The Texas Flood - 'Worth The Whiskey' (self released) 4.5/5

There is land to the west that is wild and lawless, where the men are tough and the liquor is harsh. And from these bad lands (near Swansea) come The Texas Flood. Part of the NWOATYWRB (New Wave Of Annoyingly Talented Young Welsh Rock Bands), TTF are a blues rocking power trio who take their cue from the likes of Stevie Ray Vaughan and this is (I believe) their second ep.

Now I first encountered this lot when they played on the same bill as Alien Stash Tin earlier in the year, and I was more than a little impressed that three young guys, barely into their third decade, not only had such a strong handle on classic blues rock, but also the fact they played like guys who had been blues rocking for decades. So I put in a order for their EP and at last its here.

Now there are four tracks on offer here. We kick off with Barking Like An Underdog, an excellent slice of get down and boogie blues rock that has echoes of Jason and The Scorchers about it. Then there's Holding My Own, a slick and subtle ode to masturbation that kicks along like Slug The Nightwatchman (remember them? - damn they were good). Living On The Edge is a glorious Georgia Sats like booze 'n' blues work out and closer Worth The Whiskey comes over like Stevie Ray jamming with Motortrain in a Texas redneck bar and not getting shot. All in all four great tracks.

As for the musicians. Well the core of the band is the superb rhythm section of Tom Williams and Ben Govier, two guys who know how to swing and know how to boogie; a tight unit that just locks down on the beat and keeps the music driving on in classic style. This allows the mercurial talent of singer / guitarist Tom Bradford to shine through - here is a guy who plays like George Thorogood and sings like Ronnie Van Zant. Add in the fact that these guys can write great songs full or infectious hooks and wonderful tongue in cheek imagery and you have in TTF a band that could well go places.

In short a great ep from a superb young band that show a truck load of promise, and is a must for southern boogie and blues rock fans everywhere. Yeeehaaaa South Wales Will Rise Again!!!

Excellent

For fans of... ZZ Top, Motortrain, Jason and the Scorchers, Stevie Ray Vaughan, Georgia Satellites....

Big Viking - 'Fucks' (self released) 3/5

Big Viking come from Michigan in the US, and apart from that I know naff all about them. I stumbled on this three tracker as a random surf find, and I'm pretty glad I did, if only for the opening cut.


Sounding like a motorway horror smash between Cannibal Corpse and Converge, this one kicks off with a superb little cut entitled Ray Romano Chop House, a cut that grinds like a bastard, grunts and screams like struck pig and is generally three and a half minutes of fairly impressive in your face metal punk cross over action. Hell theres even a couple of light tongue in cheek spoken interjections to break up the asre grinding intensity.

The other two cuts Bud Dink and Amulet Dead are a pair of flawed gems. They are well played and very enjoyable, but suffer a little from slipshod production and fairly big volume drops, which after the magnificence of the lead track comes over as little bit frustrating, hence I've docked a mark or two. Still it's nothing that can't be cured with a little playing around in Audacity or other such software but a listener wants to download and enjoy, not download and remix.

However believe me this ep is worth getting hold of for the lead track alone, when its a free download you can't really complain that much.

Check it out now

For fans of... Cannibal Corpse, Cattle Decapitation, Converge, Amen....

(Download this ep for free from - http://bigviking.bandcamp.com/ )

Boots N All - 'Up Your England' (self released) 4/5

I dunno too much about Boots N All. They come from the sleepy English town of Warminster and they play a rather impressive brand of in your face and fuck the system brand of Oi! punk, and this is their new five track ep.

Now anyone who has bit of Oi! knowledge will know exactly where these guys are coming from. Kicking off with a rather good little moonstomper entitled You Moved To America, a track that to my ears draws favourable comparisons to the legendary The Oppressed, this ep just blast along in a wall of gloriously aggressive righteous fury that puts a sonic Doc Martin full in your face and demands that you join the pogo pit. All five track on this one are just great, Freedom, Psycho, Oi Oi (What You Gonna Do) are all prime slices of the very best Oi fueled punk; however my fave cut on offer is the fantastic title track, a real underground punk classic in the making that sticks a lyrical boot into all aspects of 'the system' from the armed forces and the police, to the legal system and the royal family. My kinda music indeed.

