Gringo Star - 'Count Yer Lucky Stars' (Gigantic Music) 3.5/5

Hailing from Atlanta, Georgia, Gringo Star are another one of the current wave of American retro rock outfits that seam to be popular stateside at the moment. This is their second album.

Now this lot worship firmly at the alter of the mid to late 60's British Invasion sound, coming over like the result of a multi-band horror smash between Beatles, early Yardbirds, Psyche era Status Quo and The Kinks, with The Monkees and Amen Corner piling into the wreckage. And to be honest, whilst this lot are no where near The Pillbugs in their attempt to recreate the swinging 60's pop sounds, they aint to shoddy either. Cuts like the Yardbirds influenced title track and the Beatleseque You Want It are all groovy little workouts that  really do make you want to put on your Carnaby Street threads and find a go-go to go-to.

However there are a few other places such as the sub Tom Jones ballad Esmeralda and the Herman's Hermits B-side sound-a-like Jessica where they seam to get too caught up in the nostalgia trip and forget that not everything that came out of the UK in the 1960's was fab. Still there are enough good tracks like the Kinks fueled riff heavy Make You Mine to make up for a the few dropped balls.

Worth a look

For fans of... The Pillbugs, The Beatles, The Kinks, Lois etc....

Exumer - 'Fire & Damnation' (metalblade) 4/5

Back in the mid 1980's when thrash was young German outfit Exumer were amongst the leading light in the genre. then after two critically acclaimed albums and  numerous tours the band folded in 1990. There was a one off festival appearance at the 2001 Wacken festival, then in 2008 they reformed, and since then have been gigging world wide whilst preparing for this, their first album in 24 years.

So was the wait, just shy of a quarter of a century worth it? Well listening to this one makes me feel like its 1986 again, and that is not a bad thing. Basically F&D is a ten track cakewalk back to those heady day. Cuts like Fallen Saint, Vermin of the Sky (my fave cut on offer) and Devil Chaser are all sweet old school thrash workouts. Not particularly fast or aggressive by modern standards, but still dripping in 1980's style brutality menace and power. Vocalist Mem V. Stein snarls and barks out his bile and anger like a good un, the guitars of HK and Ray Mensh churn, thrash and shred like a pair of Glasgow razor boys at chucking out time, and the demolition crew rhythm section of T. Schiavo and Matthias Kassner drive the whole thing on like a rogue bulldozer. Good stuff, good stuff indeed.


OK, so this album sounds like Exumer sounded back in the day. And there is nothing wrong with that, so often a classic thrash band will try to reinvent themselves for a modern audience and fuck up big time (at this point I will enter into evidence Onslaughts 'Shadows Of Violence' album). Furthermore these days sounding like a classic 1980's thrash band can be an advantage, there is a big revival in retro rock going on at the moment as the youth of today are rediscovering the classic rock and metal of the 70's and 80's; and therefore there is a whole new audience out there just waiting to be 'Exumed'.


Pretty damn good


For fans of... Slayer, Onslaught, English Dogs, Testament, Megadeth etc....

Crazy Lixx - 'Riot Avenue' (frontiers) 5/5

Swedish sleaze fueled rockers Crazy Lixx have been together since 2002 and along with the likes of Sister and Royal Republic are one of the big players in the glam side of Sweden's current classic rock revival. This is their third album.

Now I've been living with this one for a couple of weeks now, and this is the fourth time I've sat down to review it, but I've been having problems with this album, its so damn good and infectious, every time I've played it I've ended up head banging around the flat like a demented teenager, air guitars, the works. So this time I've got the girlfriend to tie me down in front of the computer and beat me with a whip until I've finished writing this one up.

As you can guess I'm like this one big time. From the up tempo double whammy opening of Whiskey, Foxtrot, Tango and Youngblood through to the almost southern boogie closing epic of Only The Dead Know, this album just drips class. It's like all your fave glam and sleaze rock acts rolled into one glorious eleven song package. You get the the classic riffing of Ratt (Youngblood), the mob yell choruses of Poison (Fire It Up), the late night sleaze of Dogs D'Amour (Downtown), the strut and swagger of Skid Row (Sweet, Bad & Beautiful), the full works and its formed into a down and dirty whole that makes this one of the best glam rock / hair metal albums of the past 10 years at least.

