin, Goin, Gone is a high octane stomp that wouldn't sound out of place on a Rose tattoo record.


All in all this is a very enjoyable record. it's not very original or innovative, but what the hell, there are times when you don't wanna do anything but find some great no frills rock and boogie and just let your hair down, and this album is perfect for doing just that to. It is a good rock and roll album, it does exactly what it says on the tin, no more, no less; and in a time when so much of today rock music is full of pretentious aspirations, this one comes in like a breath of fresh air.

This one may take a bit of tracking down, but I advise you to find it and give it a go, you'll not regret it.

For Fans of... Black Stone Cherry, Georgia Satellites, Jason & The Scorchers, AC/DC, Rose Tattoo....

Kenny Wayne Shepherd Band - 'How I Go' (roadrunner) 4.5/5

Now I'm a fussy bugger when it comes to the blues. Being raised by a blues and jazz loving father I developed a taste for the pure blues from a young age, then as I grew up and my tasted broadened I also took to some of the classic white boy bluesers like George Thorogood and Pat Travers. So I like to think I can tell good blues when I hear it. to me good blues should speak from the soul and be played with real emotion. Which is why I took a dislike to the likes of Gary Moores blues period (too many notes, no real feeling) and Steve Miller (too safe and souless). Now I have been aware of Kenny Wayne Shepherd for sometime, but also heard too many people making Steve Miller comparisons, so have avoided his work until this album dropped into my in tray the other day. So I thought its time to bite the bullets and see what he actually sounded like.

Now I must say from the off, this is NOT a straight blues album. Sure there is a very very strong blues influence here; songs like Oh, Pretty Woman, Backwater Blues, Yer Blues (yup the old Beatles classic) and Heat of the Sun are all old school blues numbers and boy can Mr Shepherd play the Blues!! These tracks drip angst and emotion and on the aforementioned Heat of The Sun he lays down a solo that can only be described as a real tear jerker (this song is already a walkman fave of mine and I've only had this album a few days). However there are more strings to this guys bow than playing classic blues licks on a beat up old strat.. There are also good dollops of country rock on songs like Show Me The Way Back Home; whilst in other places such as on Come On Over, Strut and The Wire we are heading into Doc Holiday / Grinderswitch southern boogie territory and  the real suprise comes on Dark Side of Love which is a funk blues fusion of exceptional quality.

Apparently, like all good bluesers Mr Shepherd is completely self taught, with his only instruction coming from tricks and licks taught to him local blues men like Bryan Lee, and a stack of Albert King records and boy does it show. His playing is fresh, original and full of fire and emotion, this guy doesn't play blues he feels them and that's the way it should be.

In short - this album is great and a must have for all fans of the Blues and Americana.

For fans of... George Thorogood, Stevie Ray Vaughan, Ry Cooder, Peter Green etc...