OK I will be honest and say the production here is a bit rough, but as I have said before and will keep on saying when it comes to punk, production counts for nothing. Punk is about the three A's, Attack Attitude and Aggression, and those are three things that Boots N All have by the bucket load. Whats more the production here, or rather lack of only adds to that great punk DIY low budget feeling and ethos and makes the over all delivery all the better for it.

In short, what with the world of economic crisis, money grabbing bankers and Torey Governments the time is right for a bit of angry street punk to shout out for the masses, and when its Boots N All doing the shouting you just know you wanna join in.

First Rate Stuff


For fans of... Oi Polloi, Hard Skins, The Oppressed, Cockney Rejects, Chaos Reunion....

Campus - 'Empathy' (Small Town Records) 4.5/5

With two full length albums under their belt already Belgium based hardcore / screamo outfit Campus have recently undergone a bit of a line up change and are now a five piece and have just issued this their latest four track ep.

Kicking off with a rather vicious and angst fueled little rage rocker of a title track this ep is a nice short an sweet exercise in all that good about hardcore punk. Snarling and aggressive barked and growled vocals and mercilessly pound and pummel beats are inter-cut with soaring and uplifting clean vocals and some perfectly sweet melodic lead guitar lines. If your familiar with the work of the likes of Converge, While She Sleeps, Terakai, Red Enemy etc then you'll know exactly where these guys are coming from, and  if the like of the aforementioned bands are your thing then check this one out, it will be right up your street. This ep is raw to the bone, dripping bleeding heart emotion and delivered with an attitude and approach that marks them out as being up there with the very best in their field.

Of the four impressive cuts on offer, in my humble opinion the best of the crop is the closer Young Bastard, a song that just bleeds sorrow, rage, anger and rebellion from a slashed musical artery of raw emotion, then stitches the wounds with a solid wall of hard driven determination. Very Very good stuff indeed.

I know hardcore isn't everyones cup of tea, but if you like your music on the bleeding edge of empathetic emotion then you really should add this one to your collection.

Bloody Great.


For fans of.. Converge, Terakai, Red Enemy, Gay For Johnny Depp, The Hotel Ambush....

The Effect - 'Lioness' (self released) 5/5

I first encountered young Swansea band The Effect a year or so back when they supported my outfit Alien Stash Tin over in Wales and blew us off stage, they had just released their debut ep (reviewed here) and that release proved a big hit with the people of radioland and got a lot of airplay on the BCFM show. Now they are back with this, their second ep release.

Now Lioness kicks off where the bands previous effort 'Everything has Gone' left off. There are seven tracks on off (well five main songs, an intro and a bonus track) and just like the band debut its another fine package of expertly played and produced, catchy as hell, commercial hard rock that shows these guys have a musical maturity well beyond their tender years. Batting firmly off the modern commercial hard edged rock wicket of the likes of Kids In Glass Houses, Lost Prophets, Muse, Funeral For A Friend, Shinedown etc, these lads lay down a fine edgy and angsty sound-scape for the new generation, all huge hooks, massive guitar sounds, pounding rhythms and some truly sublime breakdowns.

Now my only real criticism of the bands previous ep was the fact they lacked a little in the light and shade department, and seamed to hold back in places and never really let themselves rock out. However I'm glad to say that on this one that issue has been addressed. OK they never quite let rip into Funeral For A Friend style post hardcore aggression, but on tracks like Vulture and As The World Came Down they do step the RAWK dial up a few notches, just enough to give the band a bit of quality light and shade, and believe me they are all the better for it.

Highlights? well the whole ep is damn good and highly entertaining, but to select just two fave cuts on mine, we have to single out the title track, which is a glorious angry anthem to teen rebellion that builds from from something fairly quiet and introspective into a huge air punching anthem to die for; and the bonus track True Colours which is a superb slice of modern moshpit friendly commercial hard rock to die for.

At the moment The Effect are local heroes in parts of South Wales and almost unknown elsewhere, but if they can carry on releasing stuff like this I can only see far bigger and better things for these guys in the future. I'll watch their development with interest

Get hold of this ep NOW!!