I really cannot praise this album enough, the performances here are spot on. Danny Rexon's vocals are distinctive, direct and remind me somewhere of the great Sebastian Bach (Skid Row), Guitarist Andy Dawson is a rare talent, a glam metal guitarist who knows exactly how to read a song and knows when to go OTT and when to rein himself in. Chuck in the rhythm section of Loke Rivano (bass - now sadly departed from the band) and Joél Cirera (drums) who are as tight as a ducks chuff and as driving as Finnish Rally driver in an old group B car, and you do have a band who knows not only how to rock out like a bastard but also how to bring the best out in each other.

In short this is a great album and with glam rock getting a new audience thanks to the likes of the Black Veil Brides,  an outfit that really could go places.

A True Classic
 
For fans of... Moltey Crue, Ratt, Kiss, Skid Row, Black Veil Brides, Sister etc....

Modern Day Escape - ' Under The Gun' (standby) 4/5

With out doubt the real surprise of 2011 was the success of Black Veil Brides as they exploded out of the California underground to stake a real claim at world domination. Now we have Ohio post emo boys Modern Day Escape attempting to follow in their wake of their label mates with this their second album.

Now with former BVB stickman Sandra Alva thumping the pig skin and taking a very similar approach to production as BVB followed on their 'Set The World On Fire' opus it would be too easy just to dismiss this lot as a band of bandwagon jumpers and move on. But to do that would be to do MDE a huge disservice, cos this record is a pretty impressive work in its own right.

There are eleven cuts on offer here and to be honest they are pretty good. Cuts like Life's A Bitch, Tigers Blood and Feels On The Darkside are all prime slices of top notch commercial mainstream hard rock; bursting with angst fueled teen attitude, mosh pit friendly headbangable aggression and enough catchy hooks to keep a tuna fisherman going for several weeks. All good fun stuff.

All the classic hard rock influences are on show, you get dollops of Moltey Crue, hints of Iron Maiden, Kiss style riffage, post hardcore shouty bits and more... and the end result is another album that could just well help in making the mainstream cool again.

OK its not all good news, there are a few places, especially on the opening cut City of Thieves where the sound is a bit confused and messy and the result is that this album isn't as immediately accessible as the aforementioned BVB opus, but its worth sticking with, especially when it comes to the closing cut Demons Down Below, a track that has 'classic' scrawled all over it.

The bottom line is that this is the sound of the new mainstream, and if it means more of this kind of stuff, and less Nickleback, 30 Seconds To Mars, Theory of a Wifebeater kind of yawn rock then the world is going to be a better place.

Pretty damn good

For fans of... Black Veil Brides, Halestorm, Dear Superstar, Shinedown etc....

Tyketto - 'Dig In Deep' (frontiers) 3/5

Another US East Coast outfit on the comeback trail, Tyketto first emerged out of New York in the late 80's and like many of the second wave of US hair rockers had their careers cut short by the whole grunge movement of the early 1990's. They first split in 1996 after four albums, reformed in 2004 and broke up 'for good' three years later. However less than 12 months later they reformed and have spent the last four years touring their butts off world wide and preparing for this, the first album of new material in 16 years.

Now I will be honest and say I'm finding this on a little bit of a let down on first listen, I have a copy of the bands first album on vinyl, and find this latest offering a bit light weight in comparison. It's a wee bit too radio friendly for my tastes, a bit lacking in drive and balls. It' not until the fifth track on the album you get anything resembling a real rocker, when the the opening riff of The Fight Left In Me cuts in, but even then that riff resolves into something not all that gutsy and pretty middle of the road. In fact true rock out moments on this one are a bit few and far between. Theres the rather groovy slide blues of the title track and the riff heavy and driving Sound Off (the best cut on offer by a country mile), but thats about it really. The rest of the album is made up of light weight US daytime rock radio tunes, rather cheesy power ballads and sub Bon Jovi lighter wavers.

