While I've never been the worlds biggest Queensryche fan, I will admit they have always been a band I've admired for their musicianship and approach to their music... that is until I tuned into this, their latest full length album.
To say I was disappointed is a vast under statement. OK the album starts well enough with Get Started, with a catchy hook and passable riff, and the following number Hot Spot Junkie isn't too bad, even if it is a little Queensryche by numbers. However then the good news ends and its all down hill from there. Got It Bad sounds like a bad attempt at a Prince cover with a ham-fisted Sitar player droning away in the background. Wot We Do is naff MTV synth rock. Around the World is a failed attempt at a power ballad with sub Foreigner stacked Harmony vocals and so the rest of the album continues with only some tasty guitar work on At the Edge to shed some hope on the musical disaster.
Even Geoff Tate, a guy once hailed as as one of the best voices in rock sounds jaded and seams to be just going through the motions. I've given this album repeated listens and tried to like it, but sadly this piss poor offering is light years from the glory years of Operation Mindcrime. FOR FANS ONLY.
For Fans of... once great bands who are content with going through the motions.
This is their second eponymous full length release and its a a very catchy little opus. Rooted firmly in the classic sounds of the likes of Foghat, Blue Cheer, Led Zep and the like it certainly sets out to keep alive the flame of old style stoner rock and achieves the goal with ease. Tracks like The Skylah Ray and Black Widow are as trippy as hell and feature some damn fine extended instrumental passages that make you want to skin up something illegal and listen to in a darkened room at very loud volumes.
On this deluxe edition of the album there are 10 great studio tracks that stand up to repeated darkened room listening, but its on the eight live bonus tracks the band really come into their own. The live tracks have more power, more spirit more of a wow factor and I'll admit that I'm spinning the live tracks more than I'm playing the studio ones, the live version of Diamonds and Fools being particularity note worthy with it's AC/DC on hash stoner boogie beat and Bon Scott-esque vocalisations.
In short a damn fine album. HIGHLY RECOMMENDED
For Fans Of - Blue Cheer, The Muggs, Spirit, Grand Funk Railroad etc
One of the great pleasures about this radio DJ lark is your constantly finding great music. Sometimes its a great young band that comes out of nowhere and bites yer balls, other times, such as with this gem, its a band that's been around for years, and has previously slipped right under your radar. Iron Claw have been around for a long time, a very long time. They formed in the Scottish boarders way back in 1969 and until 1974 they plugged away straddling the line between heavy metal and art rock with out really making much head way. Then in 2009 a compilation of their back catalogue was released to a fair amount of critical acclaim. This prompted the inevitable reformation and now we have the bands first new material in over 30 years.
And what a release A Different Game is. Thirteen cuts of top grade old school rock and metal, expertly produced and played with a fire and a passion Scottish folk hero William Wallace would be proud of. You get the doomy grindhouse riffage that tips a hat to likes of Black Sabbath and Stone Ground (remember them?); blues tinged work outs that Juicy Lucy would have been proud to call their own; country boogie classics that reminds you of the likes of Lynyrd Skynyrd and Grinderswitch - hell there's even the ghost of Heep / Rooster style heavy prog floating around the tracks in places. Yet the whole sounds like one band, and a damn fine one at that.
After repeated play thoroughs I am finding it almost impossible to select any individual track out as a stand out moment' its all very very good and is rapidly becoming a must play on my walkman; although I will say my personal faves on the album are See Them Fall, which reminds me a tad of the very early Saxon material, the spine tingling Love Is Blind and the raw riffage of Saga.
If this album had come out in the 1970's or even in the NWOBHM era Iron Claw would have been huge, but even now this album will assure the band a cult status at the very least. BUY OR DIE
For fans of - Classic old school heavy metal / hard rock