For fans of.. Muse, Kids In Glass Houses, Shinedown, I Divide, Lost Prophets etc...

Blackwolf 'Taking Root EP' (self released) 4.5/5

I first encountered Bristol hard rockers Blackwolf about 18 months back when their self titled demo ep dropped into my inbox. That was a cracking offering, it picked up a lot of airplay on the show and got me, and many of the good folk of radioland interested in the band. Since then they have wowed crowds all over the West Country, chalked a show stopping performance at last years Bulldog Bash and got themselves a bit of a reputation as being one of UK's ones to watch. Now we have their first official release in the form of this rather cool four track ep.

Taking their cue from the likes of AC/DC, Airbourne, classic Aerosmith, early Def Leppard and even the likes of The Little Angels (the vocalist here don't half remind me of Toby Jebson), Blackwolf play no bullshit, heads down, air guitar a go-go, sledgehammer subtle, old school hard rock and they play it very well indeed. Of the four cuts on offer here everyone is a nice little hard rocking gem that just demands to be listened to. You get the balls out bounce of Stairway Ticket, the bang grind boogie of Finding Fables, AC/DC meets Black Alice rock out of Wayward One and NWOBHMesque Seeds. All of which are first rate rockers that show that Blackwolf have a musical maturity many more established acts would sell their right arms for.

A damn fine ep indeed, and one that will win this lot a heap of friends and hopefully open the door for them to go on to the recognition and fame they richly deserve.

Very Highly Recommended

For fans of - AC/DC, Wolf Mother, Airbourne, Aerosmith, Dedringer, Def Leppard.......

The New Jacobin Club - 'Left Behind' (Somnambulist Sound System) 4.5/5

Hailing from Saskatoon in Canada, deathrocking gothic darkwavers The New Jacobin Club have been around for sometime and have chalked up a very long list of releases dating back to the mid 1990's, of which this four track ep is the latest.

Sounding a bit like Cauda Pavonis and Moonspell with touches of Hawkwind you like synthy weirdness thrown in for good measure, this ep comes over as a bit of gem. Kicking off with My Smile, a sweet little gothic air puncher that hints at the likes of Lesbian Bed Death and The Mission we have here a cracking release from a band who have obviously honed their sound and style over many years, and while international superstardom has eluded them, they obviously don't give a damn and are happy doing their own thing in fine style.

Next up we have the deliciously dark Demon Princess, a gloriously black exercise in dark psychedelia, deep voices boom like the choir of the damned, riffs churn like the grave dirt of the zombie apocalypse, whilst cellos and synths weave and sweep like angry bats on the hunt for fresh human blood.Cracking stuff.

Then there's my fave cut of the four When Evil Comes Out To Play, a number that starts with a riff that surprisingly reminds me of cult NWOBHM outfit Chainsaw before resolving into a chorus Voodoo Johnson would have been proud to have penned, a real anthem if ever there was. Chuck in a live version of their track Blood Of The Servant Girl for good measure and you have a cracking little gem of an ep that will turn the goths, darkwaver and batcavers on big time and arouse the interest of wider rockers as well.

Pretty damn good if you ask me

For fans of... Cauda Pavonis, Lesbian Bed Death, The Mission, Alien Sex Fiend....

6FearS7 - 'Little Green Box - ep' (self released) 4.5/5

I first discovered Bristol funk rockers 6Fears7 about a year back, playing in the back room of a local pub as part of a local street festival. I blagged a copy of their debut ep, 'The Sky Turned Black' which received a fair bit of airplay on the show, and their single Break Me Down became a listener fave later in the year on its release, becoming the 'earworm' featured track for September 2011. Since then the band have been gigging heavily all over the UK and are now hitting us with this their brand new four track ep.

Now the bands mission statement reads, '6FEARS7 want nothing more than you, on your feet, dancing your tits off.' and listening to this ep it's not hard comply with their wishes. This ep is a superb nugget of rock infused high energy funk that bounces into your ears like a hyper active puppy and sets your body mind and soul dancing along on waves of pure infectious energy.