Shame because this album is well penned and played and you know that Tyketto are a band who can rock out like bastards when they want to, but here they never seam to get out of second gear. Still fm radio stations in the mid west will lap it up ever if the rest of the world may find this album a bit lacking in fire.

Try before you buy

For fans of... House of Lords, Beggars & Thieves, Bon Jovi, REM.....

Trixter - 'New Audio Machine' (frontiers) 4/5

Back in the late '80s / early 90's, New Jersey hard rockers Trixter were a promising new act in the second division of US rock. Their first two albums made small dents in the US rock charts and great things were expected, but following a rather disappointing album of cover versions in 1994 the band fell apart. however 2008 saw a reformation for a live album, a compilation album and reunion tour, and now at least we have the first album of new original Trixter material for 20 years.

Now this one starts of very strongly, the opening cut Drag Me Down kicks off with a sweet little blues fired acoustic moment, that has hints of Soundgarden about it, before cutting off into a pretty impressive Cinderella style hair metal workout, all sleazy strut,' na na na na' hooks and down and dirty riffage.

Having set the stall out Trixter continue with pretty much more of the same, and thats fine with me, cos listening to this album takes me screaming back to those heady days of hair spray heroes like Ratt, Poison, Nevada Beach and the like when the whole glam revival stuff provided the musical counter point to my heavier, more thrashy listening and kept me lurching drunkenly around dance floors well into the wee small hours.

Cuts like Dirty Love, Machine, Tattoos And Misery and Save Your Soul all sleaze from the speakers like a drunken personnel manager at an office party and start a party with your libido that could well end up in a compromising position with the girl from the typing pool and a final warning from the boss. And then there's the fantastic closing cut, Walk With A Stranger a number that sounds like Bon Jovi before they sold out to the MTV big hit single machine. Ok, there are a couple of skippers, namely the two cheese laden power ballads Live For The Day and The Coolest Thing, but I can over look two duff tracks when the other nine on offer are so strong.

Over all this is a pretty damn fine album and one that Trixter should be proud to have recorded.

Strongly Recommended

For fans of... Cinderella, Poison, Tyketto, Black Veil Brides etc....

Heart Of A Coward - 'Hope and Hindrance' (self released) 3.5/5

It seams that Milton Keynes has got a bit of a metalcore scene going at the moment, and the latest offering from the city of the concrete cow is this debut release from Heart Of A Coward.

Now I have a bit of love hate relationship with metalcore over all, especially the recent UK metalcore acts of the past few years. While some of it has been real cutting edge stuff, so much of it tends to fall back into the same old same old metal core cliches of by the number song construction and very formulaic and tiresome clean & dirty vocal interplay. So how does this one match up?

To be honest its a mixed bag. Some tracks such as We Stand As One, Light, Nightmare and the epic closing cut of Break These Chains they do have a shed load to offer as brutal blast and smash riffage is intercut with some nice AFI style acoustic moments and sound samples to keep a good flow going and maintain interest. However in a few places such as the track All Eyes To The Sky and especially on Shade, they fall back into the pit of metalcore cliche and seam to wander aimless down the path where a thousand others have gone before. A couple of years ago this sort of stuff was cool and cutting edge, now its just dull predictable.

Still this one does have more to recommend it than not and one metalcore fans should at least check out at some point.

Worth a look

For fans of... Terakai, AFI, Screaming Eyes, We Die Tonight, The Ottawa Hoax...

Elysian - 'Wires Of Creation' (self released) 3.5/5

Australian progressive death metallers Eylsain (not to be confused with the Greek power metal band of a similar name) are a fairly new edition to the worlds metal scene. They have only been together a couple of years and this is their debut release.

Now as far as debut releases goes this one isn't too bad. Blending elements of old school Pink Floyd style prog rock, with OSI / Dream Theater type prog metal and huge slices of growly voiced death metal stylings the band forge an interesting range of sonic soundscapes and moshable metal workouts.

Now to be brutally honest I'm finding this one a bit of a double edged sword. I'm loving some parts but others are leaving me a bit cold. It all comes down to the vocals of Ben Garner. Don't get me wrong as a deep gruff and growly death metal vocalist he is excellent, and on tracks like Sense Offender and Play The Hand, when Elysian are in full on metal mode he sounds great. But sadly when the rest of the band go off on their proggy trips and Mr Garner is still in growl and snarl mode the vocals don't seam to sit quite right with the music.
This is a shame cos Elysian are a band with a helluva lot of potential, but they need a bit more light and shade in vocal department to bring the best out of them. Maybe they should check out Fornost Arnors amazing 'Death of a Rose' album to see how a more subtle and considered approach to the vocals could really bring out the best of them.

Still this is a new band, still finding their feet, and this album still has a lot to recommend it over all and I'm sure that given time to develop they could mature into an act that could rank up there with the very best of them.

Worth checking out

For fans of... Fornost Arnor, Fates Warning, OSI, Opeth etc....

Job For A Cowboy - 'Demonocracy' (metalblade) 4.5/5

With three full length albums and three eps under their belt Arizona death thrashers Job For A Cowboy have been building a growing reputation as one of the underground metal scenes most likely to succeed, and now we have their latest album to remind us exactly what these guys have to offer.

Now I will confess that I've come late to the JFAC party, It wasn't until last years Gloom ep that I started to really pay them attention; and I'm seriously wondering what I've been missing, cos that aforementioned ep and this album here are a we bit good to say the least. There's a good load of of old school death metal in the bands sound, but also in there are some goodly slices of of Megadeth style thrashings and even hints of Bathory type black metalisms just to broaden the sound and lift the band above the same old same old death metal sensibilities.

There are nine cuts on offer here, each a finely crafted exercise in brutal metal excess.Vocalist John Davy grunts and snarls like a good un and the twin six stringers of Al Glassman and new boy Tony Sannicandro are to die for as they blend relentless steam hammer riffage and speed blur thrash outs with some some really rather beautiful melodic lead sections and Priest-U-like twin harmony lines.

It's hard to select any highlights as I'm liking the whole album lots but if I had to pick just one track for individual praise it would have to be the epic closer Tarnished Gluttony with its slow and doom laden opening, post sabbath riffs, glorious middle breakdown and relentless build up into a truly earth shattering, yet downbeat climax.

Very very good indeed

for fans of.. Not Above Evil, Exumer, Goatwhore, Megadeth....

Violet - 'The Brightside EP' (small town records) 4.5/5

Derby outfit Violet first got together a few years back they have issued their debut full length album back in 2010 and now have followed it up with this their current ep.

Now I like a band who likes to mix their genres and influences, and mixing it up is something that Violet do to the extreme. Take a track like Seven For A Secret, it kicks off with a guitar riff thats all Journey style stadium AOR, transmutes it into a nice commercial and melodic You and Me At Six type mainstream radio rocker and then... WHAM, from out of left field comes a wall of snarling and aggressive hardcore style vocals and razor blade riffing, then it spends the rest of the four minute play time bouncing the styles off each other like some huge game of musical bumper cars.

There are eight tracks on offer here, five on the main ep and three bonus cuts, and they all show the same glorious intermix and reciprocity of styles. You really do get a bit of everything, commercial mainstream rock vocal lines, old school hardcore growls and snarls, indie boy jangly guitars, massive stadium rock progressions, touches of metal riffage, dollops of post punk attitude... this ep is really one nice big bowl of musical chuckit served up as hot as it comes. Highlights? Well I'm loving all but the closing bonus track Away From Everything is to me this ones true stand out cut.

Now I know the mix of styles my alienate some of the less broadminded out there, but but believe me anyone who like s to experiment with their listening will find much here to reward them

Highly recommended.

for fans of... Converge, AFI, You And Me At Six, Dear Superstar, Funeral For A Friend....