It kicks off with Fetch The White Coats, a cut that the Greg Badman /  Michael Goodman rhythm section drives into a sweet funky frenzy that sounds a little like Parliament jamming with Primus and Blind Lemon coming in on the chorus. And it just gets better. Dirty Town (Northampton) is a sleazy little slow funk work out that bops along with a joyous beat that perfectly counterpoints the sneering downbeat lyrics. On Your Knees kicks off with a riff thats pure James Brown and intermixes it with some guitar work from Tom Agg that is dripping Led Zep style classic rock sensibilities; and the ghetto strut of closer Indignation features a killer vocal delivery from  Tamsin Cullum and has hints of early Faith No More about it. All great stuff indeed.

All in this another great ep from one of Bristols most promising outfits. I can see big things ahead for this band, oh yes, definitely one to watch.

Bloody great!!

for fans of... Primus, Faith No More, Parliament, George Clinton, James Brown etc.....

The Famous Class - "Have You Ever" (pledge music) 2/5

London self styled 'pop-punksters' The Famous Class have been building a bit of a reputation around them over the past year or so. Headline tours of China, bill topping Belgium festival apperanaces, 02 Academy tours.... They must be doing something right. But What?

I gotta admit I'm at loss to describe it. After all there's nothing remarkable on this four tracker at all. OK its it competent and well played, but its so bloody generic it could be by any one of the hundreds of 'You-and-Green-182-at-Six' clones that are chancing their arms all over the world. You can play through this ep and tick all the right boxes for 'pop-rock cliche 101' on every track; wall of fuzz guitar sound, teen angst/coming of age lyrics, mob yell stabs and backing vocal, chorus key changes, middle eight breakdown... hell this stuff is so formulaic it could have been penned by machine.... That's a thought, are TFC the result of some evil Frankenstein experiment to make the most perfectly cliche commercial pop-rock band in the world? There is a hint in the press blurb that came with this ep. Apparently the band applied to be the band in the adverts for a certain diabetes inducing commercial energy drink... and failed. Could it be that even the band themselves see themselves not as musicians but product?

(Note - the question can be answered by a short visit to the bands website, where your bombarded by a series of adverts for pot noodle type snacks before you can explore it... This is not a band, they are an ad agency)

As you can guess this leaves me cold. In a time when the UK music scene is alive with great music by outfits such as The Skuzzies, Elimination, I Divide, Dakesis, Awake and many many more this ep can only be a retrograde step, as it is nothing more than a clone of what the mainstream music industry has been pumping down our throats for the past few years via the likes of Kerrang!! fm etc, and does nothing to help raise the profile of what is really going on on the UK rock scene.

Still horses for course I suspose. You teenies who have yet to experience real music and fans of disposable teen agnst pseudo punk might like it, and good luck to them, but real rock and punk fans will want to give this one a very wide berth indeed.

Not recommended at all.

for fans of.. Greenday, Blink 182, You and Me at Six, Razorlight....

Peanut Butter Lovesicle - 'Heavy Daze Wildcat Craze' (self released) 4/5

Now this is a strange one. I will admit that I had never heard of New York / New Jersey power trio Peanut Butter Lovesicle until this five tracker arrived unsolicited at the BCFM studios last week.I picked it up and thought I would give it a listen and I'm glad that I did.

Basically on first listen this is a good solid stoner / blues ep in the same vein as the likes of Mos Generator and Stone Axe. All five cuts are slow and ponderous, riff heavy slices of fairly sparse retro rock with some spaced out psychedelic overtones. Lots of delicious wah wah guitar work, Groundhogsy rhythms and Stone Ground style song structures. But once you've given it a good play or two you begin to find there is more to this ep than first meets the ear.

You begin to notice other influences and constructs floating around the mix; little hints of modern alternative rock, pinches of indie shoegaze, a dash of grunge or two: nothing you can really put your finger on and pin down, but its there all the same. The opener Colorblind has a distant voice over section that wouldn't sound out of place on a Gorillas track Sicamore Trees has a Tom Waits style vocal and Commodore has a touch of the Lou Reeds to it. In fact the more you listen then more hidden depths you find.

All of which makes for a very interesting listen and shows that PBL are an outfit with an awful lot to offer and an interesting future ahead of them. Worth looking out for.

For Fans Of... Mos Generator, Lou Reed, The Groundhogs, Stone Axe....