Shinedown - 'Amaryllis' (Roadrunner) 4.5/5

Over their past three albums Florida commercial hard rockers Shinedown have been slowly building a reputation as a band that can bridge the wide gap between mainstream acceptability and underground chic, and now with the release of this their fourth album it finally looks like they are getting that ballance down to a fine art.

There are twelve cuts on offer here, each one a prime cut of note perfect commercial edged hard rock that puts nearly everything issued by their rivals (Nickleback, Theory Of A Wifebeater, 30 Seconds to Mars, You and Me At Six etc) well and truly in the shade. There really is something for everything on this one. You've got some great hard rockers like the highly headbangable Enemies and high energy anthem Nowhere Kids; there's some sweet little softer post indie work outs like the highly infectious Miracle and  the title track, Amaryllis - a cut that sounds a little like the great Crowded House at their best. Chuck in cuts like the REM flavoured power ballad I'll Follow You, the Black Veil Brides-u-like My Name (Wearing Me Out) and the epic closing number Through The Ghost, with its orchestra backing and dreamy melody and you end up with one of the best mainstream rock albums of recent years.

I think where this album wins over most other stuff in this vein, is the way its played and produced. Veteran producer Rob Cavallo is a bit of a master at bringing the best out of an act, and here he has worked his magic once more, the flow of the album is spot on and the sound is polished when it needs to be polished and mercifully left a little rough around the edges when it needs to rock out. Throw in some great musical performances from the band, especially from vocalist Brent Smith and guitarist Zach Myers and you really do get something worth taking note of.

In short this a great album and one that marks Shinedown as big players in the field of mainstream rock.

Highly Recommended

For fans of... Nickleback, Crowded House, Halestorm, Young The Giant, Kids In Glass Houses....

OSI - 'Fire Make Thunder' (metalblade) 4.5/5

Fates Warning / Arch Matheos guitarist Jim Matheos must be a contender for the hardest working man in rock award. Just six months or so after the release of the most recent Arch - Matheos album, he's back, working once more with Chroma Key (and ex Dream Theater) keys man Kevin Moore and Porcupine Tree drummer Gavin Harrison to bring us this the fourth album from OSI.


Now I'll admit I'm rapidly becoming a bit of a fan of Mr Matheos, and with this release he has cooked up another winner. From the dark and almost paranoic opening of Cold Call, which builds and builds for almost two minutes before the first killer guitar riff cuts in; to the desolate and bleak closing chords of Invisible Men; this whole album is a sonic ride through a glorious texture of sounds, styles and musical excellence. You get gloriously powerful metal riffing, some infectious pseudo electronic beats and rhythms and some truly inspirational prog rock moments, yet its all blended together into a superb whole that keeps the listener hooked from beginning to end.


Highlights include the almost Pink Floyd like Indian Curse, the Porcupine Tree influenced Wind Wont Howl and For Nothing, a track that has a certain blues feel about it.


In short Mr Matheos and Mr Moore have served up a fantastic album here, and with the once great Dream Theater falling apart at the seams and vanishing up their own backsides, it is one that may well catapult OSI into the top slot of US prog.


Very highly recommended


For fans of... Dream Theatre, Porcupine Tree, Panic Office, Opeth etc.....

Jack Blades - 'Rock And Roll Ride' (frontiers) 4.5/5

Legendary four stringer Jack Blades has had a bit of a glittering career, having done time in Rubicon, Damn Yankees & Blades and Shaw amongst others, he's still a key member of the classic AOR outfit Night Ranger, penned several movie sound tracks and played session for the likes of Ringo Starr, Ted Nugent, Motley Crue and a whole host of others to boot. And that's not to mention a long list of song writing credits.Yet he has still found time to bang out a couple of solo albums, of which this is the latest.

Now I will say from the off that I'm liking this one lots and lots. Rock and Roll Ride is an eleven track long old school rock and roll album, the sort of thing you used to get off the likes of REO Speedwagon before they sold out to the MTV vid kid movement. Kicking off with the highly boppable Back In the Game, this record just rocks. We get some great hard rockers like Born For This, The Who meets Tom Petty influenced Love Life and the superb title track that hints at classic Aussie rockers Rose Tattoo. Then there are other influences in here as well; West Hollywood is a fantastic piece of laid back west coast post psyche rock that hints at the likes of The Beach Boys and Supertramp. Closer Hey Now, is a nicely chilled out semi blues fueled cut that has an almost country rock vibe and Anything For You (penned by Cheap Tricks Robin Zander) is a classic pop-rock track of the old school. All in all this is a damn good album, and one I can't stop playing.

In short this album is a big of a gem and one I will recommend to anyone who likes classic US rock at its best.

Just great

for fans of... Cheap Trick, Night Ranger, REO Speedwagon, Tom Petty.....

Jeff Scott Soto - 'Damage Control' (frontiers) 3.5/5

New Yorker Jeff Scott Soto is definitely a guy who gets around a bit. So far he has sang for the likes of Journey, Talisman (the Swedish rock outfit, not the UK reggae band), Yngwie Malmsteen and a fair few more, sang sessions for every one from Brian May to Lita Ford and even done sond tracks for TV shows like Biker Mice From Mars and the movie Rock Star; and he still has found time to put out a string of twelve solo albums, of which this is the latest.

Now it cannot be denied that this guy as a great voice and knows how to use it to maximum effect. There are eleven cuts on offer here ranging from hard edged power ballads like If I Never Let Her Go and How To Love Again through to some great hard edged rockers like Krazy World and Look Inside Your Heart. Ok it does get a little bit cliche and cheesy in places, but there is still enough good stuff on show here to keep the interest going. Add in the fact that Mr Soto is aided and abetted here by the likes of Y&T's Dave Meniketti and Night Ranger's Joel Hoekstra and you do have an enjoyable if not exactly earth shattering album.


In short, a good effort that the AOR fans will love and the rest will find interesting at least.


Worth a quick look


For fans of... Journey, Drivin' and Cryin', Loverboy, Night Ranger, etc....

Veil Of Maya - 'Eclipse' (Sumerian) 3.5/5

This is album number four from Illinois progressive deathcore outfit Veil of Maya, a band who are very much caught up in the hip and happening djent scene at the moment.

Now I'm not sure if I like this one or not. There are places on this album like the brutal post hardcore riff fest of The Glass Slide and the progtastic Eclipse, that I can only describe as superb. Yet in other places such as the messy and over complex Divide Paths where any kind of vibe and musical flow has been sacrificed on the alter of seaming soulless math rock.

This is a shame, cos there is a lot of interesting stuff going on here, the musicianship is great and Brandon Butlers pig grunt vocals are as brutal and effective as it gets.

Still its horses for courses I suppose, and djentist and the like will love it up.

Try before you buy

For fans of... Periphery, Rolo Tomassi, Between The Buried And Me, The Faceless, Uneven Structure....

Delusion Squared - 'Delusion Squared II' (self released) 4.5/5

One of the biggest and most pleasant surprises of 2010 was the debut album from French prog outfit Delusion Squared, a dark yet alluring concept work about corporate control, genetic engineering and revolution. Now two years on we have this nugget of a follow up.

Once again we have a concept work, this time dealing with a dark and complex tale about the end of the world, and once again it is a tale well told through first rate musicianship and song writing.

Vocalist Lorraine Young has a sweet, almost innocent sounding voice, coming over a tad like the great Errin Williams - all restrained and with an almost childlike charm. Yet it works so well, when the other two (who I'll get to in a moment) a playing the soft folky type stuff it blends perfectly, then when the guys start to lean on it and rock it up a bit the juxtaposition is spine tingling. Just check out the middle section on Recipe For Disaster to see exactly what I mean.