Black Iris - 'Black Iris' (self released) 3.5/5

It's metal time again, and this time it's Surrey outfit Black Iris who are stepping up to the plate with this four tracker to see if they can stand out from all the other hopefuls.

Well things start off promisingly. This ep's opener The Tangled Web We Weave is a bit of a classic of epic proportions, eight minutes long, nice melodic vocals counter pointed with the usual pig grunting, some fast and intense riffage and a slick widdly yet tuneful wah wah guitar solo. And thus it continues. It's Only Just Begun has hint of the old Iron Maidens to it - even to extent of sounding a tad like Phantom of the Opera on its lead break. Better Luck Tomorrow wouldn't be out of place on an Alter Bridge album whilst closer (and this ep's stand out track) Heart Still Beats is as tasteful a slice of contemporary commercial metal as anything the likes of Bullet For My Valentine, Avenged Sevenfold or Killswitch Engaged could cook up.

Don't get me wrong, this ep isn't perfect, it sounds a tad too generic to be truly remarkable, but Black Iris are a young band with their first release and they show enough talent here to show that given time and guidance they could develop into something a bit special.

In Short - Worth a look.

For Fans Of.. Killswitch Engaged, Alter Bridge, Avenged Sevenfold, Bullet For My Valentine.

Elephant 12 - 'Elephant 12' (I Blame The Parents Records) 4/5

Now I will confess from the start I really can't stand dance music, repetitive bass lines and endless 4 to the floor drum beats really do bring out a psychotic reaction in me, I have get away from it or I find I have a growing rage and an urge to physically attack the DJ or band or whatever is producing the noise. This intense dislike extends to dance/rock fusion outfits like Prodigy, Does it Offend You Yeah and Pendulum as well, so when I received this new EP from Elephant 12 and read the release blurb, I was quite prepared for the worst, and was all geared up to spit venom in the face of another bunch of rage inducing fusion merchants.

However after a couple of play troughs, the first rather tenuous and subsequent ones at louder volumes, I am glad to report there is nothing here to induce rage. Far from it, this ep is less dance/rock fusion and more hip-rock mash up; and I am partial to rap in small doses and have a lot of time for acts like King Prawn and Rage Against The Machine, who blend rock and rap and electronica; and as this is where Elephant 12 are coming from I will admit I'm beginning to get quite a liking for this ep. Nowhere does the electronica and dance drum beats ever impose on the music, they are there to kick the songs along, but it's the vocals and the guitar riffs that focus the interest just like all good rock should do.

The over all effect does sound like the aforementioned King Prawn jamming with the aforementioned RATM, melodic semi rapped vocals with a hard punk / SKA edge over laying some great metal riffage. All four tracks are great, but to me the real killer is the dark and brooding Money Talks a great little song that really does have a very infectious groove to it.

In short - a cracking little ep that's worth checking out.

For fans of... Rage Against The Machine, Primus, King Prawn, Lillydamnwhite etc....

Aliases - 'Safer Than Reality' (basick records) 3/5

There nothing essentially wrong with this debut release from UK progressive metalcore outfit Aliases, It's well played, ticks all the right boxes for the genre... fairly complex song structures... CHECK, shouty death grunt vocals interspersed with some melodic vocalisations... CHECK, jerky chuggy riffs with 'star burst' bits of guitar widdling... CHECK etc etc etc. In fact its a damn fine and very listenable little mini album.

It's just that as a whole this album stays a little too close to its title, and comes over more than a little safe. The complex structures just aint as complex as say Periphery, the riffage doesn't let rip in the way Terakai does, the vocals are set to stun, rather than to kill like Skin The Pig. In short each time you listen through you find the experience enjoyable rather than memorable and your wishing the experience was a little more full on, a little more intense.

You see there is a lot of this sort of stuff coming out of the UK at the moment, and a lot of it is extremely good, and whilst I can't find any real fault with Safer Than Reality, I can't find anything here to make it stand out from the crowd either. They come close in a couple of places, such as on Sirens and The Reality of Beliefs; but even those tracks tend to fall slightly short of being truly memorable.

In short... Close but no cigar

For fans of... Terakai, Skin the Pig, The Bled, Pay No Respect...