As for the other two members of this project, Steve Francis and Emmanuel de Saint Meen - here are two performers of the highest level. Not only are they first rate musicians, but they have read the prog rock 101 instruction manual - Mark Kelly style keyboard widdles, Andy Latimer style guitar solos, interesting time signatures and key changes... and know how to apply them and keep just the right side of cliche - and they have also learned the biggest lesson of all. In music rules are made to be broken. And that is what makes Delusion Squared stand out head and shoulders above so many other of the generic proggy wannabes out there.

Highlights? well this is a smooth and seamless concept work, so picking out any individual track would be wrong, but my favourate moment has to be the shiver inducing Vertical Paradox.

In short this is another great album, but a truly great band.

Highly Recommended

For fans of... Mostly Autumn, Porcupine Tree, Pendragon, Camel, Darwins Radio....

Pretty Maids - 'It Comes Alive' (Frontiers) 4.5/5

Now there are a couple of odd facts about Danish melodic metal merchants Pretty Maids. Firstly, despite twelve critically acclaimed albums and lord knows how many singles and eps; and being almost household names in their native Denmark, they have never achieved much success beyond their home boarders, with the possible exceptions of Japan and parts of Germany, Austria and Switzerland. Secondly unlike many other acts, they have never issued a live album... until now (ok there were two live archive compilation releases but they don't really count as true live albums).

Now as I have said before in this blog, live albums are a bit like a certain yeast based spread, you either love the raw in your face sound and raw live on stage attitude and atmosphere, or you see them as an excuse to fob fans off with rehashes of old material. Now I am firmly in the former camp, I love live albums and I gotta say this one is pretty damn good.

Recorded in Switzerland on the bands recent Pandemonium tour, this 21 tracker is a great cross section of Pretty Maids impressive career. It blends some of their more recent material such as Wake Up To The Real World and Pandemonium with a shed load of the bands old faves such as Future World, Love Games and Hell On High Heals. In fact, if  you have yet to experience the wonderful worlds of Pretty Maids, then this album is a damn good place to start to get to know them better.

The performances from the band are first rate, and the response of the crowd is equally enthusiastic and infectious as the assembled faithful scream the hooks and chant along at every opportunity. All good stuff, well nearly, there is a rather tedious and over long version of Please Don't Leave Me, a big rawkin' power ballad, and a track I have never really liked, but thankfully its followed immediately but a storming ten minute version of the bands classic anthem Red Hot And Heavy that ends the album in fine style.

In short this is over all a great record and Pretty Maids fans will love it up, and those who are Pretty Maid curious will find this one a good starting place

Excellent

For fans of .. Royal Hunt, Vow Wow, Primal Fear, Gamma Ray etc....

Lay Down Rotten - 'Mask Of Malice' (metalblade) 3.75/5

This is release number eight from German death thrashers Lay Down Rotten and the first to feature guitarist Daniel Seifert who has recently joined as a replacement for founder member Daniel Jakobi, who laid down his axe at the tail end of last year due to personal commitments.

Now on first listen I gotta say this one is pretty enjoyable if not groundbreaking. There are ten cuts on offer, all nice and well delivered slices of fairly typical Teutonic death bludgeon; you get the growled vocals, the death and the devil lyrics, riffs that switch frequently between 100mph speed blur and slow and menacing smash and grind, some nice little interludes where monks chant, latin is spoken and people give confession... If you know your death trash you will already know exactly what to expect.

So no marks for originality, but I will give these guys their due and say this is still an enjoyable and very listenable album, and I will give special praise to the aforementioned Herr Seifert and his oppo Nils Forster for some fairly impressive guitar work, both on the riffing and the lead, the slow and plaintiff lead on The Devil Grins is especially noteworthy

Other highlights include the dark and devilish The Serpenta Canta, the pound and grind of Swallow The Bitterness and the opening thrash out of Death Chain.

All in all, although this album is a bit formulaic it is not without merit.

Worth checking out.

For Fans of... Exumer, Charred Walls Of The Damned, Slayer, Testament....

Viking Skull - 'Cursed By the Sword' (transend) 4.5/5

This is the third full length opus from Corby based 'Viking' metal outfit Viking Skull and the first for Transend.

Now from the off lets clear up any confusion, although Viking Skull do admit to being influenced by and inspired by all things viking, this album is not true Viking metal as such, there's no Amon Amarth / Falconer / Turisias / Kivimetsan Druidi style longship rowing epic nordic stylings here. Instead on first play of this album you get huge chucks of Battleaxe and Fist style NWOBHM and large helpings of post NWOBHM aggression in the style of acts like Drunken State all wrapped around a vocalist who does a damned good Blackie Lawless (WASP) impression. And to be honest I am pleased about that, cos the result is a Brit band playing tin the classic Brit metal style that I grew up listening to and as a result is right up my musical street.

To say I'm liking this one lots is a gross understatement. There are ten tracks on offer, all sweet as a nut old school headbangers that take me back to those air punching and head banging days back at Bristols old Granary Club in the 1980's. You get cuts like the savage and boogie driven Machine Gun Honey,  the AC/DC fueled Second Left On Harris, which features classic lyrics like 'I've got 1,000 watts of rock and roll, turn it up and watch your neighbours cry' and fantastic tongue in cheek beer goggle anthem You Look Like I Need A Beer. It's larger than life, in your face and what's more important, is delivered with a sense of humour that in these days of dead pan metal is a breath of fresh air. However my fave track here has to be the Sabbath inspired Sleepwalk, a true metal epic if ever there was one.

Musically this album is first rate, its aggressive and heavy yet it still manages to maintain a full on dance-floor friendly boogie attitude that will make even the squarest of old metal-heads wanna dust off the old air guitar and jam along; and that is something the current UK metal scene needs more of. The production here is spot on as well. it's tight enough to pull the sound together nicely but remains loose enough to allow the bands raw attitude and fire to shine through to the max. Not a balance that is easy to achieve.

Over all this is a great record and one I'll be playing a lot, both on air and for my own pleasure.

Well worth getting

For fans of... Motorhead, Black Sabbath, Iron Maiden, Saxon, Battleaxe, Drunken State...

Furyon - 'Gravitas' (frontiers) 4.5/5

When the Sunday Rockshow first launched on BCFM one of the first unsolicited demos to arrive was from a young Brighton band called Furyon. I was very impressed with what was on offer and have been following the bands development from a distance ever since. Now five years on we have this their first full length release on key international rock label Frontiers.

And what a release it is. One of the things that really impressed me about aforementioned early demo was the bands ability to write and construct classic metal tracks yet at the same time keep them sounding fairly accessible and radio friendly, and that has not changed. The opening cut on this one Disappear Again manages to come over as accessible and FM happy as anything the likes of Nickleback or Avenged Sevenfold can cook up, yet still manages to keep a good old school Saxon / Marshall Law metal vibe going at the same time, and that's no mean feat.

Then with the stall well and truly set out Furyon go on to show their diversity. To pick just a few highlights... Stand Like Stone comes over a bit like Iron Maiden jamming with Mastodon, Don't Follow mixes Lamb Of God style riffage with a classic vocal delivery from Matt Mitchell that reminds me somewhat of a husky Rob Halford. Voodoo Me, a re-recording of what struck me as the stand out track on that early demo, is a classic little pop-metal number that comes over like Tygers Of Pan Tang on a Def Leppard trip and Our Peace Someday is a track as good as anything Ion maiden have delivered on their past few album and features some fantastic guitar work from Pat Heath and Chris Green.


However to me the stand out cut is the closer, Desert Suicide, which starts out sounding a little like a classic Canterbury era Diamond Head number, all darkly acoustic with shock beats then builds and build into a spine tingling epic where the light and shade are played to maximum effect and it leaves the listener feeling they have indeed just heard something very special indeed.


Over all this is a cracking album that should help shove Furyon up the league of British metal and bring them closer to recognition they undoubtedly deserve.


Very highly recommended


For fans of... Avenged Sevenfold, Diamond Head, Iron Maiden, Marshall Law.....